Moovie 影牛
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露西（桑德拉·布洛克 Sandra Bullock饰）有着平凡的职业，平凡的长相。每天在车站售票处寂寞的工作着，生活唯一亮色就是天天都盼望着准时在车站出现的英俊的彼特（彼得·盖勒 Peter Gallagher饰）。她默默坚持的感情终于在一个圣诞夜有了进展——她救起昏迷在车站的彼特，送往医院，被闻讯赶来的彼特家人误认为她就是彼特的女友。于是，露西既尴尬又不失幸福地接受了这个误会，悉心照料一直昏迷的彼特。 彼特的家人这么热心，亲情的包围这么温暖，露西不舍得离开，谎言一个个说下去。但是，这引起了彼特弟弟杰克（比尔·普尔曼 Bill Pullman饰）的怀疑，出人意料的是，杰克的出现并没有带走露西的幸福，反而让露西终于寻获自己的幸福……
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乔（汤姆•汉克斯 Tom Hanks 饰）和凯瑟琳（梅格•瑞安 Meg Ryan 饰）是生意上的竞争对手。凯瑟琳经营着母亲留下来的小书店，那里温馨宜人，已有40年历史，为街坊所熟知。乔却是同街一间大书店的老板，凭着自身优势，一开业就搞低折扣、服务佳的策略。凯瑟琳十分排斥他的入侵，白天二人展开斗法。不料晚上却在互联网的虚拟时间中结为挚友，不知道彼此身份的夜谈，让他们感情迅速升温。 虽然他们都有自己的情侣，但网络中倾心的交往令他们决定要出来见见面。然而就在此时，乔却意外知道了这个网上知己的真实身份，从此对凯瑟琳有了全新的认识，暗暗忖度该如何接近佳人……
Sam (Matthew Broderick) is the reasonable man in a crazy urban world, the man of thoughtfulness and refined taste in a landscape of Leroy Neiman paintings and beer commercials. The guy would sooner cook for an hour over a hot stove than say `supersize it.' By day he's a store clerk in an upscale gourmet eatery, and these scenes raise a smile, especially for anyone who's visited the actual chain in New York City -- the portrayal isn't far off from the reality. Our man is besieged by hoards of customers who want their imported French cheese cut to impossibly exact standards. His efforts to remain outwardly polite (while you know he'd like to take the cleaver to the relentless clientele) are pretty funny, and will warm the hearts of clerks everywhere. In general, Broderick is in good form and provides the movie with most of whatever lightness it possesses. Sciorra's lovelorn dental hygienist, Ellen, is fine enough, too, and her unknowing interaction with our cheese-slicing hero shows some hopeful chemistry, and you may begin to feel you want to see these two get together. One of the main competitors for our lady's affections, a stockbroker (Kevin Anderson), is played as caricature: he's the beer swilling frat-boy whose idea of after-sex sensitivity is flipping on the football game. He's kind of funny at times, but the movie might be stronger if he was written or acted for us to like him more, instead of having us merely recognize him as the flat-out `wrong' guy in comparison to Broderick's sensitive man. Think of John Candy in Splash, taking a cigarette and beer can to the racquetball game; we know his lifestyle is not the one our hero should emulate, but we can't help but be charmed by the likeable goon. Whereas this character is merely a goon, and pretty unlikable all around. While it's a nice enough light movie for the first half, for me the story was somewhat derailed by its unbelievable (Hollywood) presentation of sex and adultery. (SPOILER AHEAD, skip to next paragraph.) When Ellen returns home after an evening's misadventures, she is naturally faced with the questioning husband (Michael Mantell). Quickly admitting her own indiscretion, she then immediately turns the situation around, demanding to know why the guy had gone ahead and bought a house without discussing it. Granted, it's a valid issue, and granted, many people use this countering maneuver in arguments. What's unbelievable is what happens next: the guy starts responding to her question, addressing the house-issue in a quiet, thoughtful manner. WHOA. You'd be hard pressed to find a married person in the world who, when faced with his/her partner's totally unexpected adultery, would be ready to address anything so calmly. The guy would surely be bouncing off the walls, or else crushed into silence and tears - but see, then we might actually feel for the poor schnook, and we'd see Sciorra's character in a poor light. And since that particular audience reaction doesn't serve the romantic comedy, the story tries to sneak around it. You may start to feel that, like the husband, you're being taken. Further dissatisfaction is just around the corner in the ending. We realize this is where misunderstandings will get sorted out, and our couple will finally see a clear path to one another. We want the satisfaction of rooting for them. But it's marred by another unbelievable character reaction, followed by an abrupt conclusion that feels rushed and forced, too easy and unearned. You may feel as though the movie's cheating on you again...
