Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
15岁的意大利少女梅丽莎（María Valverde 饰）与母亲和祖母的住在一起，她的生活平淡甚至有些枯燥，每天这个天真纯洁的女孩都在渴望一段浪漫的爱情。某天，梅丽莎和好友参加同学所组织的派对，她邂逅了英俊帅气的男孩丹尼尔（Primo Reggiani 饰）。只是爱情之花并未如期盛开，梅丽莎遭遇了一次带有羞辱性质的性经历，她却从此迷上了这个玩世不恭的男孩。在接下来的日子里，梅丽莎可以引起丹尼尔的注意，而丹尼尔则对她进行各种各样的羞辱。在明白丹尼尔的心意之后，梅丽莎通过放纵来进行报复，她甚至将每段性经历都写入日记…… 本片根据曾轰动欧洲的真实的少女日记——《床前100次梳理乱发》改编。
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20世纪60年代，在自由开放的大环境下，古老的爱尔兰仍保持着古板和保守的风气。在这里，所有被认为堕落的女孩都要被送入玛德莲女子学院接受感化，而等待他们的不是和风细雨，而是无尽的黑暗与绝望。 玛格丽特（Anne-Marie Duff 饰）在家族婚礼上被堂兄奸污，这件事在婚礼现场口耳相传，她的委屈并未得到伸张，反而被作为“不洁的女孩”送走；活泼漂亮的伯纳黛特（Nora-Jane Noone 饰）是男孩们追逐的对象，她为了自己的“轻佻”付出了代价；罗丝（Dorothy Duffy 饰）未婚先孕，为了所谓的前途被迫放弃了自己的孩子。 三个女孩来到了玛德莲女子学院，她们还不知道，这是一个有来无回的绝望之地……
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丽莎（安娜·帕奎因 Anna Paquin 饰）是一名17岁的高中生，和大多数高中生一样，虽然处于尴尬的青春期，但丽莎的生活中并没有太大的烦恼和困扰。一次意外中，丽莎被卷入了一场惨烈的交通事故中，一个陌生的女人在事故中身亡。女人的死颠覆了丽莎的世界，她再也无法用曾经的眼光来看待周围的一切了。 为了弥补内心的创伤，丽莎做出了很多的努力，但很快她便发现，所有企图弥补创伤的举动，最终都会带来新的伤痛，唯一的解决方法，就是还原车祸的全部真相。就这样，丽莎展开了她的调查行动，但各种各样的麻烦让她明白，她所作的这一切或许并非正确。
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诺拉平静的生活在暑假期间发生了翻天覆地的变化，这个天真的 15 岁女孩遇到了同样 15 岁的丽波尔塔。这两个全然不同的女孩之间产生一种崭新的、强烈的友谊，而这将带领她们走向青春期。 Nora's quiet life is turned upside down when, during her summer holidays, this naïve 15-year-old comes across Libertad, also 15. This new, intense friendship between the two utterly different girls will guide them towards adolescence.
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玛丽（艾丽·范宁 Elle Fanning 饰）是一个从小就沉迷于怪力乱神的鬼怪神话之中的鬼马少女，她继承了父母的先进思想，个性独立自强又桀骜不驯。为了让女儿接受更好的教育，玛丽的父亲将她送往了自己的友人威廉（德里克·里德尔 Derek Riddell 饰）家中，在那里，玛丽遇见了浑身充满了忧郁气质的年青诗人雪莱（道格拉斯·布斯 Douglas Booth 饰）。 玛丽很快就被雪莱迷得神魂颠倒，当她决定跟他私奔到伦敦后，玛丽才发现，原来雪莱早已经有了家庭。然而玛丽不在乎这些，她坚定的选择和雪莱在一起。因为背叛了家庭，雪莱失去了来自父亲的经济资助，贫穷没有拆散他和玛丽，令他们的感情分崩离析的，是雪莱的不忠。
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因母亲亡故，16岁的少女茱妮（Léa Seydoux 饰）转学至一所新的高中，在与她同班的堂兄马提西亚（Esteban Carvajal-Alegria 饰）的介绍下，她很快结识了一班新朋友。美丽的茱妮吸引了男孩们的目光，连一向害羞内向的奥图（Grégoire Leprince-Ringuet 饰）也鼓起勇气向她表白，两人随之陷入热恋。 在意大利语课上，茱妮被曼妙委婉的歌剧感动，她的热泪和忘在桌子上的相片也令意大利语教师奈莫斯（Louis Garrel 饰）心有所动。当晚，奈莫斯与女友玛丽（Agathe Bonitzer 饰）分手，开始了对茱妮的追求……
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Henning is a fashion photographer driven by visions of artistic glory. He is encouraged by a literary agent to produce a volume of erotic nudes and works to create the perfect layout with his favorite model, Leslie. All seems to be going well until the mysterious Joyce appears; dark and sensual, Joyce plays games with the photographer's ego, driving a wedge between Henning and Leslie and seducing one of his other models. Blinded by his own ambitions, Henning is unable to see the ruinous web that Joyce is weaving.
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在巴黎第19区的一个工人街区，19岁的莎伊和杰内巴是从小一起长大的好姐妹。一个被令人窒息的家庭所困扰，另一个则深陷孤独的泥沼。某个夏天，她们远离成长的高楼阴影，成为夏令营的辅导员，负责照看一群6到10岁的孩子。站在成年的门槛上，她们必须做出选择，在成长中重新定义彼此的友谊。
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Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.
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母亲去世后，玛丽（米莎•巴顿 Mischa Barton 饰）就被父亲送到了寄宿学校。在那里，她认识了两个室友，杜丽（杰茜卡•帕尔 Jessica Paré 饰）和宝丽（派珀•佩拉博 Piper Perabo 饰）。杜丽和宝丽天真活泼，性格开朗，很快，内向忧郁的玛丽就被她们所感染，三人成了好朋友。不久，玛丽就发现杜丽和宝丽两人原来是一对恋人，玛丽觉得这一切都很正常，也就和她们快乐的生活下去。然而一次杜丽的妹妹来找她时发现了姐姐的秘密，于是，流言开始流传。杜丽不堪忍受，疏远了宝丽，结交了新的男友。而宝丽却是不屈不挠，继续着自己对杜丽的爱。