类似《爱情无色无味》的电影推荐

按内容相似度排序,推荐理由根据共同类型与主创信息生成。

爱情无色无味 豆瓣 7.4
参考电影

爱情无色无味

2001 剧情,爱情,悬疑 澳大利亚,德国

莱昂(安东尼·拉帕格利亚 Anthony LaPaglia 饰)人到中年,和妻子索尼娅(凯瑞·阿姆斯特朗 Kerry Armstrong 饰)之间的关系早已经十分疏远,名存实亡。家庭之外,莱昂有着一位交往甚密的情人简(蕾切尔·布雷克 Rachael Blake 饰),在简那里,莱昂能够短暂的找回自信和激情。 索尼娅察觉到了丈夫的异样,但是她选择将一切的愤怒和痛苦隐藏在心底。心理治疗师瓦莱丽(芭芭拉·赫希 Barbara Hershey 饰)是索尼娅的树洞,常常开导和安危她,可是,瓦莱丽也必须面对自己内心里的黑洞——她的女儿成为了一场谋杀案中的受害者,她至今无法从失去女儿的悲痛之中走出来。某日,瓦莱丽突然失踪了,莱昂对她的下落展开了调查。

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爱情色香味 豆瓣 5.5

爱情色香味

1994 喜剧,爱情 中国香港

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安(周海媚 饰)和史丹利是一对结婚多年的夫妻,两人之间虽然有着很深厚的感情基础,却因为性生活不协调而渐行渐远。面对史丹利的退缩和避让,安感到非常的伤心,于是决定和一帮好友前往泰国散心。 安的这一群好友各个都是玩咖,保时捷(张兰英 饰)只追求现在不奢望永恒, 总是辗转在一段又一段的闪恋恋情之间。阿肯(麦兆辉 饰)不相信爱情,只相信身体和身体的碰撞。亚基(曾航生 饰)是一名同性恋者,特殊的性取向让他在感情的道路上屡屡碰壁。被这样一群特立独行的朋友们环绕着,安渐渐开始怀疑起自己保守的爱情观来

藕断丝连

藕断丝连

2019 剧情 美国

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Marin is a young French woman living in New York City finds herself disconnected from her body, boyfriend and family. During a tumultuous weekend, highlighted by chance encounters with a stranger and an ex-boyfriend, she starts to find her voice

毫无意义 豆瓣 6.8

毫无意义

2010 剧情,喜剧 法国

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爱丽丝(伊莎贝尔·于佩尔 Isabelle Huppert 饰)是一名性工作者,奔放的个性和优越的外表让她成为了客人中的头牌,她自己也很享受这种放荡不羁的生活。然而,任何的日子过久了都会令人感到乏味,渐渐的,爱丽丝不再热爱自己的事业了,内心麻木而又空洞的她决定向心理咨询师寻求帮助。 爱丽丝预约的是一位名叫萨米耶(伯利·兰内尔 Bouli Lanners 饰)的心理医生,谁知道,萨米耶也正在为自己的职业而感到烦恼,他发现自己再也无法忍受他的患者们的那些滔滔不绝的乏味故事了。在这个节骨眼上,爱丽丝出现了,两人的身份神奇的发生了逆转,爱丽丝开始用自己特殊的方法,替萨米耶治疗他的职业病。

娜塔丽 豆瓣 7.1

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2003 剧情 法国,西班牙

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伯纳德(杰拉尔•·德帕迪约 Gérard Depardieu 饰)和凯瑟琳(芬妮·阿尔丹 Fanny Ardant 饰)是一对生活优渥的中产阶级夫妇,他们朋友众多,友善好客,但是夫妻感情却似乎出现了问题。在凯瑟琳生日当天,伯纳德没能及时赶回来参加派对。次日,丈夫手机中一条暧昧的留言又让凯瑟琳疑窦丛生。在此之后,他来到一家俱乐部,找到脱衣舞女马琳娜(艾曼纽·贝阿 Emmanuelle Béart 饰)。马琳娜工作之余以私人侦探的身份赚取外快,她接受了凯瑟琳的委托,化名娜塔莉去试探伯纳德。 随后的日子里,娜塔莉不断向凯瑟琳报告她和伯纳德的感情进展,这令凯瑟琳对丈夫的信任几近崩溃……

迷惑 豆瓣 7.2

迷惑

2000 剧情,爱情,音乐 法国,比利时

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富家子弟西蒙(Stanislas Merhar 饰)深深爱着自己的女友艾瑞安娜(Sylvie Testud 饰),他的爱甚至到了偏执的地步。他要掌握艾瑞安娜每天的动向、说过的话、接触的人,任何感情破裂的蛛丝马迹都令西蒙痛苦不已。 从一卷海滩度假的录像带上,西蒙发现女友和身旁的女孩轻声耳语,这个画面成为他痛苦之源。她们说了什么?她们是什么样的关系?她对我的感情如何?这一切都令西蒙痛不欲生,他不断追寻着自己脑中的幕后真相,而同样深爱着他的艾瑞安娜默默地接受这一切……

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2004 剧情 意大利

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26岁的瓦莱丽亚是个保守而孤独的女孩。她在都灵做翻译员,生活平淡,除了一个她暗恋的男子马西莫。马西莫搬去罗马后,她决心也跟着他离开都灵。一路上,她得知马西莫的女朋友弗拉维娅,而一次意外使得两个女孩变得亲近。很快,瓦莱丽亚了解到马西莫和弗拉维娅这对完美情侣的形象原来是虚假的。马西莫转而向她示爱,而她却婉拒好意,专心投入到自己的小说创作中,追寻另一段无疾而终的恋情……

不安 豆瓣 6.9

不安

1954 剧情 西德,意大利

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Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

帕利坦 豆瓣 5.3

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When a dare pushes two couples into an orgy, suppressed feelings rekindle between the two ladies, who were once bestfriends and lovers.

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受金钱和匿名性的诱惑,网络色情博主亚伦·伊格尔答应了一名客户共度春宵的请求。然而他却震惊地发现,为他付费的神秘陌生人与他之间竟存在着某种私人联系。一夜之间,两人展开了一场言语与情感的较量,他们共同面对着一段不堪回首的往事。凭借精湛的演技、紧凑的剧本和优雅的视觉风格,这部非同寻常的惊悚片带来了一场震撼人心、引人入胜的观影体验。

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2004 剧情,爱情 美国,加拿大

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Jack Linden (Mark Ruffalo) and Hank Evans (Peter Krause) are best friends who both teach at the same university in a small New England town. They both have young children and Jack's wife, Terry (Laura Dern) is close with Hank's wife, Edith (Naomi Watts). But while things appear happy on the surface, there are smouldering pockets of discontent underneath. Financial struggle and domestic boredom has drained the passion from Jack and Terry's marriage, while Hank's numerous infidelities and self-absorption has prompted Edith to find both comfort and sexual fulfilment with Jack. As Jack begins spending more and more time with Edith, it becomes obvious to Terry, whose anger culminates in a sexual encounter with Hank. Now that the deception has come full circle, both couples are left to decide the futures of their shattered unions...