Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
A brilliant female recluse sends a distress signal into outer space from a remote location. When the Aliens arrive, they realize it's not a distress signal, it's an ingenious trap designed to exact revenge on the extraterrestrials who abducted her as a child.
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推荐理由同属恐怖、科幻类型，内容风格接近
A group of siblings go to their family cabin after over a decade for a hunting trip to reconnect, only to find themselves being hunted by a terrifying alien creature. Now they must team up and become the hunters before becoming the hunted.
推荐理由内容主题与本作较为接近
地球上大批儿童的下落不明，引起了社会的极度恐慌，相关组织积极展开调查却一无所获，就在众人一筹莫展之际，神秘组织“天安基金会”出现，派出马天马与李昂秘密调查此事。两人虽成功破获了多起儿童失踪案，保护了社会安宁，但令二人没想到的是，这仅仅是外星生物组织“安妮会”邪恶计划的第一步。打开异次元虫洞，召唤出强大的外星生物“瓦苏恩”，并协助“瓦苏恩”攻占地球，才是他们的最终目的。m.qiwan.cc为了摧毁外星物种的侵略计划，马天马决定深入敌方老巢——“魔方城”。与大多以“打开未知世界探索秘密”为主线的科幻影片不同，《猎杀外星人》在现实世界与幻境之中勇于面对种种“不美好”，敢于揭露阴暗之欲。影片将故事背景设定在了千万年后的未来世界，光阴流转，时代更迭，可即便是在遥远的未来，人性未变，黑暗犹在，欲望更深。隐藏于地球的外星生物组织“安妮会”是对黑暗势力企图摧毁世界的贪念的披露，以“儿童失踪案”为故事导火索则影射了社会尚存险恶，告诫众人应提高危机意识，心存善念，共同维护社会的和谐安定。
推荐理由同属科幻类型，内容风格接近
故事讲述了一支特种部队的突击队，在一个荒凉的星球上执行追捕任务。而他们的对手是一个因为囚犯转移舰艇的失事，而得以幸存的一个外星囚犯。一场血腥的杀戮开始了。 导演桑迪·克罗拉（Sandy Collora）曾经执导过影片《蝙蝠侠：死战到底》（Batman: Dead End），并屡获殊荣。 普罗米修斯号已经退出了轨道。通信和生命支持系统也停机了。情况之严重在于：船员与囚犯都处于未知状态，一场猫捉老鼠的游戏开始了。然而在这个贫瘠的陌生星球上，谁会是猎人，谁又是猎物呢？
推荐理由同属科幻类型，内容风格接近
1957年某晚，居住在美国加州莫哈维沙漠小镇中的天文学家泰德•刘易斯博士（艾瑞克•麦柯马克 Eric McGormack 饰）正为爱妻拉娜（乔蒂•汤普森 Jody Thompson 饰）准备结婚周年纪念的烧烤晚餐，突然发现一颗流星从天而降坠毁在不远处的小山坡上。同样目睹流星飞过的还有小镇餐馆女服务员泰米（詹妮•拜尔德 Jenni Baird 饰）。泰德前去查看，发现“流星”竟是一艘外星飞碟，自己也被外星人“厄普”俯身。厄普在泰米的帮助下全力搜寻逃匿的独眼外星怪兽“格塔”，却依然赶不上“格塔”吃人的速度。更可怕的是，一旦“格塔”开始以几何级数速度分身，将陷整个地球于不可挽回的危险之中。
推荐理由同属科幻类型，内容风格接近
美国太空总署的一支科学考察队在荒凉的南极州进行科学实验，一天他们收到了一些神秘的信号，经过探测这些信号来自极度深寒的冰层下面。队员们怀疑它不是来自地球的信号，他们立即请来了外星方面的专家rome。正当他一步步接近信号的真正面目时，却发现了令他惊异不已的内幕……
推荐理由同属科幻类型，内容风格接近
80年代的东北寒冬，护林员老马和小谷为缉拿盗猎贼深入原始森林，却意外遭遇了两种未知外星种族随飞船坠落在地球的神秘事件，并与名为“星际猎人”的高智慧外星生命相遇，一场人与人、外星种族与外星种族间的狩猎就此展开。
推荐理由同属科幻类型，内容风格接近
当一艘外星监狱飞船在加州沙漠坠毁时，释放出一个又一个怪物，他们迅速消灭了试图阻止他们的军队。 现在阻止外星人的唯一希望，在于政府一个专门研究外星武器的秘密分支-怪物猎人联盟。 但由于这个团队未经实战检验，地球之战将会非常残酷。
推荐理由同属科幻类型，内容风格接近
面临绝种危机的外星人「库尔酷」急需饮用人血来抵抗致命病毒，决定大举入侵地球绑架人类！科学家史蒂芬柴斯的女儿不幸成为待宰羔羊，为了拯救爱女的性命，柴斯别无选择只好加入叛军的行列。然而库尔酷族人发现遭到叛军的抵抗后，便转而背弃与地球领袖订定的协约，柴斯也因此发现自己要对抗的不只是外星人，还有背后暗自搞鬼的政府……
推荐理由同属科幻类型，内容风格接近
A spaceship returns to Earth carrying samples from Proxima b. As scientists study the specimens, they discover the alien elements are alive.
推荐理由同属恐怖、科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.