类似《我们不该在这里》的电影推荐

按内容相似度排序，推荐理由根据共同类型与主创信息生成。

参考电影

我们不该在这里

2018 剧情,喜剧奥地利

Wanda's world has been turned upside down when her teenage daughter Nina suddenly turns up in a hijab. Secretly, Nina has converted to Islam; she exclusively eats halal, strictly observes the prayer times and wishes to be called Fatima. Mother of a liberal Viennese patchwork family, Wanda is appalled; she has always strongly stood against religious fanaticism. However, all attempts to make Nina see reason fail. To make matters worse, Wanda's ex-husband has just fathered a child with his latest wife, and Wanda begins to yearn for a time when her only problems were her daughter's truancy and pot smoking. When she meets Hanife, the mother of Nina's Muslim girlfriend, she finds an ally. Hanife, who immigrated to Austria as a child, is determined to save her daughter from the extremely old-fashioned image of women, which Nina is enthusiastically preaching.

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12 部

它们在这里

2025 惊悚,恐怖印度尼西亚

推荐理由内容主题与本作较为接近

娜杰瓦是一位来自小镇的教师，为了女儿燕蒂，她接受了一家基金会开办的精英学校的聘书，搬到了雅加达。然而，她的新家却充满了恐惧，也充满了来自基金会所有者古老食人习俗受害者灵魂的指引。随着一场致命仪式的临近，娜杰瓦必须与黑暗力量抗争，才能让自己和孩子免于成为下一场食人仪式的牺牲品。

豆瓣 7.4

要或不要

2018 剧情爱沙尼亚

推荐理由同属剧情类型，内容风格接近

在一个昏昏欲睡的星期六早晨，三十岁的建筑工人埃里克（雷默·撒戈尔 Reimo Sagor 饰）接到了一个惊人的消息：他已经有六个月没见过的前女友莫妮卡（Viire Valdma 饰）即将生下他们的孩子。然而，莫妮卡并没有准备好做一个母亲，你也就意味着，如果埃里克也不愿意要这个孩子，那么新生的女婴将会被送到收养机构，这个可怜的孩子会在收养机构里度过怎样的日子，我们谁也不知道。在这个节骨眼上，埃里克面临着一个艰难的抉择，他究竟应该肩负起为人父的责任，接纳这个小婴儿，还是应该遵循自己内心里对于自由的渴望呢？

麦当娜

2007 剧情德国,瑞士,比利时

推荐理由同属剧情类型，内容风格接近

“柏林学派"德国新锐女导演玛丽亚·施佩特2007年的作品。今年，她的纪录片《巴赫曼先生和他的班组》荣获了2021年柏林电影节评审团奖银熊奖，获得了影迷的大面积关注，这部独树一帜的影片不仅是主竞赛单元唯一的一部纪录片，也是长度最长的一部，时长217分钟，是从200多小时的庞大素材中剪辑出来的。她的影片不乏对德国新移民的关注，而早在2007年的这部影片《麦当娜》中，其实就已经在关注这个话题，当然，《麦当娜》并不是纪录片，但同样很写实，描述了一个叫丽塔的德国女子，她从不承认自己的母亲。丽塔生育了六个孩子，并迫使母亲担任孙子孙女的母亲，糟了，怎么这么像前几天那个韩国的离奇故事？当然，这是文艺片，没那么多离奇情节。这部影片完全站在女性的视角来探讨德国社会话题。故事的开始，作为年轻的德国母亲，丽塔带着一个小婴儿独自去美国寻找生父，但生父早已有了自己的家人，并不想这个陌生人闯入，于是丽塔的美梦破碎。当故事转移到德国后，气氛变得更加阴沉，丽塔和母亲的矛盾冲突不断加大。丽塔的好几个孩子都来自不同的父亲，她把这些孩子丢在母亲的家里，以便她可以和朋友出去。电影对人性心理的刻画太准了，似乎更想表明丽塔与她周围的世界脱节，而不是探究其背后的可能原因。这时，一位美国黑人士兵走入她的生活，并且容纳了丽塔和她的孩子们。在影片视觉呈现上，导演有意识地选择了单调和灰色，半纪录片式的方式，随着故事的进展，巧妙地为丽塔的新公寓装满了更多的家具和更多的装饰，更多的色彩体现。总体而言，这个女导演值得我们多加关注。柏林学派（德语：Berliner Schule）（法国《新观察家》杂志则用了“新新浪潮”（nouvelle nouvelle vague）这个词形容这些与众不同的德国青年导演作品）是指于1990年代中期至21世纪初期萌发的一个新的电影运动，被用来统称一系列在国外(尤其是法国)受到影评推崇的德国电影。柏林学派并没有明确的电影风格或规范，但是许多电影作品处理了人际与社会关系，并以含蓄的人物、情绪或场景的手法来记录当代德国社会的变迁。--乱耳飞舞字幕组

