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Ava's life is dictated by rules. Coming of age in Iran, she faces pressure to conform to the expectations of her parents, her school, and her friends. When Ava learns that her parents were once flagrant rule breakers themselves, she begins to rebel against the very foundations of her society. AVA masterfully demonstrates how a culture of authority can force denial and detachment, particularly among young women during their formative yet vulnerable high school years.
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When Eva, a young housemaid, gets involved in a steamy threesome with a houseboy and her lady boss, she realizes she has to choose only one of them.
在暗无天日的岁月，精神随着身体扭曲苟且，天地何止不仁？人魔同途互食，你只能认同与乞怜于本来最讨厌的人。摄制队追随志愿军深入被视为中东最危险的集中营，在卧底的帮助下，他们昼伏夜行，用最简单的装备和极迅速的行动，避开暴力，成功把伊斯兰国拘禁的雅兹迪族性奴拯救出来。影片平行剪接营内和回家后的生活对比，受害女子看似逐渐康复，但真正的意识形态毒害始终阴魂不散，令人持续不寒而栗。辛丹斯电影节世界纪录片最佳导演奖。
在布鲁克林工作的阿诺拉邂逅俄罗斯商界寡头之子伊万，冲动中嫁给了他，幻想自己成了灰姑娘。然而，伊万的父母得知后立刻赶到纽约，强行逼迫两人离婚。在一系列风波后，阿诺拉的美梦最终破灭。
在伦敦的高级应召女郎的世界，Amoureux Solitaires告诉的法国护送维吉妮，伦敦和鲁伯特的故事，一个人救了被贩卖的女孩-一个现代的爱情故事。 背景是倫敦，阿芙皙雅飾演的薇吉妮是應召女郎，她的老鴇信任她，還要她帶剛入行的妓女。她日複日賣淫，但也渴望愛情，當她遇到專門拯救受拐騙少女的年輕男子(史戴梅斯特飾)時，礙於自己的出身，愛得辛苦。 短評：《性》是《巴黎妓院回憶錄》(House Of Pleaures) 的法國紅星阿芙皙雅的最新情欲演出，再度挑戰妓女，為操皮肉生涯的年輕女子做出最大的控訴，無情揭開人的情欲真面目，而這段掙紮在社會底層的危險愛情故事，也拍得驚心動魄，因為操控妓女的惡勢力，不是省油的燈。阿芙皙雅身材火辣，多場與嫖客的性愛戲，導演也處理得火辣
强制披戴的头纱下，是三个伊朗女性的暗黑命运。一个因丈夫吸毒坐牢，要独力照顾不能说话的幼儿，不获批淮离婚再嫁，只好卖淫为生。一个怀孕后好不容易找到工作，丈夫却拒签同意书让她上班。一个情不自禁与年轻乐手发生关系，却因为失去处女身而一身蚁。充满禁忌的父权国度，到处是性别歧视、 虚伪做假、滥权渎职。一个恶作剧电话，更凸显女性面对的巨大压力。如此故事，只能用动画呈现，以绿幕拍下真人演出，再利用转描技术做出栩栩如生又带强烈控诉的德黑兰风情画。入选康城影展影评人周及安锡国际动画电影节。
1988年，基隆港烟尘蔽日，林小丽（白小樱 饰）在迷惘中长大，渴望逃离黑暗。 直到遇见无惧眼光、自在生活的李莉莉（林品彤 饰），她才第一次看见世界的色彩。 然而，这份向往却触动了母亲（汤毓绮 饰）的过往创伤。 当年，她也曾憧憬未来，却被现实困住。 女孩与女人，在交错的命运中互相映照，像一面镜子照出彼此的伤却无能为力。
Emi is a young ambitious girl who has been dreaming about a big world for years. Whenever an opportunity arises, she jumps into its modes without hesitation, becoming an exclusive escort. Soon it is she who, at the invitation of Arab sheikhs, begins to recruit Polish misses, celebrities, screen stars and models. However, this inaccessible, luxurious world will soon show its dark side .
