类似《不说再见》的电影推荐

按内容相似度排序，推荐理由根据共同类型与主创信息生成。

参考电影

不说再见

2018 剧情,战争俄罗斯

1941. October. There are thousands of German troops advancing on Kalinin (now Tver), to open a direct route to Moscow. There are only two thousand people defending the city. No tanks. No artillery. Their only hope to hold o the enemy – is the fth Infantry Division, that is about to go through the Kalinin station. But there are spies out there doing every- thing to prevent this from happening. Major Pavel Tokarev, Head of the Kalinin garrison, is struggling to maintain order in the city. And he himself falls under suspicion of being involved in spy activity.

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12 部

豆瓣 5.9

终极列车

2001 动作加拿大/保加利亚/美国

推荐理由内容主题与本作较为接近

Death, Deceit and Destiny Aboard the Orient Express is a 2000 thriller film about a group of international terrorists who, a few days before the start of the new millennium, lure a group of very rich celebrities and businesspeople on board the Orient Express from Paris to Istanbul in order to extort large sums of money from them. The screenplay for the movie was written by Peter Welbeck (aka Harry Alan Towers) and Peter Jobin. The film, which was directed by Mark Roper, starred Richard Grieco, Joanna Bukovska, Romina Mondello, Christoph Waltz, Sendhil Ramamurthy and Götz Otto.

豆瓣 6.9

马霍卡-莫夫

1963 剧情,短片西德

推荐理由同属剧情类型，内容风格接近

Straub-Huillet’s adaptation of Heinrich Böll’s biting satire Bonn Diary presents the reflections of a reactivated officer who is summon ed to the West German capital by the Ministry of Defense to establish an Academy for Military Memories. Straub considered his film to be an intervention against German rearmament in the Adenauer era: "Machorka-Muff is the story of a rape, the rape of a country on which an army has been imposed, a country which would have been happier without one." In "Machorka-Muff," Mr. Straub, employing the cold, somewhat expressionistic but always loquacious approach of his other films, comes closest to underlining the almost subliminal irony of his themes. He briefly outlines, through the performance of Colonel Machorka-Muff, a former Nazi who is reinstated in the Adenauer regime, the unchanging thinking of the Nazi and/or the military mind. As the colonel of the title, Dr. Johannes Eckhardt is properly cold and convincing as the believer in the rights of the soldier. Although it is the shortest and earliest of Mr. Straub's films, it is both the most lucid of his works and the most clearly indicative of his potential as an imaginative filmmaker.

豆瓣 7.8

维克雷提

2017 历史,战争波兰

推荐理由同属战争类型，内容风格接近

讲述40年代波兰东部的地下军抵抗苏军占领军的故事

豆瓣 3.4

恐攻密码战

2015 剧情,动作,惊悚美国,白俄罗斯,俄罗斯,乌克兰

推荐理由同属剧情类型，内容风格接近

World renowned journalist Sara Ogden is traversing the world in pursuit of carriers of a fatally dangerous "Stamp of Cain" in order to prevent seemingly unrelated events such as mass murders, turmoil, revolutions and chaos. She doesn't even suspect how close she is to the edge of the abyss, when in her search she ends up in Belarus to meet face to face with the one, whom she has been searching for her entire life.

豆瓣 5.7

一切安好

2022 动画,纪录片,奇幻柬埔寨,法国

推荐理由内容主题与本作较为接近

A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.

为可怜的骠骑兵求情

1981 剧情,喜剧,历史苏联

推荐理由同属剧情类型，内容风格接近

In the 19th century Russia, the life of entire provincial town changes both comedic and dramatically after the arrival of high-ranked secret police officer, investigating an anonymous accusation of state treason.

埃斯基尔和特立尼达

2013 剧情,家庭瑞典

推荐理由同属剧情类型，内容风格接近

In far northern Sweden, Eskil is always moving with his father from place to place. He longs for his mother in Denmark, where it’s also warmer. Great that the eccentric Trinidad is building a boat to set off for more southern regions

圣峰萨克罗

2024 纪录片西班牙

推荐理由内容主题与本作较为接近

In a leafy forest, a Galician sovereign who longs to attain wisdom meets a sorcerer, who tells him: "Go back to your country and study the Earth and the Stars in the sky; anywhere in the world reflects an image of it. You will ride on this arrow, which you must keep for a hundred years and a day. After this time, stick it in the widest valley of all those you possess, with the tip facing the sky. Then the Moon will come and, just as it exerts its action on the waters of the sea, it will act on the arrow, turning it into a holy mountain." - Legend about the Pico Sacro. Inspired by Hokusai's views of Mount Fuji and Cézanne's paintings of Mont Sainte-Victoire, "Pico Sacro [The Holy Mountain]" aims to reveal the mystery and the magic that underlie reality.

豆瓣 7.1

盗走班克斯

2018 纪录片意大利

推荐理由内容主题与本作较为接近

In 2007 Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.

炽热的火焰

2022 剧情,惊悚法国,比利时

推荐理由同属剧情类型，内容风格接近

Disaster movies tend to inhabit the close-but-not-too-close realm of the ‘what if?’, but Quentin Reynaud’s taut drama evokes a reality that is painfully immediate, as the world combusts around us. Alex Lutz (recently seen as the son in Gaspar Noé’s Vortex) plays a man determined to escape with his elderly father (the ineffable André Dussollier) from a wildfire that is rapidly approaching their forested area of southern France. The pair know all the local roads, and the secret detours, but when they are caught in a dead end, they seem to be running out of possible exits. At once road movie, claustrophobic jeopardy thriller and portrait of a prickly but tender father-son relationship, this finely acted and executed film expertly lays on the heat.

豆瓣 8.7

卡廷森林

1990 纪录片波兰

推荐理由内容主题与本作较为接近

Produced by Andrzej Wajda, this 55-minute film probes the massacre of almost fifteen thousand Polish officers during World War II. For a long time, this atrocity was attributed to the Nazis, but it was really the work of Red Army. (A title states that the film was made before the truth was publicly acknowleged.) There are three parts: in (1) "Voyage", children of the victims travel to the place, mainly the camp of Kozielsk, which a survivor of Katyn describes: forty-five hundred were interned there, then led to the forest, shot, and put in a mass grave. In (2) "Politique", after seeing archival footage of corpses, we learn that Churchill allegedly asked the head of the Polish government in exile to say the perpetrators were German, not Soviet. Almost as bad is the fact that the U.S. Secret Service destroyed (on Roosevelt's orders) papers that the Poles had sent him about the real murderers - even before he read them. In (3) "Witnesses", we meet Wanda, the daughter of a murdered Polish officer. She tries to get people who live near the forest to talk, but they are still frightened. However, another woman cajoles (in Russian) her old father to tell the truth. He admits that he was forced to sign the opposite of what happened at Katyn. The film reveals that the Stalinists were just as capable as the Nazis of cold-blooded carnage - even of their own allies. Annette Insdorf - "Indelible shadows: film and the Holocaust"

恩潘别墅

2019 纪录片,短片比利时,法国,奥地利,德国

推荐理由内容主题与本作较为接近

What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.