玩偶

玩偶 (1968)

Lalka
导演: 沃伊切赫·哈斯
主演: 马里乌什·德莫霍夫斯基 / 贝娅塔·蒂希基维茨 / 菲耶夫斯基·塔德乌什 / Jadwiga Gall / 维斯拉夫·格拉斯 / 卡里娜·谢鲁斯克 / Jan Koecher / 扬·克雷奇马尔 / 塔德乌什·孔德拉特 / Halina Kwiatkowska / 安杰伊·瓦皮茨基 / 扬·马休斯基 / Józef Pieracki / Janina Romanówna / Anna Seniuk / Irena Szramowska / Wladyslaw Dewoyno / 卢德维克·伯努瓦 / 克雷斯蒂娜.费尔德曼 / Aleksander Fogiel / Andrzej Hrydzewicz / Henryk Hunko / Julian Jabczynski / Janusz Klosinski / 博古米尔·科别拉 / Jan Kociniak / 理夏德·科蒂希 / 瓦迪斯瓦夫·科瓦尔斯基 / Tadeusz Kozusznik / Eliasz Kuziemski / Bernard Ladysz / 克日什托夫·利特温 / Józef Lodynski / 兹齐斯瓦夫·马拉凯维茨 / Artur Mlodnicki / 玛利安·奥帕尼奥 / 伊雷娜·奥斯卡 / Kazimierz Ostrowicz / Igor Przegrodzki / Jerzy Przybylski / 维托尔德·皮尔科什 / Andrzej Rettinger / 伊丽莎白·斯塔罗斯泰丝卡 / Pawel Unrug / Zygmunt Urbanski / Marian Wisniowski / Tomasz Zaliwski / 索菲娅·切尔文斯卡 / 约瑟夫·弗里兹莱维奇 / Jerzy Jogalla / Waclaw Kowalski / Andrzej Krasicki / Jerzy Moes / Agnieszka Perepeczko / 沃杰奇·索拉兹 / 弗朗齐谢克·特热恰克 / Kazimierz Wilamowski
类型: 剧情,爱情
地区: 波兰
片长: 139分钟
豆瓣: 3264018
豆瓣评分
7.6
★★★★★

✨ Moovie 推荐语

《玩偶》(Lalka/The Doll)由沃伊切赫·哈斯执导,以诗意写实主义重构19世纪华沙全景。叙事聚焦新富商人沃库尔斯基的阶级跨越与偏执痴恋,深度解构理想主义幻灭、贵族阶层腐朽与社会契约瓦解。影片通过“阶级跃迁悲剧”、“金钱与情感错位”、“历史创伤修复”等母题,精准捕捉波兰民族性中的社会学阵痛与反犹暗流。视听语言透出冷峻压抑的古典质感,马里乌什·德莫霍夫斯基与贝娅塔·蒂希基维茨将个体欲望博弈推向存在主义巅峰。其文学内核承袭司汤达与左拉,极具社会心理密度。该片适合喜欢波兰电影学派、现实主义文学改编及《红与黑》、《包法利夫人》式阶级悲剧史诗的观众。

剧情简介

The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

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