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故事发生在1989年的柏林，莱曼（克里斯蒂安·乌蒙 Christian Ulmen 饰）是一个整天游手好闲无所事事的小混混，沉浸在酒精和毒品之中无法自拔，一事无成。一天，莱曼震惊的得知自己远在他乡的父亲母亲要前来探望他，为了不让父母失望，莱曼找到了好友卡尔（德特勒夫·巴克 Detlev Buck 饰）。 卡尔将自己的餐厅借给了莱曼，莱曼则装成是餐厅的经理，这让莱曼的父母赚足了面子。与此同时，莱曼在餐厅里邂逅了名为卡特琳（卡佳·达诺沃斯基 Katja Danowski 饰）的厨娘，两人之间碰撞出了激情的火花。好景不长，父母以为莱曼混得风生水起，于是将需要接济的亲人都托付给他，这让莱曼叫苦不迭。
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Felix from West-Berlin falls in love with Thomas in East-Berlin. At first they keep their relationship going by regular visits from Felix, but the curfew forces him to return every evening. When the East-German authorities become suspicious, Thomas decides to try and flee to the West.
亚历山大艾伯林，俄国人，在经历过一段地狱式训练后成为一名高级间谍被派到英国情报局卧底，秘密执行各种间谍任务，时间转瞬即逝在英国情报局总共呆了18年之久，长期的间谍任务使他心力交瘁，于是他想重回祖国的怀抱，但是被他的上级否决，此时，他又被派到英国各处秘密执行暗杀计划，此时亚历山大·艾伯林人生有了新变化，个人安全处在危在旦夕中……
因母亲亡故，16岁的少女茱妮（Léa Seydoux 饰）转学至一所新的高中，在与她同班的堂兄马提西亚（Esteban Carvajal-Alegria 饰）的介绍下，她很快结识了一班新朋友。美丽的茱妮吸引了男孩们的目光，连一向害羞内向的奥图（Grégoire Leprince-Ringuet 饰）也鼓起勇气向她表白，两人随之陷入热恋。 在意大利语课上，茱妮被曼妙委婉的歌剧感动，她的热泪和忘在桌子上的相片也令意大利语教师奈莫斯（Louis Garrel 饰）心有所动。当晚，奈莫斯与女友玛丽（Agathe Bonitzer 饰）分手，开始了对茱妮的追求……
克里斯蒂娜（凯萨琳·萨斯 Kathrin Sass 饰）衷心拥护着社会主义东德，她的丈夫已经逃往西德，剩下她一人抚养一对儿女阿丽安娜（玛丽亚·西蒙 Maria Simon 饰）和阿历克斯（丹尼尔·布鲁赫 Daniel Brühl 饰）。1989年，阿历克斯上街游行被捕，母亲目睹了这一幕，心脏病发晕倒过去，不省人事了好一段时间。 当她醒来，她熟悉的国家已经改变——柏林墙推倒，民主德国的社会主义也随之瓦解。 医生说，克里斯蒂娜不能再受刺激了。于是儿子想方设法营造一个过往的世界给母亲。母亲因此得以活在过去的民主德国里：包括邻居的衣饰，电视的新闻，换成苏联食品的罐头。然而，阿历克斯用心良苦不可能掩饰庞大的现实世界。终于，儿子以自己的方式去和母亲讲述东德的变迁。
莫里茨初到柏林时并没有特别的计划。 他可能会修艺术史，但并不着急，毕竟他只有22岁，有大把的青春可以挥霍。莫里茨来柏林主要是为了跟男友乔纳斯在一起，但当男友突然抛弃他后，莫里茨开始成为城市的探索者，通过健身房寻找无数的伴侣和违禁药品。他的生活变得越来越像夜行动物，被压抑的欲望也彻底出笼……
为了爱情和男人，女大学生索尼娅，一步一步从一个清纯的学生蜕变为没有尊严和廉耻的妓女。是因为她的生活态度不够严谨，还是命中注定？ 蜕变的过程很真实，学生到情色主播，再到手枪女，再到有选择的卖淫，最后为了40欧与4个男人群P。生活最终会撕裂华丽的光环，在一切表象上吐上一滩大姨妈。
菲利克斯（杰尼斯·纽沃纳 Jannis Niewöhner 饰）是一个有魅力的年轻人，来自中产阶级家庭。某日，菲利克斯有机会在巴黎一家豪华酒店当电梯男孩，他毫不犹豫地离开了过去的生活。在酒店里，菲利克斯展现了熟练的适应能力，很快升到了领班服务员的职位。他似乎擅长让女客人们感到愉快，这使他在酒店业内取得了成功。 当菲利克斯和年轻的、不幸的路易斯侯爵（大卫·克劳斯 David Kross 饰）相遇时，两人决定交换身份。通过身份的交换，菲利克斯失去了他的挚爱扎扎（丽芙·丽莎·弗赖斯 Liv Lisa Fries 饰），她被另一个男人夺走。最后，菲利克斯以骗子的身份来到了里斯本的皇家宫廷，这可能是他魅力和欺骗技能的巅峰展示。
UCLA college student Jonathan Moore (Anthony Edwards) is playing a game called "Gotcha" (popular on mid-1980s college campuses as "Assassin" or "Tag"), wherein the players are all assigned a mock "hit" on another player by use of a harmless paintball gun. Moore and his apartment roommate Manolo go on a vacation to Paris, France. After touring some of Paris, in a cafe Moore meets Sasha Banicek (Linda Fiorentino), a Czechoslovakian girl. Eventually, Jonathan has intercourse with Sasha, losing his virginity. Jonathan decides to leave Manolo (who is heading to Spain) and go with Sasha to West Berlin to spend more time with her. Jonathan believes that he is in love with Sasha. There, Jonathan and Sasha continue to have sex and even go to an Oktoberfest beer gathering. One night, Sasha tells Jonathan that she has to go to East Berlin to pick up a package. One night after arriving in East Berlin, Sasha leaves their hotel room and walks to dark street corner. There, Sasha meets a German man who tells her the location of the pickup of her package. Meanwhile, Sasha was being monitored by a Soviet agent, who was sitting in a car at a distance. During the day, Sasha tells Jonathan that if she gives him a certain message, it means that he has to leave East Berlin immediately. At a cafe, Sasha gives Jonathan a package and says that a strudel is inside. A little later, Sasha tells Jonathan to meet her at the butcher shop near their hotel. All of a sudden, a Soviet agent begins to chase after Sasha. Sasha decides