玛莎（艾伦·德杰尼勒斯 Ellen DeGeneres 饰）每日沉浸在工作之中，根本没有时间谈情说爱，因此，年近三十的她依旧过着单身生活。某日，一位名叫威曼（比尔·普尔曼 Bill Pullman 饰）的男子出现在了玛莎的身边，威曼英俊、多金、迷人又慷慨，更重要的是，他似乎对玛莎情有独钟，遇见这样一位几乎完美的白马王子，玛莎立刻被迷昏了头脑。 玛莎决定同威曼结婚，然而此时，她却发现，威曼并不是她所想象的那样完美。威曼的女友尹佳（琼·库萨克 Joan Cusack 饰）疯狂而又善妒，而他的母亲（琼·普莱怀特 Joan Plowright 饰）是一个离不开自己儿子的女人，更糟糕的是，威曼对玛莎的爱意似乎已经浓烈的超越了正常范围。
科妮（罗姗娜·阿奎特 Rosanna Arquette 饰）是博迪（桑德拉·布洛克 Sandra Bullock 饰）最要好的朋友，在一场电视访谈中，她竟然大谈特谈自己和博迪的丈夫比尔（迈克尔·帕尔 Michael Paré 饰）之间的奸情，而之后，比尔也在电视节目中承认了自己的不忠，一怒之下，博迪带着女儿波尼斯（梅·惠特曼 Mae Whitman 饰）回到了母亲位于得克萨斯州的老家。 虽然是比尔有错在先，但博迪却遭到了众人的嘲笑和白眼，大家都很乐意看到曾经高高在上的校花在婚姻中灰头土脸的样子。在老家，博迪见到了自己的初恋情人贾斯汀（小哈里·康尼克 Harry Connick Jr. 饰），在博迪最黑暗的日子里，是贾斯汀给她带来了一丝丝的温暖。
女主相亲前一天晚上把闹钟定错了，结果第二天误打误撞的和另外一个男士约会，他们却意外地谈得来，但是当他们发现这一切都是巧合，两人的爱情又将何去何从？
What's the only feature film in Hollywood history ever to be narrated by an Academy Award? You guessed it - Susan Slept Here. After introducing itself, the handsome statuette invites us into the apartment of its owner, screenwriter Mark Christopher (Dick Powell). Knowing that Powell is working on a script about juvenile delinquency, a couple of policemen on the night beat deposit teenaged troublemaker Susan Landis (Debbie) on Powell's doorstep - just as he's about to go out on the town. Somewhat terrified by Debbie's erratic behavior after having tried an escape from the two cops, Powell vows to keep their relationship platonic as the kid spends Christmas week in his bachelor pad, but his beautiful fiancée Anne Francis comes to suspect the worst. It soon becomes apparent that Susan is more fun than the stuffy fiancée and its easy to see why Dick Powell falls in love. Though their age difference initially poses a problem - Susan at 17, Mark at 35 - they fall happily in love - after a bevy of misunderstandings and bumps along the way. Susan Slept Here was Dick Powell's last starring feature film after more than two decades of stardom - he continued his career behind the scenes from this film on. During production, Powell at age 50 was a full 28 years older than his leading lady Reynolds, who clocked in at 22 - the same age as 'the older woman' - Anne Francis. Though the age gap is glaringly obvious and somewhat troublesome, the charm and talent of these great stars shines through and makes Susan a thoroughly enjoyable experience.
