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马丁·弗罗斯特的内心生活 豆瓣 7.2
参考电影

马丁·弗罗斯特的内心生活

2007 剧情,喜剧,奇幻 西班牙,葡萄牙,法国,美国

what motivated me up to the new director's festival to catch 'martin frost' tonight was the brutal review that it got yesterday from the lead critic of the new york times, brutal dismissal, to be more accurate, 'the less said about (it) the better', she said, and i figured that any movie able to teach Ms Dargis the virtue of silence for even a few column inches would be worth the trip. and worth the trip it was. we are brought into a paradise of limpidly beautiful visual textures. the oaken rhythms of a country house ensconced in a springtime parkland of luxuriant trees and luminous skies bestow the soothing natural blessing needed by the main character, martin frost (David Thewlis), a writer rubbed raw by the mechanics of finishing a novel in new york city. (Thewlis makes palpable the casualty of intrapsychic machinery sawed into daemonic reverb against the banausic hive). then paradise morphs into purgatory, leavened comedically, in Dante's sense, by the postmodern angelic visitations of Claire (Irene Jacobs) and Anna (Sophie Auster). unfortunately, to my taste, the verbal dimensions of the film are flaccid, the logic more fanciful than imaginative, the narrative arc crippled by some irredeemably creaky plotting, especially at the crucial initiation of the relationship between martin and Claire where the seeds of common sense are thrown to the magpies of theatricality. but so beguiling is the willful vulnerability of auster's fantasy, and the edgy interplay that it potentiates between Thewlis and Jacobs, and the camera, and later Sophie Auster, and the broad comedy of a rural everyman (Michael Imperioli), that it is very pleasant to be carried along on the visual foam of uncertain sensual delight, eddying into a feeling that this film's oddly louche light touch is uniquely adept at tracing some grave lineaments of the human heart. go innocently.

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玛格丽特 豆瓣 6.4

玛格丽特

2011 剧情 美国

推荐理由同属剧情类型,内容风格接近

丽莎(安娜·帕奎因 Anna Paquin 饰)是一名17岁的高中生,和大多数高中生一样,虽然处于尴尬的青春期,但丽莎的生活中并没有太大的烦恼和困扰。一次意外中,丽莎被卷入了一场惨烈的交通事故中,一个陌生的女人在事故中身亡。女人的死颠覆了丽莎的世界,她再也无法用曾经的眼光来看待周围的一切了。 为了弥补内心的创伤,丽莎做出了很多的努力,但很快她便发现,所有企图弥补创伤的举动,最终都会带来新的伤痛,唯一的解决方法,就是还原车祸的全部真相。就这样,丽莎展开了她的调查行动,但各种各样的麻烦让她明白,她所作的这一切或许并非正确。

内陆 豆瓣 7

内陆

2011 剧情 意大利,法国

推荐理由同属剧情类型,内容风格接近

故事发生在风景如诗如画的意大利海岛之上,埃内斯托(Mimmo Cuticchio 饰)一家人就生活在这里。早年间,埃斯内托的儿子在一次出海后就再也没有回来过,留下年幼的儿子菲利普(Filippo Pucillo 饰)和母亲朱丽叶塔(唐娜提拉·芬诺恰罗 Donatella Finocchiaro 饰)过着相依为命的生活。所幸得到了埃内斯托和叔叔尼诺(贝佩·费奥雷罗 Beppe Fiorello 饰)的帮助,母子两人才能够拥有稳定的生活。 在失去了丈夫之后,朱丽叶塔终日生活在孤独和寂寞之中,她觉得这个小岛正在渐渐的扼杀的她的灵魂,唯一幸免的方式就是离开这里。某天,一群在落难的游客漂流到了这座海岛之上,打破了笼罩在这里的一贯的宁静。

维奥莱特 豆瓣 7.9

维奥莱特

2013 传记 法国

推荐理由内容主题与本作较为接近

二十世纪法国女作家薇奥丽,经过人生情感挫败以及与同性恋丈夫的短暂婚姻后,展开了写作生涯,并在巴黎遇见生命贵人西蒙波娃。当她捧着以半生爱欲写成的小说到波娃面前时,波娃被她的才华与自我挖掘的能量所吸引,决定帮她付梓出版。然而,薇奥丽也从这天起,无法抑止自己对西蒙波娃的迷恋,渴求更多的关注,无奈只能以文字升华一切。

