吟游诗人 ⭐ 8.1

吟游诗人

1988 剧情,爱情 苏联

谢尔盖·帕拉杰诺夫,1924年生于前苏联格鲁吉亚的第比利斯,父母都是亚美尼亚人。从小就显示出他对色彩的敏感和天神一般的绘画天赋。除了绘画,从小他就对电影和音乐有着浓厚的兴趣。1945年,他21岁,求学莫斯科是他一生的转折点。他进入俄罗斯电影学院(VGIK)导演系学习拍片。这是一个历史悠久的著名电影学校,为欧洲大陆贡献了大批电影大师。之后成为老师杜甫仁科的助手,杜甫仁科是苏联诗电影的祖先,塔尔科夫斯基和帕拉杰诺夫都得益于他的教诲。 根据俄罗斯作家莱蒙托夫的故事改编。一个游吟诗人在路途上花了一千个白天和黑夜,随时随地尽其所能为人们带来快乐。他的流动的生活方式看似毫无目的,其实不然。他希望在一千个日日夜夜之后,能够挣到足够的钱举办婚礼......如果新娘还在等他的话。 Wandering minstrel Ashik Kerib falls in love with a rich merchant's daughter, but is spurned by her father and forced to roam the world for a thousand and one nights - but not before he's got the daughter to promise not to marry till his return. It's told in typical Paradjanov style, in a series of visually ravishing 'tableaux vivants' overlaid with Turkish and Azerbaijani folksongs.

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安德里耶什 ⭐ 7.2

安德里耶什

1954 剧情,儿童,奇幻 苏联
💡 由同位导演 谢尔盖·帕拉杰诺夫 执导,叙事风格与艺术造诣一脉相承

Parajanov's diploma film for the VGIK, based on the Moldavian fairy tale by Emilian Bukov. A young shepherd is given a magical instrument from a giant.

尤里西斯的凝视 ⭐ 9

尤里西斯的凝视

1995 剧情,历史,战争 希腊,法国,意大利,德国,英国,南斯拉夫,罗马尼亚,阿尔巴尼亚,波黑
💡 同属优质剧情片,风格与本作高度契合

本片开始回顾了一战时第一部反映巴尔干半岛的默片,内容是描述纺织女工生活的场景。主人公(哈威·凯特尔 Harvey Keitel 饰)是个希腊裔美国人,在经历战争洗礼后,他怀着感慨的心情重归故里,寻找电影开始的地方。他跟同伴讲述着曾经在这里度过的岁月,怀旧而伤感。特别是看 到教徒手持火把游行的情景,勾起了他对残酷战争的回忆。最后,他决心逃离。大雪漫天,他要了辆出租车,并答应送一位老人回家乡看看。然而,满目疮痍的战争废墟,让老人无家可归。汽车在雪地里抛锚,他只能登上了列车继续前行。在萨拉热窝,他在电影馆馆长的陪同下,寻找那部默片未果,却和馆长的女儿一见钟情。他高调地进入社交圈,却发现这里已经被前苏联的文化浸染,到处吟唱着喀秋莎的旋律。他曾目睹列宁的雕像被卸开,内心涌动着复杂的感情…… 本片获得1995年戛纳电影节评委会大奖。

吟游诗人 ⭐ 6.5

吟游诗人

2022 剧情 土耳其
💡 该系列作品的延续,带你深入了解其光影宇宙

The journey of a father, Heves Ali, who had never met his son ,Yusuf, in 25 years is told.

萨乐美 ⭐ 7.8

萨乐美

1923 剧情 美国
💡 同属优质剧情片,风格与本作高度契合

Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.

玩偶 ⭐ 7.6

玩偶

1968 剧情,爱情 波兰
💡 同属优质剧情、爱情片,风格与本作高度契合

The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)

诗人 ⭐ 8

诗人

2025 剧情,喜剧 哥伦比亚,德国,瑞典
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中年诗人奥斯卡·雷斯特雷波沉迷于诗歌,却始终未获认可。他孤僻而失落,活成了“被遗忘的诗人”典型。一次偶然的邂逅,他结识了出身贫寒的少女尤拉迪,并试图引导她走上创作之路。随着两人关系的深入,奥斯卡将她带入诗人世界,却也让她面临理想与现实的冲突。

诗无尽头 ⭐ 8.4

诗无尽头

2016 剧情,传记,奇幻 智利,日本,法国,英国
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本片是一部围绕智利裔墨西哥籍魔幻现实主义大师亚历桑德罗·佐杜洛夫斯基的传记片。主要讲述其在早年的创作之路。在片中,亚历桑德罗还与很多国内年轻有才但还未成名的年轻人见面交谈。

