Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
《睡美人》被称为“古典芭蕾百科全书”，由俄罗斯音乐巨匠柴可夫斯基与“古典芭蕾之父”彼季帕联手创作。作品改编自格林兄弟版本的童话《睡美人》，讲述了一个光明战胜黑暗、善良战胜邪恶、真爱战胜死亡的浪漫爱情故事。 莫斯科大剧院芭蕾舞团于1899年演出了《睡美人》，至今已有120年演出历史。此番高清影像呈现的是2011年由编舞大师尤里·格里戈罗维创作的版本，气势恢弘的舞蹈，雍容华贵的服装，奢华灿烂的布景，创造出了空前绝后的剧场舞蹈奇观。其中的“玫瑰慢板”、“婚礼双人舞”、“蓝鸟双人舞”、“花环华尔兹”，都成为经典舞段。 莫大首席舞者奥尔加·斯米尔诺娃与谢苗·丘金领衔饰演奥罗拉公主和德西雷王子，另一位首席尤利娅·斯特潘诺娃倾情加盟扮演紫丁香仙子，一众资深舞者在剧中担纲独舞。其中，斯米尔诺娃的奥罗拉公主仙气十足，她被英国《每日电讯报》称为“真正非凡的天才舞者”。
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推荐理由同属剧情类型，内容风格接近
An intimate look at the lives of modern circus performers in and out of Cirque Du Soleil. The film follows the stories of several different performers and gives viewers an unprecedented look into their lives and art. A testament to the human spirit and the power of following your dreams it is also and homage to the grace and power of artists who use their bodies as their instruments. Filmed on location in 11 countries and in three languages by a Cirque Du Soleil "insider" this film transcends a "behind the scenes" look and creates a powerful and moving work of art.
推荐理由内容主题与本作较为接近
An artist is hired by a nightclub owner to paint a portrait of his beautiful wife. When the artist and wife fall in love, the nightclub owner's jealousy erupts in violence. To save themselves, the lovers are driven to attempt his murder.
推荐理由同属剧情类型，内容风格接近
On his wedding day, eccentric 40-something shop decorator Zsolt Mohai visits Anna Parádi, asking her to call off his marriage to Klára Horváth. Drama and musical numbers follow as they discuss romance, loyalty, ambition.
推荐理由同属剧情类型，内容风格接近
Beauty contest winner Patricia Knight's one bid for screen stardom was Columbia's Shockproof. Knight plays Jenny Wright, a convicted murderess paroled in the care of probation officer Griff Marat (Cornel Wilde). What begins as an aloof professional relationship eventually blossoms into romance. The fly in the ointment is shady Harry Wesson (John Baragrey), the gambler who inveigled Jenny into committing murder. The girl is torn between creature comforts offered her by Wesson and the promise of a clean life offered by Griff. This early Douglas Sirk effort contains a smattering of the stylistic touches which distinguished his later work.The screenplay was written by famed director Samuel Fuller, known for his gritty realism and hard-boiled style. ~ Hal Erickson, All Movie Guide
推荐理由内容主题与本作较为接近
What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
推荐理由内容主题与本作较为接近
"Jellicle" cats join for a Jellicle ball where they rejoice with their leader, Old Deuteronomy. One cat will be chosen to go to the "Heavyside Layer" and be reborn. The cats introduce themselves.
