✨ Moovie 推荐语
《8天就死去的怪兽的12日谈》(The 12 Day Tale of the Monster that Died in 8 / 8日で死いた怪獣の12日の物語) 岩井俊二执导，斋藤工本色出演，融合私纪录片与特摄美学的疫情时代寓言。密闭隔离空间、胶囊怪兽养成、药物命名隐喻，构成三重存在主义困境：Avigan、Remdesivir、Ivermectin既是抗病毒符号，亦是孤独者的情感投射。樋口真嗣特摄基因与《奥特赛文》童年记忆交织，低像素网络影像、元游戏叙事、迷影梗密集堆叠，形成温柔而荒诞的治愈仪式。核心母题：媒介考古作为抵抗虚无的巫术，玩具重构现实，孤独个体通过虚构仪式重建联结。冷峻中见童真，碎片中藏史诗。该片适合喜欢《情书》式记忆诗学、园子温元电影实验、或《奥特系列》特摄考古的观众。
剧情简介
What can we do to fight an invisible enemy like Covid-19? Japanese special-effects wizard Higuchi Shinji thinks we should use our Godzilla toys as magic-conductive tools for this fight, and put an instruction video on YouTube. Iwai Shunji took up the idea and turned it into a 12-part internet series about the way model/actor/director Saitō Takumi (playing himself) passes his solitary-confinement days by raising three tiny monsters, so-called capsule kaijū: Avigan, Remdesivir and Ivermectin. This is something he and Higuchi remembered from their childhood days, from the well-loved special-effects TV series Ultraseven (1967-68), whose hero also grew little helpers. What looks at first like a sweet audio-visual jest with masses of in-jokes and references, reveals itself on closer inspection as an existential show of belief in cinema and television, their shared history as a source of magic, and of remembrance and play as forces of healing.
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