Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
An old geezer recalls some of the antics of the men and women of his western town, more wild and woolly than Tombstone or Dodge City. In this town no one is a good shot, the women are hungry for new meat, and practical jokers abound. A stranger strolls into town, proving resistant to the mayhem, and after donning some cowboy duds begins cleaning up that town.
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推荐理由内容主题与本作较为接近
口哨声响遍土耳其偏乡的高山低谷，是村民隔空传话，也是哑女与人沟通唯一途径。贵为村长爱女，虽免戴头巾的规范，却难避众人鄙夷目光。奔走山岭，希望射杀野狼以赢得尊重，不料被神秘负伤男子突袭，肉体心灵亦一并被俘虏。饿狼传说令人心惶惶，未及父权社会的封建巨灵，更令少女恐惧。一趟北部之旅与坚毅女子偶遇，启发辛却斯与佐凡尼提谱写这现实、梦幻与民间神话交织的故事，以自由呼啸，为独立自强的女性呐喊。
推荐理由同属西部类型，内容风格接近
民国年间，戈壁绿洲碧玉镇。镇长马耀祖因淘金发财，置下万贯家财。但是，他的死对头雪娘却一直寻机复仇，而他现在的妻子正是雪娘之母。原来，当年他谋财害命，刺死了雪娘的亲生父亲，并乘人之危强奸了雪娘，最后又霸占了不明真相的雪娘母亲。在雪娘与仇人之间展开了一场你死我活的争斗，马耀祖罪有应得，死在雪娘枪下。
推荐理由同属西部类型，内容风格接近
故事发生在十七世纪的美国西部小镇中，哑女丽姿（达科塔·范宁 Dakota Fanning 饰）和丈夫伊莱（威廉·休斯顿 William Houston 饰）带着他们的孩子们生活在那里。虽然日子清贫，而丽姿又天生患有残疾，可是两人都对目前稳定的生活心满意足。 一天，镇上来了一位神父（盖·皮尔斯 Guy Pearce 饰），在见到神父第一面时，丽姿就知道，她的幸福生活将一去不复返，神父和丽姿到底有着怎样的过节以至于他要如此无情的迫害她和她的家人呢？丽姿是一名助产士，在一次手术中，孕妇出现了生命危险，在母亲和孩子只能保一个的情况下，丽姿选择了保护母亲，殊不知，这选择亦将她推向了万劫不复的深渊。
推荐理由内容主题与本作较为接近
全职工作的亚力山朵拉和丈夫在小镇上一同抚养两个小孩。小镇的生活枯燥乏味，性感女人维罗妮卡的出现打破了这一切。性爱可能会带来致命危险，尤其当恐同和大男子主义在某些地区已经根深蒂固。维罗妮卡让这家人相信，森林中有一个废弃小屋，能够解决他们所有的麻烦。
推荐理由内容主题与本作较为接近
Sarah（迪安娜·阿格隆）是一个来自内华达州的年轻女孩，在遇见了一个神秘的女人Pepper（帕兹·德拉维尔塔 ）之后，她不由自主地被吸引了并开始了自己的探索之路。
推荐理由内容主题与本作较为接近
When exotic dancer Cassie (Sarah Allen) happens upon a drug deal gone bad, she steals the money and the drugs thinking she now has the funds to make her dream of moving to Paris come true.
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Jenny和Lana是一对固执的好朋友，她们的青年斗志被国家的老观念所束缚着。失望让两个年轻女孩踏上了一条振奋人心之路，并让她们遇到了黎巴嫩暴徒Qassem和他粗鲁的手下们。起初，她们找到了自由、刺激，但之后，Qassem对复仇的偏执让她们见识到了他的暴力和野蛮。新奇的拍摄手法使得影片的惊险、趣味表达的淋漓尽致。
推荐理由同属西部类型，内容风格接近
故事发生在十九世纪七十年代的美国新墨西哥洲，杰夫兹（沃尔特·休斯顿 Walter Huston 饰）是生活在那里的一名丧妻多年的农场主，在他的悉心抚养之下，他的女儿万斯（芭芭拉·斯坦威克 Barbara Stanwyck 饰）和儿子克雷（约翰·布罗姆菲尔德 John Bromfield 饰）都顺利长大成人。 万斯和杰夫兹的仇人达罗（温戴尔·柯瑞 Wendell Corey 饰）坠入了情网之中，可是，在爱情和利益面前，达罗最终选择了后者，无情的抛弃了万斯。之后，万斯又邂逅了当地土著胡安（吉尔伯特·罗兰 Gilbert Roland 饰），就在两人越走越近之际，杰夫兹宣布要将胡安一家人从他们生活的土地之上赶走。
推荐理由内容主题与本作较为接近
一名丛林向导被原住民部落绑架，想把他献祭给白犀牛神，就当他小命要不保时，他突然跌入时光隧道，来到一群野蛮黑发女统治的国家，她们会奴役金发姐妹。他拒绝卡莉皇后的求欢，转而站在金发妞那一边，这也造成他被囚禁起来。
推荐理由同属西部类型，内容风格接近
In 1956 Hecht-Hill-Lancaster productions announced plans to film "The Way West." It was to be adapted by Clifford Odets and was to star Burt Lancaster, James Stewart, and hopefully Gary Cooper. That version was not made. There was a minor helicopter crash on the set. Robert Mitchum and Richard Widmark reportedly did not get along with Kirk Douglas because of his tendency to usurp control of the project from the director.
推荐理由内容主题与本作较为接近
One night on a deserted street, Pierre (Olivier Martin of Rollin's LA VIOL DU VAMPIRE) runs into a scantily clad mute young woman (Caroline Cartier) who is being pursued by men in tuxedos and bizarre animal masks who kidnap her and take her back to a townhouse that belongs to Pierre's father, industrialist Georges Radamante (Maurice Lemaître) who warns Pierre to mind his own business. Pierre sneaks into the townhouse for one of his father's parties and witnesses a woman playing Russian Roulette shoot herself and the mute young woman drinks her blood. Pierre delves deeper into the mystery and has to fight off his own father's thugs while Georges and his associates squirrel the young woman off to an isolated country house. Pierre then meets the Grandmaster (Michel Delahaye) of a large group of bizarre looking and acting hippies - of whom the young woman is one of their number - who lay siege to the country house with his help to rescue the girl who it turns out has an unusual connection to Pierre. Rollin's exploitation films could be seen as the link between the "traditional" French New Wave and the works of the more experimental Alain Robbe-Grillet (whose LA BELLE CAPTIVE quotes images from the later half of this film) with its surrealist-on-the-cheap touches and decadent Russian Roulette-playing upper class versus communal vampire hippies plot. Not as explicitly erotic as Rollin's later films - like LA VIOL DU VAMPIRE, LA VAMPIRE NUE still uses nudity as a teasing element - this is still quintessential Jean Rollin in its triumph of imagination over budgetary limitations.