伊万的童年 ⭐ 8.8

伊万的童年

1962 剧情,战争 苏联
💡 同属优质剧情片,风格与本作高度契合

残酷的战争摧毁了12岁男孩伊万(Nikolay Burlyaev 饰)的童年,母亲和姐姐早年被德国军队杀害,小小年纪的伊万也不得不走上战场,成为一名在战火和死亡中穿梭的侦察兵。 由于年龄的关系,中尉戈克森甚至不敢相信伊万的身份,但从科赫林上尉(Valentin Zubk ov 饰)的口中,他得知眼前这瘦小的男孩竟如此果敢。科赫林上尉希望将伊万带离战场,送他到远方读书。然而伊万却拒绝离开,这个勇敢的男孩决心战斗到生命的最后一刻…… 本片荣获1962年旧金山国际电影节最佳导演奖和1962年威尼斯电影节金狮奖。

亚历山大·涅夫斯基 ⭐ 7.1

亚历山大·涅夫斯基

1938 剧情,动作,历史 苏联
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影片表现了13世纪俄国亚历山大·内夫斯基王子率领军民击溃掠夺成性的德国立窝尼亚条顿骑士的业绩。爱森斯坦借鉴民间叙事诗的技巧,使这一爱国史诗具有明显的壮丽歌剧的风格。条顿骑士入侵俄国后,无恶不作。他们洗劫普斯科夫,吊死爱国者。内夫斯基带领人民群众,以伊格纳特等积极分子为骨干力量,保卫了重镇诺夫哥罗德,消灭了叛徒托瓦尔其洛。最后,在楚德湖的冰面上大败条顿骑士。

野花 ⭐ 7.8

野花

2000 剧情,爱情,悬疑 捷克
💡 同属优质剧情、爱情片,风格与本作高度契合

根据捷克民谣改编的七个小故事: 1.一位妇人死在归家的途中,年幼的孩子们每天去坟前看她,呼唤着陷入永眠的母亲; 2.少女不听母亲的劝告,去湖边游玩,落入水中后她与水怪结为夫妻; 3.一对情侣,男人奔赴战场,苦等多年的女子日日祈祷爱人归来,她的愿望成真; 4.一位母亲辛苦 准备晚饭,她年幼的儿子却纠缠不止。母亲一气之下,让门外的百日巫师将儿子带走,不曾想…… 5.某国君主在森林中驰骋时,撞见一个正在沐浴的绝世美女,他向女子的继母提亲,为了将亲生女儿将给国王,恶毒的老女人不惜残忍杀害继女; 6.少女承认自己堕胎,深感罪恶的她走向绞刑架,临终前向母亲发出了诅咒; 7.两个女孩聊天,传说在午夜凿开冰层,便能从水中看到爱人的样子。

海德尔 ⭐ 6.7

海德尔

2014 家庭 印度
💡 剧情内核高度相关,共同探讨了关于 犯罪、家庭 的深刻主题

《海德尔》改编自莎士比亚的《哈姆雷特》。 一名年轻人(海德尔) 获悉他父亲失踪的消息后,从学校返回克什米尔。自卫部队以窝藏激进分子的罪名,逮捕了他的父亲。海德尔发现了他的妈妈与自己的叔叔有暧昧关系,不久,海德尔得知是他的叔叔主导了父亲的谋杀案,于是为死去的父亲展开了复仇之旅……

纸花 ⭐ 7.9

纸花

1959 爱情,歌舞 印度
💡 同属优质爱情片,风格与本作高度契合

辛哈(古鲁·杜特 Guru Dutt 饰)曾是名满天下的大导演,如今,往昔的风光早已经变成了过眼云烟,当落魄的他再度回到曾经叱咤风云过的片场时,剩下的只有唏嘘。辛哈故地重游只为了一件事情,那就是寻找他曾经提携过的女演员香缇(瓦希达·拉赫曼 Waheeda Rehman 饰),直到今日他依然深深的爱着这个女人。 最终,辛哈和香缇重逢了,但很快,两人就陷入了无限的道德谴责之中。与此同时,辛哈的女儿普拉玛(法拉·纳兹 Farha Naa 饰)也站了出来,强烈反对父亲和女演员之间的恋情。最终,经历了苦痛挣扎的辛哈再一次回归到了形单影只的状态下,只能够依靠酒精来排遣内心的愤懑。