类似《剪辑师》的电影推荐

按内容相似度排序,推荐理由根据共同类型与主创信息生成。

剪辑师 豆瓣 6.4
参考电影

剪辑师

2014 喜剧,悬疑,恐怖 加拿大

From members of Winnipeg’s infamous Astron-6 collective comes a loving homage and absurdist send-up of the Italian giallo genre. Rey Ciso was once the greatest editor the world had ever seen — but since a horrific accident left him with four wooden fingers on his right hand, he’s had to resort to cutting pulp films and trash pictures. When the lead actors from the film he’s been editing turn up murdered at the studio, Rey is fingered as the number one suspect. The bodies continue to pile up as Rey struggles to prove his innocence and uncover the sinister truth lurking behind the scenes. (Tiff 2014)

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鸟类人间 豆瓣 6.3

鸟类人间

2015 悬疑 韩国

推荐理由同属悬疑类型,内容风格接近

Both critics and audiences have appreciated SHIN Yeon-shick’s films—A Great Actor, Fair Love, The Russian Novel, Rough Play—for his distinctive signature. His new feature The Avian Kind will be part of this year’s Jeonju Digital Project 2014. It is about a writer’s journey to find his missing wife, and this story was also part of his former filmThe Russian Novel. His new film is getting a lot of attention thanks to his unique style of getting the motifs from literature and theatrical plays.

难忘的夏天 豆瓣 7.6

难忘的夏天

1960 剧情 苏联

推荐理由内容主题与本作较为接近

1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。 Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem. From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).

炽热的火焰

炽热的火焰

2022 剧情,惊悚 法国,比利时

推荐理由内容主题与本作较为接近

Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France. The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.

杯弓蛇影

杯弓蛇影

1947 恐怖 美国

推荐理由同属恐怖类型,内容风格接近

This movie is an early horror film classic and certainly one that a well-rounded horror movie aficionado should not miss. An invalid concert pianist dies, leaving a will that does not include his personal secretary Hilary Cummins (Peter Lorre) as a beneficiary. Furious, the left-out yes-man cuts off a hand from the corpse and plots revenge. Unfortunately for Hilary, the hand inherits a life of its own and relentlessly stalks the wild-eyed Lorre as he flees in vain. Special effects keep the audience jumping as they dread the next appearance of this gruesome walking hand. The film is directed by Robert Florey, who also directed Murders in the Rue Morgue (1932). The Beast with Five Fingers (1946) is a horror film directed by Robert Florey and with a screenplay by Curt Siodmak, based on a short story by W. F. Harvey first published in the New Decameron. The original music score was composed by Max Steiner. The film was marketed with the tagline "A sensation of screaming suspense!" The Beast with Five Fingers was Lorre's last film with Warner Brothers. Siodmak had originally written the film for Paul Heinried who turned it down. The piece much played throughout the film is Brahms' transcription for left hand of the chaconne from Johann Sebastian Bach's Violin Partita in D minor, performed by Warner Bros. pianist Victor Aller. The hands of pianist Ervin Nyíregyházi are shown playing the piano. The film was remade in 1981 by director Oliver Stone as The Hand.

魔偶奇谭8遗产

魔偶奇谭8遗产

2003 恐怖 美国

推荐理由同属恐怖类型,内容风格接近

The PUPPET MASTER series finally concludes with its seventh, and straight-to-video, sequel THE LEGACY. Comprised mostly of clips from the previous features, the film centers around Eric Weiss (Jacob Witkin) the little boy saved by toymaker Andre Toulon in PUPPET MASTER 3. Now a grown man in pursuit of Toulon's secret for animating objects, Weiss relates the puppets' history--through flashbacks and archival footage from the first six sequels--to a woman named Maclain (Kate Orsini), unaware that the mysterious beauty is really an assassin out to destroy the puppet master's legacy