奥古斯丁 豆瓣 6.2

奥古斯丁

2012 剧情 法国

推荐理由同属剧情类型,内容风格接近

1885年的巴黎冬日,十九岁的少女被莫名的歇斯底里症缠身。脑神经科医师夏柯特教授为了筹募医院基金,在发表会上以催眠术启动她体内的疾病,未经人事的处子在众目睽睽下竟出现了模拟不来的性高潮症状,一举惊动医学界,也让少女成为教授的「明星」案例。然而少女内在的庞大渴慕也在无意识间被唤醒,性别及阶级的层层角力之下,两人一步步逾越医病之间的道德界线。

安静的生活 豆瓣 7.1

安静的生活

2024 剧情 法国,瑞典,德国,爱沙尼亚,希腊,芬兰

推荐理由同属剧情类型,内容风格接近

这部电影讲述一对逃离俄罗斯前往瑞典的政治避难者——塞吉和娜塔莉亚的故事。他们带着他们的两个女儿卡佳和阿莉娜,希望在瑞典过上更好的生活。然而,当他们的避难请求被拒绝后,他们的希望破灭了。由于遭到拒绝而受到打击,他们的女儿卡佳突然陷入一种昏睡状态,这种状态也被称为“顺从综合症”,这是一种主要影响难民儿童的医学谜团。