安（朱丽叶·比诺什 Juliette Binoche 饰）是一位颇有名气的记者，在旁人眼里，工作能力出色同时又被丈夫和孩子簇拥着的安无疑是成功女性的典范。但在安的内心里，焦虑和烦躁无时不刻不困扰着她，家庭所带来的束缚让她越来越无法全心全意的将自己投入到工作中去。 安目前手头上的工作是调查社会上盛行的援助交际的内幕，在某个知名的援交网站上，安结识了阿莉恰（Joanna Kulig 饰）和夏洛特（阿奈丝·德穆斯捷 Anaïs Demoustier 饰）两名女子。从她们的叙述中，安发现了一个自己至今闻所未闻的残酷世界，在那里，性无关乎爱，仅仅是一笔交易。在采访的过程中，安没有忘记审视自己的内心，此时此刻，那些深藏其中的欲望和激情开始发出光芒。
影片讲述了一个从小被抛弃于森林，依照动物生存模式存活下来的女人。被一个男人掳掠回家并且受尽欺凌。这家人中，男主人极度大男子主义，仇视女人。小儿子因为受父亲教导也对女人极不尊敬。懦弱并逆来顺受的母亲，被父亲侮辱而怀孕的大女儿，以及不谙世事的小女儿。故事的最后，大女儿在极度绝望和恐惧的支配下放了野女人，野女人杀了她的父母和弟弟，带走了她的妹妹。 本片以不太恐怖的氛围，却深刻的暗喻了一个至今仍然存在的严重的社会现象，男人应该如何看待女人，女人应该如何正确扮演家庭中的角色。
师走（广濑爱丽丝 饰）拥有一段不幸的童年，因此个性十分的内向别扭。虽然身为巫女，但师走对神社里的事务却并不关心。一天，神社里发生了盗窃和纵火的事件，让大家没有想到的是，一切的罪魁祸首竟然是一个名叫建太的五岁小男孩。 因为男孩不肯说出自己的住所，所以神社的工作人员将建太交给了师走暂为照顾。在建太的身上，师走仿佛看到了从前的自己。随着时间的推移，师走和男孩之间渐渐建立起了坚实的友谊。建太的母亲来到了神社想将建太领走，但师走本能的觉得这位母亲问题多多，果不其然，没多久师走就看到了建太母亲殴打建太的场面。
After a violent dispute with her mother, sixteen-years old Chloé ends up in the streets with nowhere to go. Then she finds Jean-Michel, a charming young man who will lead her to prostitution.
The Doll is an adaptation of the novel, The Doll (novel) by Bolesław Prus, which is regarded by many as one of the finest Polish novels ever written and, along with Pharaoh (novel), made Bolesław Prus a potential candidate for the Nobel Prize in literature. The influence of Émile Zola is evident, and some have compared the novel to Madame Bovary by Gustave Flaubert; both were Prus's contemporaries. The movie, however, may be more compared to Stendhal's Le Rouge et le Noir, (The Red and the Black). The Doll constitutes a panorama of life in Warsaw between 1878 and 1879, and at the same time is a subtle story of three generations of Polish idealists, their psychological complications, their involvement in the history of the nineteenth century, social dramas, moral problems and the experience of tragic existence. At the same time this story describes the disintegration of social relationships and the growing separation of a society whose aristocratic elite spreads the models of vanity and idleness. In the bad air of a backward country, anti-Semitic ideas are born, valuable individuals meet obstacles on their way, and scoundrels are successful. This poetic love story follows a nouveau riche merchant, Stanislaw Wokulski, through a series of trials and tribulations occasioned by his obsessive passion for an aristocratic beauty, Izabela Lecka, played by the famous Polish actress, Beata Tyszkiewicz. Plot: As a descendant of an impoverished Polish noble family, young Wokulski is forced to work as a waiter at Hopfer's, a Warsaw restaurant, while dreaming of a life in science. After taking part in the failed 1863 Uprising against Tsarist Russia, he is sentenced to exile in Siberia. On eventual return to Warsaw, he becomes a salesman at Mincel's haberdashery. Marrying the late owner's widow (who eventually dies), he comes into money and uses it to set up a partnership with a Russian merchant he had met while in exile. The two merchants go to Bulgaria during the Russo-Turkish War of 1877-78, and Wokulski makes a fortune supplying the Russian Army. The enterprising Wokulski now proves a romantic at heart, falling in love with Izabela, daughter of the vacuous, bankrupt aristocrat, Tomasz Łęcki. In his quest to win Izabela, Wokulski begins frequenting theatres and aristocratic salons; and to help her financially distressed father, founds a company and sets the aristocrats up as shareholders in his business.The indolence of these aristocrats, who secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to Izabela's impecunious but influential father, the girl becomes aware of his affection. In the end she consents to accept him, but without true devotion or love.(wikipedia)