谎言 豆瓣 5.9

谎言

1999 剧情 韩国

推荐理由内容主题与本作较为接近

Y和J是通过WULI认识的。学习一直很优秀的WULI突然不爱学习了,每天把J的作品集放在书包里,有空就看。把这一切看在眼里的Y,决定直接打电话给J,并把WULI介绍给他……但是Y在与J通电话的过程中,被他的声音吸引住了。经过一个月的电话幽会,在快毕业的时候,Y决定与J见上一面。 第一次见面起初有些尴尬,但没过多久,两个人变得就象认识了很久的老朋友一样,他们的约会就这样自然的延续下来。 第二次见面,两人在昏暗的楼道和房门之间接了吻,两个身体贴在一起,J开始有节奏的拍打Y的臀部,他和他的夫人当初就是这样开始的。先从无意识的拍打,到后来演变成暴力。而J从事雕刻的夫人就在这时离他而去了。 第三次、第四次见面,刚进房间,就象比赛一样开始脱衣服。Y和J在非常兴奋的状态下,经过了几次高潮,然后吃晚饭,然后又继续…… 就这样,他们每个周日的下午都在旅馆的房间里偷偷约会。随着时间的流逝,Y成了一个成熟的女大学生。 从拍打Y的臀部开始,他们的感情逐渐发展成了用枝条、铁丝、墩布抽打。这成了他们偷情的重要手段。起初是Y挨打,J施打,现在逐渐反了过来,变成了J挨打,Y施打。他们从生疏的第一次变得非常熟练……J开始感受到了快要窒息的痛苦。但就是这样,他还是觉得有种回家的快感。 Y的哥哥发现了两个人的关系后,发生了一阵骚乱……两个人分手了。J整理一切,前往巴黎,回到了夫人的身边。没多久Y也跟来,找到了J。十字篙和麻袋……这是Y准备去巴西所带的全部行李。 天使的手里应该拿些什么?洁白的翅膀,可以使人间幸福的指挥棒…… 第二天早晨,Y出发去了巴西,这是一个连杯茶都没有的早餐……夫人质问J大腿内侧的“我的爱"是谁,J的谎言从这里开始了。

渔枪 豆瓣 6.7

渔枪

2019 喜剧,恐怖 加拿大

推荐理由同属喜剧、恐怖类型,内容风格接近

When his girlfriend Sasha and best friend Elias give hothead Richard a harpoon for his birthday, he wants to try this new toy out right away. So the three of them set out for a day trip on a boat, but suspicion and jealousy soon start to get the upper hand. Before long, the tension has become unbearable. To make matters worse, the boat’s engine fails and then it turns out they left their supplies on shore: a nerve-wracking struggle for survival ensues that spares no one’s secrets – or blood. This post-modern adaptation of a story by Edgar Allan Poe in which three shipwrecked sailors draw lots to see who has to sacrifice himself as a cannibalistic snack, is a bloodthirsty thriller that leaves sufficient space for laughs. It’s painfully obvious from (nautical) miles away that this triangular relationship is not going to end well.

马隆布拉

马隆布拉

1942 剧情 意大利

推荐理由内容主题与本作较为接近

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun? Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels? So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

男孩的歌谣 豆瓣 7

男孩的歌谣

2016 纪录片,短片 葡萄牙

推荐理由内容主题与本作较为接近

"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.

粉色 豆瓣 5.1

粉色

2011 剧情 韩国,法国

推荐理由内容主题与本作较为接近

Busan’s representative director Jeon Soo-il’s eight full feature film is set around 'Pink', a shabby bar, and captures in detail the low lives with the director’s characteristic static style. The performance by Seo Gap-suk, who returns to the big screen for the first in over 10 years since [Bongja], music by artist Kang San-eh, and the picturesque scenery of Goon-san beach, complete with the flying seagulls, add make the film an unquestionably memorable experience.

宜家 豆瓣 7.7

宜家

1986 喜剧 荷兰

推荐理由同属喜剧类型,内容风格接近

6 out of 7 people found the following comment useful. A brilliant and outragously funny satire of society, 7 December 1999 Author: Dave Joerg ([email protected]) "Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original. Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name: "Flodders -Eine Familie zum knutschen" Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.

忧心忡忡 豆瓣 4.2

忧心忡忡

2022 恐怖 立陶宛

推荐理由同属恐怖类型,内容风格接近

No bloody slashers have ever before been made in Lithuania. Takashi Miike’s die-hardest fan Jonas Trukanas accomplished his dream and independently created an inventively ripping horror thriller with a minimal budget. Bewitching from the first minutes, the dynamic chase builds a scary atmosphere of danger, fear and horror, while also clinging to luck and chance. “Be the hunters, not the prey,” the school mistress ironically wishes them on the graduation day, when the damnably awesome classmates follow the tradition of renting a cottage for a weekend to celebrate their graduation. They end up in the middle of nowhere for an ultimate prom party. Unfortunately, they make some terribly wrong and naive mistakes on the way. There is no mobile coverage there, as you may expect in line with all the unwritten rules. A mysterious masked savage suddenly shows up with the intention of conducting a stylish massacre. One by one, graduates are barbarously punished and axed for cynicism, arrogance, jealousy, debauchery, blackmail, filthiness, hatred, slandering, and gossiping. So many bright hopes, future plans and promising careers destroyed in just one fateful night at an illegal rave. Only shy Marius is destined to survive and turn misfortune to fortune. But why is the ruthlessly slashing serial killer protecting him? Sparked by local myths and legends (co-written with Titas Laucius, director of “Parade” from the First Feature Competition), inspired by beloved classical slashers and enriched by morbid ironic horror, the film unites whole gang of talented Lithuanian youngsters, led by Gabija Bargalaitė after her immersive debut in “Pilgrims” (Winner of Venetian “Orizzonti”). A small indie gem with hidden easter eggs and uncredited cameos. 源自:https://poff.ee/en/film/pensive/