推荐理由同属剧情类型，内容风格接近
1960年捷克卡罗维发利国际电影节最佳导演水晶球奖。 Originally titled Seryozha, the Russian A Summer to Remember was co-adapted by Vera Panova from her own short story. War and Peace director Sergei Bondarchuk plays the new stepfather of young Seryozha (Borya Barkhatov). So close do the stepfather and the boy become in the months following their meeting that, when time comes for the boy to move on in life, he refuses to leave his new dad's side. Their summer idyll takes place on a Soviet collective farm, managed by Bondarchuk and depicted by novice filmmakers Georgiy Daneliya and Igor Talankin in the most glowing and apolitical of terms. Though there isn't much to the plot, the film admirably succeeds as a sort of cinematic tone poem. From All Movie Guide: Russian filmmaker Georgi Daneliya ranks among his country's most popular directors of satirical comedies. The Georgia-born Daneliya comes from a distinguished family of film performers; his grandmother, Veriko Andzhaparidze, was a famed Georgian silent film actress, his cousin, Sofiko Chiaureli, is also a major actress, and his mother, Meri Andzhaparidze, spent more than a decade at Mosfilm Studios. However, he first chose to train as an architect (perhaps out of respect for his father, an engineer). Following his graduation in 1955, Daneliya worked only briefly in that field when he decided he'd rather be in films, enrolling in Mosfilm Studios' Directors' Courses in 1958. In 1960, Daneliya co-directed Seryozha/A Summer to Remember with Igor Talankin. Two years later, he made his solo directorial debut, Put K Prichalu/The Way to the Wharf (1962). His 1969 comedy Ne Goryuy!/Don't Worry! successfully blended humor and melancholy, a device that would become Daneliya's trademark. In addition to directing, Daneliya co-authors the scripts for his films and occasionally works on screenplays for other directors. Daneliya has won numerous national and international awards for his work. In 1964, his Ya Shagayu po Moskve/I Walk Around Moscow received an honorable mention at the Cannes Film Festival, while in 1975 Afonya received a special award at the All Union Festival, a major U.S.S.R. event. Daneliya's biggest hit in the U.S.S.R., Mimino (1977), earned the special prize at the Moscow International Film Festival and the U.S.S.R. State Prize. In 1991, Daneliya earned the Nika Award (the Russian equivalent to an Oscar) for Best Screenplay for Pasport (1990).
推荐理由同属歌舞类型，内容风格接近
A contemporary musical version of the classic Cinderella story in which the servant step daughter hope to compete in a musical competition for a famous pop [email protected]
推荐理由同属剧情类型，内容风格接近
The Walking Fish is a tragicomic short film about ambition, perfection and self-acceptance. The 19-minute film, directed by Thessa Meijer, tells the story of an ambitious sea-creature that pursues her dream to join the human world. But even as she transforms into a young woman, Mutsumi is not satisfied. On land, she’s faced with new ambitious pursuits; to become the prettiest, to secure a successful career, to be a dreamy girlfriend. Will she ever be content, able to enjoy her journey?
推荐理由同属剧情类型，内容风格接近
妓女艾丽莎陷入困境后，以枕头闷死了自己三岁的女儿玛丽，并随后用手枪结束了自己的生命。然而，玛丽奇迹般地活了下来，并被送入一个公共救济机构。在孤儿院中长大的玛丽怀着对男人的仇恨，一直想找到她的父亲，将他视为导致母亲悲剧和自身不幸的罪魁祸首。 当玛丽（凡妮莎·帕拉迪丝 Vanessa Paradis 饰）年满18岁离开孤儿院后，在朋友的帮助下，她开始调查她父亲的下落。她发现父亲名叫雅克，曾是一位不受欢迎的音乐家。她决定为母亲和自己复仇。通过努力，她找到了雅克目前的藏身之处。一开始，玛丽隐瞒自己的身份，设法接近雅克并对他进行侮辱，甚至想使用枪支杀害他。但后来，她逐渐了解到雅克是一个备受迫害的犹太人，他的父母惨死，他的童年充满痛苦，他的才华无法得到重视，生活陷入困境。为了不连累深爱他的艾丽莎，他只能离开她。不幸的是，这导致艾丽莎走上了死亡的道路。此后，雅克深陷愧疚中，自暴自弃、无法自拔。
推荐理由同属剧情类型，内容风格接近
年仅 20 岁的维罗妮卡经历了比大多数人都要丰富的人生——她谋杀母亲的罪名被裁定不成立，于是她回到家乡，希望重新开始自己的生活。尽管被判无罪，但舆论对弑母（以及杀害母亲男友）一案的看法却大相径庭。回到小镇后，她与唯一关心她的人——她的父亲和最好的朋友相依为命，而后者当晚就在谋杀现场。