Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies. Written by <[email protected]>
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推荐理由同属喜剧类型，内容风格接近
菲利普（缇诺·麦威斯 Tino Mewes 饰）、沃斯特（曼努尔·科特兹 Manuel Cortez 饰）和柯纳德（Thomas Schmieder 饰）是校园公认的怪咖，一场车祸中，三人命丧黄泉。奇怪的是，早已被确定死亡的三人很快就复活了过来，甚至拥有了特异功能，原来，在前不久，他们参加了一个可怕的招魂仪式，身上沾染了恶鬼的骨灰而不自知，如今，重获新生的三人决心返回校园，利用新得到的能力重振雄风。 一些令人担忧的迹象表明，虽然表面和常人无异，但菲利普一行人早已经不是“人类”了，其中“症状”最严重的要数柯纳德，他吃生肉，饮鲜血，俨然一幅丧尸的模样，最终甚至攻击并吃掉了一名教师，知道这时菲利普和沃斯特才意识到，如果不能“重新做人”，他们的下场都将和柯纳德一模一样。
推荐理由同属科幻类型，内容风格接近
Wolfgang is traveling in outer space when a monster, which he sees as a beautiful woman, appears in his spaceship and makes love with him. Then the ship is forced to land on a planet which is a penal colony. Here he meets Miranda who falls in love with him. A group of prisoners uses him and his spaceship to fly away from the planet. But the monster which is by now inside Wolfgang arouses and only Miranda's love can save him.
推荐理由内容主题与本作较为接近
A special team of allied forces are sent to infiltrate a Nazi occupied bunker. When they arrive, they discover the scientific experiments that have been taking place there have turned everyone into super human, flesh eating zombies.
推荐理由同属惊悚、科幻类型，内容风格接近
山姆夫妇预定今天要出远门，可是天下大雨，热水器又坏掉没有热水，山姆到地下室修理热水器，不幸被一个怪物所吞噬。芭芭拉到地下室找山姆不幸也被吞噬。原来这个怪物室外太空来的，因为她繁殖度太快，整个小镇到处都是怪物，警方出动所有人员扑杀怪物的幼虫，怪物真的能完全扑灭吗？(在许多 国家都以异形外传的形式发售,其中的怪物形象也很受人追捧,是20世纪十大经典怪物形象之一) -----Zombiehunter
推荐理由同属科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
推荐理由同属喜剧、科幻类型，内容风格接近
一对年轻男女在野泡突然来了外星人将他们抓走，男的被捅屁眼死 ，女的被植入外星婴儿和跟踪器。就是这么个劲爆的开头。 外星人节目的性感女主持决定去抢到这个新闻就带领节目小组伙同英国UFO协会会长（一个发福的眼镜男）到了怀孕女所在的偏僻小岛，傍晚进了一座古怪的屋子，全是歌特死亡的摆设，然后闯进来三个怪人，后来才知道原来这就是怀孕女家，那三个怪男人是她不会说英语的兄弟（他们说威尔士语和德国话） 后来的故事卖点太多我就不赘述了，总之是经过和外星人斗志斗勇斗运气（哈哈外星人运气太欠了），最终除了一个瞎了的节目小组的男人游泳逃出小岛（哈哈他还穿GOD HATES TREK的TEE）而外星人有关录象带却随海水漂走（怎么像十个小黑人的最后），其他的人都和外星人同归于尽了，特别是一女演员真是表现枪眼（杀杀杀，牛比）还有那UFO会长不仅第一次性经历就操了外星人之母，最终还把外星人的飞船送上了西天，赞一过！ 最后是外星人的国王王后在那里抱怨地球EVIL ALIENS对他们造成了毁灭打击。。。 哈哈像这样的脏乱差糟烂又加上丢脸的英雄主义的片，我能不爱么？OH NOT MY GOD！
推荐理由同属科幻类型，内容风格接近
A spaceship returns to Earth carrying samples from Proxima b. As scientists study the specimens, they discover the alien elements are alive.
推荐理由同属科幻类型，内容风格接近
电影《寄生怪》讲述全球气温变暖导致雪山区永久冻土层逐渐融化，登山者在雪山深处发现被冰冻数万年的原始人（卢宇明饰）。探险家张竞（孙耀威饰）被邀请到雪山，他在雪山深处见到一处科研基地，基地里正在研究的就是被冰封数万年的原始人。恒生总裁程恒生（陈颢文饰）邀请张竞前来，对原始人的活动范围进行勘探，进一步挖掘新的样品。由于意见相悖，恒生研究员尤娜（刘倩妤饰）与张竞爆发了冲突。尤娜口中的真相是什么？恒生生物为何致力于研究人体冷冻技术？与冰冻数万年的原始人共同复活的神秘远古寄生虫怪物究竟是什么？这些谜团，将在影片中一一揭晓。
推荐理由同属惊悚、科幻类型，内容风格接近
剧情大概： 一个执行太空任务从宇宙归来的太空舱里的船员被天外异形下了药变成了可怕的怪物，这种异形能寄生到人体使其发生肢体变异。同时期一组洞穴探险员来到城市郊外溶洞探险，没想到此地已经被异形占领，他们只能靠本能来逃脱异形所设下的种种陷阱……（说起山寨，意大利人才应该算是鼻祖吧，就如同这部电影标题一般…不要对这部电影有任何企图，他只会让你变成扑克脸- -） 血腥度：4 片中怪物数量：？ 怪物类型：外星生物 怪物特点：寄生 怪物必杀技：变形 怪物恶心度：3
推荐理由同属科幻类型，内容风格接近
A group of friends are struggling to stay alive in a world destroyed by the solar debris that crashed down to Earth. The solar radiation unleashed during the impact has spread throughout the world, causing genetic mutations that are spreading rapidly.