傀儡生涯 豆瓣 8

傀儡生涯

1980 剧情 西德,瑞典

推荐理由同属剧情类型,内容风格接近

转载自:movie.newyouth.beida-online.com 精彩瞬间: 彼特的梦中,纯白色的背景中除了一对赤裸的男女别无一物,耀眼的高光隐匿了一切杂质,营造了一个完美纯洁的精神世界,在这里彼特一切的焦虑、激情都无所遁形,社会身份的傀儡终于现出背后的生命本原。 剧情介绍: 年轻的彼特到一家妓女表演所看中了一个妓女克拉夫特,当妓女们的表演结束后,他留了下来和克拉夫特单独在表演所里,保安临走时,锁上了大门。克拉夫特在帮彼特脱衣服时,彼特凶性大发,掐死了克拉夫特。 心理学教授杰格森和审判官的对话:杰格森回忆当时的情形说,清晨的5点30分,他接到了彼特的电话,他赶到彼特说的地方,看到彼特坐在床边凳子上,床上躺着一个死去的女孩。彼特在杰格森眼里,是一个富有、温和、聪明的人,他对彼特的家庭很了解,说彼特的母亲是一个演员,父亲很早过世,他和彼特也是20年的朋友了。 命案前14天:彼特在杰格森的办公室找到他,并说出了自己内心的迷惑。彼特告诉杰格森,他对杀人深深的着迷,时常幻想在公寓的住所里,用剃刀杀死自己的妻子卡塔里娜。杰格森听了彼特的话后,把在杀死人后的那种可怕景象说给了彼特听,并让他要放松自己的情绪。彼特离开后,杰格森打电话叫来了卡塔里娜,但当杰格森打电话时,彼特并没有离开,他在门外听到了杰格森的电话。 卡塔里娜赶到杰格森的办公室,两人亲密但又不无矜持的拥在一起,原来卡塔里娜的情人就是杰格森。卡塔里娜在杰格森这里,说出了她对彼特深切的爱意和对彼特行为的不理解,还自责的认为这跟他们多年没有孩子有关。彼特站在阴暗处,看到、听到了他们的对话和动作。杰格森听了卡塔里娜的话,警告她要小心彼特。 命案后一星期,审问彼特母亲和彼特的对话:彼特在母亲眼中,从小就是一个聪明听话的孩子,直到他遇到卡塔里娜,疯狂迷恋上她时,一切才有所不同。 命案前5天,彼特和卡塔里娜度过了一个不眠之夜:彼特在临晨3点还不能入睡,于是他起来喝酒,同样睡不着的卡塔里娜也起来,陪着彼特一边喝酒,一边说着朋友间的趣事。另一个夜晚,彼特通宵呆在办公室里,对着他的秘书分析工作上的事情。 命案前4天,卡塔里娜准备她的时装展:彼特在卡塔里娜的工作场所找到她,邀她一起去母亲那里午餐。卡塔里娜找了一个借口到酒吧喝酒,彼特独自离去。卡塔里娜酒后找到一起工作了12年的朋友蒂姆家里,两人一起聊天。蒂姆是个同性恋者,他对卡塔里娜说出了他的种种苦恼和不愿意面对已经老去的事实。 命案后3天,蒂姆和审讯官的对话:蒂姆在审讯官的诱导下,说出了自己是一个同性恋,还说他嫉妒彼特和卡塔里娜的婚姻,他一直暗恋着彼特,并说像他那样的人天生有一种暴力倾向。 彼特写给杰格森一封没有寄出去的信:彼特在信中向杰格森描述了,他在梦中跟一个陌生女人亲热的经过。后来又在恍惚中跟妻子作爱时,有一种想要杀死她的冲动,当他和妻子融入一种精神状态时,妻子突然死去。彼特从梦中惊醒后,发现妻子就躺在一边。 命案前4天,彼特想要自杀:一个朋友急忙的赶到彼特家里,把正在阳台上想要自杀的彼特劝回了屋中。卡塔里娜随后躺在彼特脚边,愉快的说着她跟彼特之间的性事。 命案3个星期后,卡塔里娜去见彼特的母亲:彼特的母亲一见到卡塔里娜就唠叨的讲述彼特的事情。在两个女人的话语中,她们都很焦虑、孤独,对对方都有成见,但都又深爱彼特,她们也想要离开这个让人窒息的世界。 命案前50分钟:彼特在妓女表演所里看中妓女克拉夫特,并留了下来。当表演所里只剩他们两人时,彼特一度焦急的也想要离开,但房门已经被保安锁住。就在半裸的克拉夫特为彼特脱掉他的大衣时,彼特再也控制不了自己想要杀人的冲动,他掐死了克拉夫特,随后还奸了克拉夫特的尸体。 杰格森的录音:彼特从小由母亲一人抚养成人,成年后,彼特在他的生活中扮演一个受过教育的角色,一种高度的责任感、自律以及对社会群体的认知,让他没有意识到他是同性恋,而他的母亲也没有发现。一种无以名状的恐惧,以另一种模式出现在她脑海,而当彼特遇到妓女克拉夫特后,克拉夫特成为了这种模式的导火绳,引发了彼特心中的暴戾。 在医院的一个房间里:卡塔里娜在门上的一个小窗口看着屋里的彼特,护士一边告诉她说,彼特在医院里,对人总是彬彬有礼,整洁温和,晚上抱着一只玩具熊入睡,护士认为这跟彼特童年的记忆有关。 简评: 按伯格曼自己的说法,影片“在讲两个被命运结合的人,既分不开,在一起又很痛苦,徒然是彼此的桎梏”。当然,这只是这部影片的其中一个部分,或者一个主题,而影片内涵的丰富性,却远远不是这样一两句话就可以涵盖的。影片中更主要的一个主题,显然就是影片片名所透露出来的一个信息:傀儡生命。虽然杰格森和卡塔里娜是情人,但他对彼特的分析,大部分却是十分准确精辟的。彼特身上近乎变态的“高度的责任感、自律以及对社会群体的认知”,恐怕就是彼特最终悲剧的根源。 这部影片不是伯格曼最出色的影片,过强的戏剧处理手法和心理分析的运用使影片陷入一种电影作者和影片人物之间的含混关系,这大约也就是我们在伯格曼各种自传中所读到的“焦虑”心理吧。杰格森对彼得的分析确然有其道理,但又由于他和彼得妻子卡塔里娜之间的情人关系,又影响了观众对他的观点的认同,而影片中透露出导演与影片人物之间模糊暧昧的对比和代入关系,又使影片披上第三层神秘的外衣。对于这样一部已经超越了编导自我控制的范围而进入一种“自在”的层次的影片,对它的感觉、理解可以仁者见仁,而至于要对它分析、读解、解剖,那则既是十分有趣有益的,但恐怕也是徒劳的。

马丁 豆瓣 7

马丁

1977 剧情,惊悚,恐怖 美国

推荐理由同属剧情类型,内容风格接近

Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep. In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening. Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her. When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy. Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake. One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live. Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob. During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire. One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women. Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't. Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage. One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart. Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".

