Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
When the Viking space capsule suddenly returns to Earth from its long ago trip to Mars, it brings with it an intelligent visitor that is part "Alien" and part "ET". Encased in armor, it extends a humanlike form from its shell to examine its surroundings and shows an interest in humans including a soft caress of a female scientist prior to the Army killing it. This only enrages its sibling.
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推荐理由同属科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
推荐理由同属科幻类型，内容风格接近
A teenage girl befriends a terrifying alien that crash-lands in the desert near her home. As government agents close in, the girl protects her dangerous new companion while also dealing with her depressed mother and the mother’s abusive boyfriend.
推荐理由同属科幻类型，内容风格接近
A spaceship returns to Earth carrying samples from Proxima b. As scientists study the specimens, they discover the alien elements are alive.
推荐理由同属惊悚、科幻类型，内容风格接近
朱蒂丝注意到镇上发生了一些令人毛骨悚然的事情。她和镇上的治安官有了一个令人毛骨悚然的发现，镇上的青少年正在消失。当他们再次出现时，他们正在遭受失忆症的折磨。当她的女儿凯蒂失踪时，朱蒂丝更感到不安。当她回来并开始奇怪的行为时，很明显外星力量已经占领了这座城市。朱蒂丝必须勇敢地面对她的恐惧，把那些来认领她女儿的外星人赶走。
推荐理由同属惊悚、科幻类型，内容风格接近
十三，一个听起来就有些阴冷的数字。在一座大厦的第十三层，科学家道格拉斯•霍尔（克雷戈•比克饰）和汉农•富勒（阿明•缪勒－斯塔尔饰）用电脑模拟出一个逼真的1937年的洛杉矶，他们可以通过电脑进入这个虚拟世界，真实地体验1937年的生活与自己。然而一个夜里，富勒被人杀死，种种线索都表明似乎是霍尔所为。可霍尔却对当天夜里的事情全无记忆。这时一个自称是富勒女儿的女人又神秘出现，可霍尔从未听富勒说过自己有女儿……为了找到凶手明晓真相，霍尔循着富勒留下的线索来到虚拟世界中，他离真相越来越近了……近到窒息……
推荐理由同属科幻类型，内容风格接近
小大卫麦克林有一个问题——镇上所有的成年人在看到奇怪的灯光在他家附近的一座小山后不久就开始做出奇怪的行为。随着越来越多的成年人受到影响，他必须向漂亮的布莱克医生寻求保护。最终，他必须以一个不同寻常的结论来面对自己的恐惧。
推荐理由同属科幻类型，内容风格接近
One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
推荐理由同属惊悚、科幻类型，内容风格接近
1957年某晚，居住在美国加州莫哈维沙漠小镇中的天文学家泰德•刘易斯博士（艾瑞克•麦柯马克 Eric McGormack 饰）正为爱妻拉娜（乔蒂•汤普森 Jody Thompson 饰）准备结婚周年纪念的烧烤晚餐，突然发现一颗流星从天而降坠毁在不远处的小山坡上。同样目睹流星飞过的还有小镇餐馆女服务员泰米（詹妮•拜尔德 Jenni Baird 饰）。泰德前去查看，发现“流星”竟是一艘外星飞碟，自己也被外星人“厄普”俯身。厄普在泰米的帮助下全力搜寻逃匿的独眼外星怪兽“格塔”，却依然赶不上“格塔”吃人的速度。更可怕的是，一旦“格塔”开始以几何级数速度分身，将陷整个地球于不可挽回的危险之中。
推荐理由同属惊悚、科幻类型，内容风格接近
一名摄影师在得知自己童年时期目击到的不明飞行物又再次出现时，她毅然决然的选择了去踏上寻找不明飞行物的路程。但令她万万没想到的是，一些来路不明的客人也开始参与其中，并且一直试图破坏她的调查计划。
推荐理由同属科幻类型，内容风格接近
所谓的无船员的船携带咖啡驶入纽约,但是当警察和一些科学家在船上发现了船员可怕的尸体和大量的盒子装满绿色虫蛋。爆炸的时候蛋温度升高和任何人谁接触的物质都会爆炸。现在政府介入和幸存的军官,一名上校和一名宇航员发现这些蛋可能与灾难性的火星任务有关。
