Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
The drug detective chief is kidnapped by his teammates in front of his lover, Marie. Marie pulls back the drugs she seized from the police to find the chief and approaches the organization. Moving along the path of the drug, Marie hides in a mansion where she meets a hostess, Chunchin. In the room of Sakun Chan, Mari finds photographs of Sakun Ching and the cheerful chief.
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推荐理由内容主题与本作较为接近
丽莎（安娜·帕奎因 Anna Paquin 饰）是一名17岁的高中生，和大多数高中生一样，虽然处于尴尬的青春期，但丽莎的生活中并没有太大的烦恼和困扰。一次意外中，丽莎被卷入了一场惨烈的交通事故中，一个陌生的女人在事故中身亡。女人的死颠覆了丽莎的世界，她再也无法用曾经的眼光来看待周围的一切了。 为了弥补内心的创伤，丽莎做出了很多的努力，但很快她便发现，所有企图弥补创伤的举动，最终都会带来新的伤痛，唯一的解决方法，就是还原车祸的全部真相。就这样，丽莎展开了她的调查行动，但各种各样的麻烦让她明白，她所作的这一切或许并非正确。
推荐理由内容主题与本作较为接近
어린아이 같은 천진함을 가진 기태는 어리석은 인간의 표상. 순수함 이면에는 극악스러운 욕심이 도사리고 있고, 그 욕심으로 인해 파멸을 자초한다. 반면 기욱은 억누르고 잠재워 온 욕망의 또다른 이름이다. 지킬박사처럼 심연끝에 잠자고 있는 야수적 본능을 이성이란 이름하에 억눌러 왔을 뿐. 때문에 이성이 본능에 사로잡히는 순간, 그를 지탱하고 있던 모든 것들은 한꺼번에 무너져 내린다. 그리고 인간의 욕망과 이성을 교묘하게 저울질하는 운명의 추 명자 두형제를 교묘하게 희롱하며 자신의 욕망을 채우는데 성공하지만 그녀 역시 또다른 욕망에 의해 파국을 맞을 준비를 하게 된다. 모든것을 기억하고 있는 자신의 딸 마리아에 의해….
推荐理由同属犯罪类型，内容风格接近
A letter for Miss Marple from a recently deceased friend promises a large reward for investigating a crime - without telling her who was involved, or when it happened! When she accepts, she is given a reservation for a coach tour of historic homes and gardens. She has fifteen fellow-passengers - and one of them knows a murderer's secret and someone is preparing to kill.
推荐理由同属动作类型，内容风格接近
Taraji P.Henson主演动作片#骄傲的玛丽#发布预告，演了Cookie、卡姐等厉害角色后，这次Henson直接变女杀手，预告大半时间在光鲜换装、物色武器。当然杀手片的任务总会出错，玛丽碰上了一个小男孩，激发出强悍下的母爱。《伦敦陷落》导演Babak Najafi执导，明年1月12日北美上映。
推荐理由内容主题与本作较为接近
墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.
推荐理由内容主题与本作较为接近
A rookie police officer willingly takes the last shift at a newly decommissioned police station in an attempt to uncover the mysterious connection between her father's death and a vicious cult.
推荐理由内容主题与本作较为接近
弗雷（塞缪尔·杰克逊 Samuel L. Jackson 饰）在铁窗之后度过了漫长的二十五年，终于刑满释放重见天日的他发誓，再也不要回到那狭小的监牢之中，过那种不见天日的痛苦生活了。二十五年，整个世界仿佛变了个模样，弗雷对未来充满了希望，但又惴惴不安。 一位名叫艾瑞斯（鲁丝·内伽 Ruth Negga 饰）的活泼女子出现在了弗雷的身边，她的乐观和不羁令弗雷渐渐找回了自信，丢掉过去了阴霾，彻底融入新的生活，可是，曾经的搭档的儿子伊桑（卢克·科比 Luke Kirby 饰）的出现让弗雷明白，过去永远都不会过去。阴险狡诈的伊桑将目标放到了艾瑞斯的身上，这是弗雷不可触碰的底线，为了艾瑞斯，他决心再次铤而走险。
推荐理由内容主题与本作较为接近
冬日的傍晚，滑冰场发现一具无头女尸，经查此人是餐厅服务员刘丽珠，刑警单立人（葛优 饰）着手调查此案。刘的丈天对妻子的遇害反应冷漠，虽不合常理，但最终排除了作案可能。死者身上的一个电话号码让一个叫李建平（尤勇 饰）的人纳入警方视线，单立人传讯了李建平，调查得知该人一惯招摇撞骗、玩弄女性感情。从他的房间里搜出B型血衣，正好和死者血型相吻合，但李矢口否认杀死了刘丽珠。次年春天，冰雪消融，有一捕鱼人从河里捞起了刘丽珠的头颅，面对铁证，百般抵赖的李建平心理防线彻底崩溃，他如实交代了强奸未遂杀人灭口的作案过程......
推荐理由同属犯罪类型，内容风格接近
Hollywood star Marina Gregg leaves Los Angeles for the picturesque countryside of St Mary Mead. Having taken up residence at Gossington Hall with her dashing young English husband, film director Jason Rudd, his secretary, Ella Blunt and Marina's exclusive personal assistant, Hailey Preston, it's not long before she becomes lady of the manor. When the glamorous couple decide to throw a benefit for the St John Ambulance, the grounds are abuzz with curious locals including previous owner of Gossington Hall, Dolly Bantry. But when a local fan, Heather Badcock consumes a poisoned daiquiri, Marina finds herself starring in a real-life mystery - supported by Miss Marple and Inspector Hewitt, who suspect that the lethal cocktail was intended for someone else. But who? If it was meant for Marina, then why?
推荐理由内容主题与本作较为接近
故事的主人公是一个举止温柔的女秘书，虽然职位比较低微，但她一直努力希望得到提升。胸怀大致的她，在通往公司高层的道路上，用尽各种手段，后来她偶然发现自己原来对杀人这种事很有天分，于是随即将其充分加以利用......