自从妻子去世后，萨姆（汤姆·汉克斯 Tom Hanks饰）就相信自己此生的爱已经走到了尽头，不会再有新的恋情走进心中，他在西雅图和儿子乔纳一起平静的生活。而乔纳，却一直希望爸爸能够开始新的婚姻，重获生活的阳光。 抱着这样的想法，乔纳在圣诞夜打电话到电台的情感热线。就这样，萨姆的经历在此夜传遍了各个角落，很多人在倾听他的故事，其中包括安妮（梅格·瑞安 Meg Ryan饰）——一个住在东部的女记者。她善良，温柔，有一个知心的好友，和一个即将结婚的男友。然而，幸福的生活就被这个电话彻底打破了。她的内心有一种冲动，让她一步步地接近这个远在西部的男人。 然而，一次次辗转的错过让萨姆和安妮迟迟不能会面。屡次在缘份的天空下失诸交臂的二人，一直为爱而奔波，等待一个遇见的机缘。
琼（桑德拉·狄 Sandra Dee 饰）最大的梦想，时能够成为一名女明星，但如今，她还在追逐梦想的途中，因此只能做女佣来维持生计。琼的雇主是一个名叫汤姆（鲍比·达林 Bobby Darin 饰）的上班族，每天，汤姆准时出门上班，之后琼前来打扫，他们两人实际上并未照过面，仅仅靠着电话联系，汤姆一直以为给自己打扫卫生的，是一个日本老太太。 这一天，汤姆被上司派往外地出差，哪知道出差临时取消了，汤姆只得返回家中，路上，汤姆乘坐的出租车恰好撞到了琼所乘坐的出租车，两人就此相识了，他们在酒吧里畅聊了一晚。当汤姆提出要送琼回家时，琼并不想让汤姆看到自己破败的公寓，于是谎称汤姆的家是自己的家。
讲述一个女人为了减轻未婚夫逝世的痛苦，开始给他的旧手机发送浪漫的短信，结果这个电话号码现在是同城的另一个男人在用，他也正在经历同样的心碎时刻。两人见面后，感觉到了不可否认的联系，但似乎无法将过去抛在脑后，乐坛天后席琳·迪翁的音乐和她的影响力给了他们再次尝试爱情的勇气。据悉，天后本人除了亲自参演之外，也担当了本片的制片人之一。
在第一次世界大战中，查理斯（罗纳德·考尔曼 Ronald Colman 饰）受伤并失去了记忆，几十年的人生突然变成了一张白纸，带着迷惘和绝望的心情，他与舞女波拉（葛丽亚·嘉逊 Greer Garson 饰）邂逅了。在得知了查理斯的情况之后，波拉果断的担负起了照顾他起居的职责，在波拉的精心照料下，查理斯渐渐的康复起来。尽管记忆并没有恢复，但重拾了阅读和写作能力的他成为了一名作家。 一场意外的车祸唤醒了查理斯脑海中的记忆，同时也带走了关于波拉的一切。伤心欲绝的波拉并没有就此放弃，而是以秘书的身份再次接近了毫不知情的查理斯，这对心心相印却一再错身而过的情侣能否获得圆满的结局呢？
养尊处优的酒店继承人（琳赛·洛翰 Lindsay Lohan 饰）才订婚不久，便因一场滑雪意外完全失忆。幸好蓝领阶层的英俊木屋主人（考德·欧威尔斯特利特 Chord Overstreet 饰）和他聪慧早熟的女儿收留了她，三人共同度过圣诞节前的时光。
比尔（艾伦·艾克哈特 Aaron Eckhart 饰）不知道自己的生活怎么会沦落到如此的地步。在岳父所经营的银行里，他是个毫不起眼没有前途的小小职员，在本该温馨和幸福的家庭里，妻子杰斯（伊丽莎白·班克斯 Elizabeth Banks 饰）对自己的郁郁不得志毫不关心，反而和新闻主播齐普（蒂莫西·奥利芬特 Timothy Olyphant 饰）大搞暧昧关系。再看看自己，硕大的肚腩和令人感到不安的发际线，一切的一切都让他失去了对生活的期望。 一次偶然中，比尔结识了神秘的少年（罗根·勒曼 Logan Lerman 饰）和美艳的内衣销售露西（杰西卡·阿尔芭 Jessica Alba 饰），在两人的鼓励和帮助下，比尔重拾了信心，决定要从内到外，来一次彻彻底底的大改变。