豆瓣 6.7

生活本该如此

2020 剧情,喜剧荷兰

推荐理由同属剧情、喜剧类型，内容风格接近

伊莉丝和彼得是一对同居多年的恋人，当他们的第一个孩子出生后，彼得却怀疑这个孩子是否是他的，并向伊莉丝坦言他从不想要孩子，已经有一年的外遇，很快就会带着他的新爱苏丝前往非洲。初为人母却被抛弃，重返真人秀主编工作又遇挫折，无奈的伊莉丝开始自怜和酗酒。她想让彼得回家，不想像自己的母亲那样做单亲妈妈。后来在她的两个朋友、她的母亲和遛狗人的帮助下，伊莉丝让自己的生活重回正轨，并与儿科医生，也就是遛狗人杜威相爱。（电影频道节目中心）

豆瓣 6.5

爱不再回来

2004 剧情,爱情美国,加拿大

推荐理由同属剧情类型，内容风格接近

Jack Linden (Mark Ruffalo) and Hank Evans (Peter Krause) are best friends who both teach at the same university in a small New England town. They both have young children and Jack's wife, Terry (Laura Dern) is close with Hank's wife, Edith (Naomi Watts). But while things appear happy on the surface, there are smouldering pockets of discontent underneath. Financial struggle and domestic boredom has drained the passion from Jack and Terry's marriage, while Hank's numerous infidelities and self-absorption has prompted Edith to find both comfort and sexual fulfilment with Jack. As Jack begins spending more and more time with Edith, it becomes obvious to Terry, whose anger culminates in a sexual encounter with Hank. Now that the deception has come full circle, both couples are left to decide the futures of their shattered unions...

豆瓣 6.4

我们是恶魔

2015 剧情,悬疑德国

推荐理由同属剧情类型，内容风格接近

女儿声称将自己最好的朋友杀害，离异的保罗夫妇决心帮助女儿隐瞒一切。但女儿朋友的父亲步步紧逼，随后夫妇两人陷入了一连串麻烦之中……

家

2026 剧情丹麦,塞尔维亚

推荐理由同属剧情类型，内容风格接近

Through the eyes of a young girl uprooted from Yugoslavia to Denmark, we watch a family navigate a new world and rebuild their lives while holding on to what they left behind. Home speaks to belonging, sacrifice and the generations shaped by displacement. Maja is six years old when most of her family moves from the Yugoslav SFR to Denmark, leaving her two brothers behind for the time being, waiting to follow the rest to the promised land. Denmark proves to be far from the welcoming haven they imagined. There is a new language to learn, new customs to navigate, new skies to understand. Did they really want to stay? Maja grows up in Denmark, builds a life and a career there as an artist, yet she cannot forget all that her parents left behind. Actress-turned-director Marijana Janković was the same age as Maja when her own family left Ivangrad (today Berane) for the European north, and that is only the most superficial similarity between the two. As two of her leading men, fellow Ivangradian Dejan Čukić and Osijek’s one and only Zlatko Burić, will surely know, the details of Maja’s or Marijana’s story may be specific, but the larger flow of things has remained the same across generations and countries of origin.

应许之地

2023 惊悚美国

推荐理由内容主题与本作较为接近

导演迈克尔-温特伯顿（Michael Winterbottom）以英国在一战后对巴勒斯坦的管理为背景，拍摄了这部引人入胜的历史爱情片。影片根据真实人物和事件改编，通过英国巴勒斯坦警察部队的一名高级成员与一名年轻犹太妇女之间充满矛盾的跨文化关系，探讨了极端主义和暴力是如何将人们推开并迫使他们选边站。

豆瓣 6.8

不

2021 喜剧德国

推荐理由同属喜剧类型，内容风格接近

Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.

豆瓣 8.3

旺达

1970 剧情,犯罪美国

推荐理由同属剧情类型，内容风格接近

住在宾夕法尼亚矿区的旺达潦倒落魄。她偶尔工作，抛弃了丈夫和孩子，睡在她姐姐的沙发上，抽烟喝酒，然后和男人一起回家，只为了能有一个地方安身。一天晚上，她走进酒吧后发现丹尼斯有点紧张。她和他交往，确认他是个罪犯。丹尼斯正计划着抢劫。尽管他粗鲁无礼，旺达却欣然接受了他的虐待。

豆瓣 6.9

詹姆斯·怀特

2015 剧情美国

推荐理由同属剧情类型，内容风格接近

影片乔什·芒德的导演处女作，也是一部半自传电影。故事讲述了名叫詹姆斯·怀特(克里斯托弗·阿波特饰演)的年轻人在纽约成长的经历。詹姆斯终日无所事事，过着一种自我毁灭、只追求享乐的生活方式。然而他的母亲盖尔(辛西娅·尼克松饰演)患上了重病，詹姆斯不得不对自己的人生负起责任来。本片在2015年圣丹斯电影节上荣获NEXT观众奖。

豆瓣 6.8

我们不是天使

1992 喜剧南斯拉夫

推荐理由同属喜剧类型，内容风格接近

“An ordinary story, told in such an imaginary way. The Angel and The Devil, competing about Nikola, a twenty-and-something womanizing student of the world literature, a city's wise-guy whose cozy way of life is being roughly interrupted by impregnating Marina, a clumsy high school graduate at a party, who wants to keep the baby, while Nikola believes it's not necessary. Generations in Serbia knows to tell this film by heart, and I highly recommend it to anyone abroad because it's a great way of meeting and understanding Yugoslav pop culture.It also has an outstanding soundtrack. It's Srdjan Dragojevic's film-school graduation piece which shot him into instant fame."