爱情灵药

爱情灵药 (2005)

Donizetti: L'Elisir d'Amore
导演:
主演: Anna Netrebko / Rolando Villazón / Ildebrando D'Arcangelo / Leo Nucci / Alfred Eschwé / Vienna State Opera Chorus / Vienna State Opera Orchestra
地区: Austria
豆瓣: 3676992

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《爱情灵药》(Donizetti: L'Elisir d'Amore) 锁定 2005 年维也纳国家歌剧院巅峰现场。本片以多尼采蒂经典美声歌剧为基底,杂糅纯爱母题、乡村浪漫与阶级博弈。Rolando Villazón 献上卓别林式滑稽表演与细腻声乐,重构纯朴青年内莫里诺;Anna Netrebko 以顶级花腔张力与巨星磁场完美适配阿狄娜。叙事贯穿“爱情秘药欺诈、情敌对立、卑微暗恋觉醒”等冲突。Alfred Eschwé 执棒注入明快节奏,视觉承袭 Jürgen Rose 典雅复古审美。全片散发意式歌剧的轻盈与深情,是 Bel Canto 传统的当代礼赞。该片适合喜欢《波希米亚人》、罗西尼喜剧及 Netrebko 与 Villazón 黄金时期化学反应的观众。

剧情简介

Three new releases this month (March) feature tenor Rolando Villazon--a CD of Zarzuela arias, one of works by Monteverdi, and this new DVD of a performance at the Vienna State Opera in 2005 of Donizetti's L'Elisir d'amore. Villazon is a remarkably versatile tenor and he puts his individual stamp on everything he does. Nemorino was a role in the repertoire of all "three tenors" in the 1970s and '80s: Domingo brought a certain smoothness to it early in his career, but his voice soon grew too heavy; Pavarotti was simple, affectionate, and bright-toned; and Carreras had vulnerability and warmth. Villazon has it all. The voice gleams at the top, the baritonal bottom adds tenderness in introspective moments, and he handles the coloratura handsomely. He's even a master at messa di voce--that glorious affect in which a note is attacked softly, swelled to almost forte and then drawn back to pianissimo--and he uses it at the close of his big aria, "Una furtiva lagrima". After two minutes of applause from the normally reticent Viennese audience, he repeats the aria, with even greater nuance. Villazon makes everything the bumpkin Nemorino says and does seem spontaneous. With his mop-top hair and big eyes he seems to be channeling Harpo, Chico, and Chaplin at once. He's a born ham--he juggles three pieces of fruit while singing one aria--and he offers one of the most delightful portrayals of the role ever. The gorgeous Russian superstar Anna Netrebko is his beloved Adina and she seems likewise relaxed; she executes endless streams of coloratura with beautiful tone and ease, and she's truly alert and appealing. The two share a one-minute-long kiss that has the audience erupting in applause. Bass Ildebrando d'Arcangelo makes a nicely snide, mellifluous, younger-than-usual quack Dr. Dulcamara, and veteran baritone Leo Nucci still has it as the boastful soldier, Belcore. Conductor Alfred Eschwé clearly realizes he has struck gold with the casting (apparently Villazon and Netrebko were thrown into the show on a couple of weeks' notice), and he leads an energetic and tight reading of the score. The traditional sets and costumes (from 1980, by Jürgen Rose) are charming, and the direction for both stage and TV is fine. Choice of DTS 5.0 Surround, Dolby 5.0 Surround, and LPCM Stereo; subtitles in English, Spanish, French, Italian and German. A real treat. --Robert Levine, ClassicsToday.com

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