to use Jonathan (who is holding her package) to unknowingly get the package over to West Berlin. Meanwhile, Sasha is taken by the Soviet agent and East German secret police. Jonathan goes to Checkpoint Charlie to cross the heavily fortified border into West Berlin. At the East German customs search, Jonathan is stripped of his clothes and given a cavity search. Meanwhile, Sasha is stripped and searched for possible espionage evidence. Vlad arrives at the border crossing to search for Jonathan, however Jonathan passes the border safely before he can be captured. Once in West Berlin, Jonathan feels liberated by the Westernized society. In the hotel, Jonathan receives a message from Sasha to meet him at a specified location. Jonathan finds out that his hotel room was broken into and robbed of his traveler's checks. Soviet agents eventually find Jonathan in West Berlin and chase him throughout a public park. Jonathan jumps into a water canal and manages to escape from the Soviets and stumbles upon a German rock group headed for Hamburg, who offer him a ride to the airport. The rock group successfully get Jonathan to the airport (using full-face makeup to sneak him past a checkpoint) and Jonathan finally arrives in Los Angeles Tom Bradley International Airport and to his apartment. Soon, Vlad and a band of Soviet agents arrive too in Los Angeles. Once home, Jonathan stumbles upon a film canister, which was planted by Sasha. Jonathan visits his parents and tells them what happened in Germany but they cannot believe a word of it and think Jonathan is on drugs. Jonathan decides to call the FBI then the Central Intelligence Agency for help. Jonathan returns to find his apartment broken into and looted. The CIA officer tells Jonathan to give them the photo film canister. At the Los Angeles headquarters of the CIA, Jonathan spots Sasha who looks like she was working there. Jonathan eventually meets up with Sasha. Sasha admits that she is Cheryl Brewster, a CIA agent, originally from Pittsburgh. Out of nowhere, Vlad and his gang begin to chase Jonathan and Cheryl on the UCLA campus. Jonathan eliminates all the Soviets with a tranquilizer gun which he gets from the campus veterinary sciences building. The Soviets are arrested, the CIA agents thank Jonathan for his (indirect) help in obtaining the film, and Sasha tells him she wants to continue their relationship. After they part, Jonathan talks to a pretty student who rebuffs him coldly. As she walks away, he aims the tranquilizer pistol and shoots her in the rear.
人们总是难以抗拒《忧郁星期天》的悲伤情调，原来这首歌与一段复杂凄美的爱情故事有关。上世纪30年代的匈牙利首都布达佩斯的一个餐馆里，美丽的伊洛娜（艾丽卡·莫露珊 Erika Marozsán 饰）同时被两个男人深爱着。一个是餐厅老板，另一个是钢琴师。三个人都并不愿意改变现况，打破平衡，伊洛娜同时拥有两个男人的爱而深感平静幸福。钢琴师为她创作出《忧郁星期天》，他和餐厅也因此一举成名。 然而，汉斯的出现彻底毁灭了这一切。他曾经是一个无名小子，深深迷上《忧郁星期天》 的同时，更是成为伊洛娜的裙下之臣。汉斯向伊洛娜求婚，却被拒绝，满腔恨意的他如今成了军官，风光无限，正带着他蓄谋已久的复仇计划来到伊洛娜身边，给他们的生活以致命一击。爱、复仇与战争的故事，在布达佩斯纠结上演。
与Stefan Uher和Elo Havatta一样，Eduard Grecner也是60年代斯洛伐克新浪潮电影的缔造者之一。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮电影的代表作。这部叙事方法独特带有明显意识流风格的黑白影片甚至间接影响到了后来法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。 A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called "intellectual" film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French filmmaker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet immediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak: Muz, ktory luze; French title: L'homme qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).
哈罗德是一位坚持自己有病并待在＜有钱人修养身心俱乐部＞里的年轻富豪。医生们某天终于受不了哈罗德，他被建议到南方的度假岛屿养病，没想到却阴错阳差碰上当地的军阀革命，还被误认为是世界银行联盟的代表。身体健康却坚持要养病的他，该如何在这一团混乱的小岛获得自己想要的生活呢？