类似《潇洒上枝头》的电影推荐

纸花

辛哈（古鲁·杜特 Guru Dutt 饰）曾是名满天下的大导演，如今，往昔的风光早已经变成了过眼云烟，当落魄的他再度回到曾经叱咤风云过的片场时，剩下的只有唏嘘。辛哈故地重游只为了一件事情，那就是寻找他曾经提携过的女演员香缇（瓦希达·拉赫曼 Waheeda Rehman 饰），直到今日他依然深深的爱着这个女人。 最终，辛哈和香缇重逢了，但很快，两人就陷入了无限的道德谴责之中。与此同时，辛哈的女儿普拉玛（法拉·纳兹 Farha Naa 饰）也站了出来，强烈反对父亲和女演员之间的恋情。最终，经历了苦痛挣扎的辛哈再一次回归到了形单影只的状态下，只能够依靠酒精来排遣内心的愤懑。

流浪者之歌

巴尔干某城市边缘的茨冈村落里，小伙子贝汉（Davor Dujmovic 饰）与外婆一家四口生活在一起，嗜赌的舅舅梅尔桑每次输光后就开始怀念在德国的生活，妹妹的腿疾因无钱而得不到救治。贝汉与同村的阿兹娜相恋，但对方母亲嫌弃贝汉一家贫穷坚决回绝。长年在意大利赚钱的族长阿梅德回到村子，在赌桌上让梅尔桑输到丧失理智，毁掉了自家人的木屋。但外婆却用巫术救回了阿梅德的孩子，为表谢意，阿梅德答应带妹妹出国治病，并让身怀隔空移动小铁器特异功能的贝汉随行。贝汉很快发现阿梅德不过是利用儿童乞讨盗窃的团伙头子，但已无力摆脱只得随顺，不久阿梅德患病，将小团伙交予贝汉管理，贝汉摇身一变成为有钱人，遂回乡将阿兹娜接到米兰，但阿兹娜腹中的骨肉让贝汉大为光火，坚持要将孩子卖掉…… 本片获1989年戛纳电影节最佳导演奖。

风雨夺标

丛林法则

2016法国电影手册十佳的第八， 故事讲的是圭亚那雨林秘境中，所催生的一段不可思议爱情。据说是一部讽刺官僚主义的癫狂喜剧片。

流浪的尤莱克

根据畅销书改编，在1942年的以色列，一个八岁的男孩从华沙集中营中逃脱。他千方百计地求生，他先是在森林里躲藏，然后隐瞒身份，在波兰农场中作为一个基督教的孤儿生活。经过了百般磨难，他内心的犹太信仰将要渐渐地失去了……

潮人

讲述在莫斯科50年代一群年轻人为了听另类的音乐、穿另类的服饰、坚持独特的方式而寻找自我和与社会抗争的故事。 影片开头讲诉的是50年代的前苏联一群叛逆的青年想要自由，和别人不一样，在大环境下显示出鲜明的对比，画面色彩部分尤为强烈，随着剧情的深入，这种封闭的社会和开放的意识形成强烈的冲突。男主角的改变到对女主角的爱加上朋友之间的感情，父亲对孩子的支持理解，让影片有一种浓浓的人文关怀，导演在优美的歌舞中传达着对那个年代的自我封闭一种反抗，不过不失，不卑不亢，彰显功力，镜头的运用，剪切的手法均属一流，歌舞桥段也保留着俄罗斯的风格，对爵士音乐的渲染也体现了追求自由的深度。 俄罗斯一直盛产美女，影片中的女主角们都十分养眼，Oksana Akinshina和永远的莉莉亚那个时候比只是成熟了许多，并没有太大的改变。 谁都曾经青春年少，电影中部分情节点出了人始终要成长，要为自己的将来负责。最后的歌曲就是整部电影想要表达的意境。

木兰花

汤姆·克鲁斯凭此片获金球奖最佳男配角奖。 主持吉米（菲利浦·贝克·霍尔 Philip Baker Hall 饰）患癌症时日无多，女儿陷入对邻居的狂热迷恋，妻子对此无能为力，吉米不知如何将自己的情况告诉女儿。吉米节目的嘉宾斯坦利（杰瑞米·布莱克曼 Jeremy Blackm an 饰）马上就能打破由唐尼（威廉姆·H·梅西 William H. Macy 饰）30年前创下的纪录，却不知唐尼只能在电器店打工。帕特里奇爵士（杰森·罗巴兹 Jason Robards 饰）病入膏肓，年轻的妻子琳达（朱丽安·摩尔 Julianne Moore 饰）当初为钱嫁给他如今却真心爱上老人，悔不当初。护理医生菲尔（菲利普·塞默·霍夫曼 Philip Seymour Hoffman 饰）把老人离家出走多年的爱子弗兰克（汤姆·克鲁斯 Tom Cruise 饰）带到家希望他谅解父亲......

哈啦上路

散漫的乔西·帕克（布雷金·梅耶 Breckin Meyer 饰）与同在一所大学的美丽女孩贝丝·瓦格纳（艾米·斯玛特 Amy Smart 饰）共度春宵，甚至还拍摄录像带留念。千不该万不该，这个没脑子的家伙错把这卷录像带当作校园介绍的录像带寄给了远在奥斯汀的女友蒂芬妮·安迪森（瑞雪儿·布兰切德 Rachel Blanchard 饰）。乔西吓得神魂出壳，连忙叫上好友凯尔·爱德华斯（DJ·奎尔斯 DJ Qualls 饰）和E.L.（肖恩·威廉·斯科特 Seann William Scott 饰）和他绝走奥斯汀，去截停那盘足以毁灭一切的录像带。三个精力旺盛的家伙一路通行，惹出不少的笑话…… 本片荣获2000年德国Bogey奖、2000年青年选择奖最佳银幕说谎者（Tom Green）。

米兰九毫米

Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.

漂泊者

男主角是一个30岁的研究员，在他父亲的婚礼前一个星期，他17岁的继姊妹到他的罗马公寓暂住。他是非常炎热和性感的美女，宅男给热情似火的妹妹烧着了进而发生了关系。

上流诱惑

A young female journalist gets a chance to follow a famous football star for three days to write an article about him, as her first assignment. What seems at first like a lavish, luxurious lifestyle turns into a dangerous situation.

松花江上

东北松花江畔，一青年与一车店店家的孙女相爱。不久后，“九·一八”爆发，日本入侵东北，孙女的父母亲均被日本人杀害。青年被抓走，半途义勇军偷袭日寇，青年趁乱逃回车店，碰见好色的日寇伍长正欲污辱车店孙女，打死日寇伍长。带孙女逃离此地，“七七事变”后，青年孙女等人不屈日寇的压迫，参加了义勇军，抗击日寇。 影片获得舆论界很高的评价。影片的导演处理很有特色，运用形象化的蒙太奇语言，镜头含蓄、简约、有力，许多场面真实、有气势，激动人心。音响效果的运用，使声画相辅相成，组成统一的艺术形象。如影片开始的迎车队、送车队的场面，将东北农村生活和风土人情展现出来，别有风味。片中的插曲也是中国电影在插曲运用上的成功范例之一。在妞儿唱的《四季歌》声中，通过多场景、多变化的蒙太奇处理，将当时情景和人们情绪充分表现出来，达到抒情写意和展现环境相结合的效果。