马丁·伊登 豆瓣 7.9

马丁·伊登

2019 剧情 意大利,法国,德国

推荐理由同属剧情类型,内容风格接近

马丁(卢卡·马里内利 Luca Marinelli 饰)出生在贫穷的家庭之中,没有上过几年的学,如今和姐姐过着相依为命的日子,并且成为了一名终日漂泊在茫茫大海之上的水手。一天,马丁邂逅了名为爱莲娜(杰西卡·塞西 Jessica Cressy 饰)的千金大小姐,爱莲娜将法国诗人波德莱尔的诗集借给马丁看。马丁这辈子从来都没有看过这样的文字,一下子便被深深的吸引了,在海上漂泊的漫长时光里,他如饥似渴的吸收着这些知识,并且渐渐开始产生了自己写作的念头。 马丁失业了,借此机会,他决定正式走上写作的道路。他不断的投稿,又不断的遭遇退稿,唯一没有想过的就是放弃。最终,马丁的小说被出版了,这令他收获了无数的名誉和财富。

心灵访客 豆瓣 8

心灵访客

2000 剧情 美国

推荐理由同属剧情类型,内容风格接近

十六岁的黑人男孩詹姆·华莱士(罗伯·布朗 Rob Brown 饰)在篮球方面极富天赋,非常有潜力成为篮球界的明日之星。他常常与小伙伴们一起打篮球,他们注意到住在对面公寓顶层的沉默男人总是看着他们。这位神秘的隐士原来就是知名作家威廉·佛瑞斯特(肖恩·康纳利 Sean Connery 饰)。一次偶然的恶作剧让两人相互结识,威廉发现他在写作方面也很有天份。很快,詹姆凭借自己出色的篮球技术和优秀成绩,获得了一所著名私立学校的邀请。然而对于一所白人学校而言,詹姆却面临着艰难选择和种种质疑。威廉同意帮助詹姆提高他的写作水平。渐渐地,两人在交流中建立了深厚的友谊,循循善诱的威廉激发出詹姆潜藏的写作才能,而威廉自己也开始改变,终于走出避世多年的隐居公寓。

寂静人生 豆瓣 9

寂静人生

2013 剧情 英国,意大利

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第70届威尼斯电影节(2013)地平线单元最佳导演奖获奖作品,乌贝托·帕索里尼导演。约翰是一个普通的社会服务员,他的工作是为孤单死去的逝者寻找相关亲人,而当他被告知即将被政府裁员后,他决定将最后一位死者的亲友全部找齐……

詹姆斯·怀特 豆瓣 6.9

詹姆斯·怀特

2015 剧情 美国

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影片乔什·芒德的导演处女作,也是一部半自传电影。故事讲述了名叫詹姆斯·怀特(克里斯托弗·阿波特 饰演)的年轻人在纽约成长的经历。詹姆斯终日无所事事,过着一种自我毁灭、只追求享乐的生活方式。然而他的母亲盖尔(辛西娅·尼克松 饰演)患上了重病,詹姆斯不得不对自己的人生负起责任来。本片在2015年圣丹斯电影节上荣获NEXT观众奖。

异世浮生 豆瓣 7.6

异世浮生

1990 剧情,悬疑,惊悚 美国

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现就职于纽约的邮局职工雅各布·辛格(蒂姆·罗宾斯 Tim Robbins 饰),曾是在越战中险象环生的退伍老兵。不堪回首的破碎记忆时刻刺痛着他的每一根神经,失败的第一次婚姻,夭折死去的儿子,以及折磨他最深的越战后遗症。他常常出现在越战服役期间被追杀的幻觉,熟悉又陌生 的种种细节,亦幻亦真。他的现任妻子试图帮助雅各布忘却这段痛苦的记忆,然而这些穿梭在梦境和现实里的情节遭遇,让雅各布彻底失去了理智。每当生死攸关的时刻,雅各布总会在另外一个时空醒来。孰真孰假的错觉,让他游离在现实和幻想的世界中不能自拔。