Moovie 影牛
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Franck just had the most crazy and wonderful idea for a company that would finally get him and his friends proper jobs. As Uber delivers food, Amazon daily items, Song Express will deliver songs. To your friends, or your loved one, or yourself, anywhere you want. It is brilliant, it is foolish, it could work… For Franck, Jean-Claude, Sophie and José, Song Express becomes something more than just a professional challenge: it is the dream of a lifetime.
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After being betrayed by his colleague, Mix, a talented young architect starts working in a new company. Soon after, a Christmas outing is organized, but he cannot go because he has not yet completed a work. Then, he meets Bell, an intern who was doing an internship when no one was around. xxys9.com Mix came up with a fun idea, he organized a party for lonely people with a game: whoever invited the most people to the party wins!
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On a calm night in an average city a hardworking URYDE driver, Brandon, picks up just another fare, Judd. Using interactions that blur the lines between the technological world and the physical one, Judd explains a messy breakup. Brandon offers an empathetic ear and a sympathetic heart to his new friend to help him pick up the pieces. Aggregated profiles, algorithms, links, likes and comments bring people closer. But how close is too close?
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When Rosa is expected to hand her boss the suntan lotion on a deer hunt, this feels like a sign. Don Reynaldo’s ranch is about to celebrate its farm anniversary, but this passionate hunter’s image is built on a lie. And so, here in the countryside, where men are men, employees are grateful subjects and women diligently and docilely hold it all together, cracks begin to appear in the social life of this microcosm. Ordered around day in and day out, unnoticed by those in her class-conscious surroundings, the menial Rosa gradually becomes an agent of change. While Don Reynaldo’s extended family contorts itself in a bid to save the old order, men begin to arrive at the farm in pickup trucks. Their appearance at the feast and a threat are enough to make the ageing patriarch fear for his life and his family – and force him to act. All that passes is observed by the animals who, either as trophies on the wall or as livestock out to pasture, seem to sense the end of an old hegemony. With a keen sense of how to deploy omens that herald change, Alejandra Márquez Abella portrays an epochal shift in rural Mexico – as seen by characters who are usually relegated to passive supporting roles.
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Jean just quit her coveted job as an investment banker on Wall Street. After a soul-searching journey traveling around the world, she retreats to an empty vacation home owned by a friend's rich family. She unexpectedly finds herself sharing the place with some former occupants - a cynical college professor, his bitter sister married to a devoted husband, a disgruntled cab driver and a washed-up drifter; all of whom are not even supposed to be there, because they're actually dead. As Jean reluctantly confronts these souls as tormented as herself, they inevitably end up in an entangled mass of secrets and lies... This imaginative thriller roams in an out of the lives of lost souls, weaving reality with the other side
推荐理由同属喜剧类型，内容风格接近
他们是六个有着不同境遇，但都一心想挣脱生活束缚的人。他们努力地追寻着自己的梦想，同时又在原有的生活中痛苦挣扎。一场卡拉OK大赛给了他们改变命运的机会，也许赢得了比赛就意味着新生活的开始。 出租车司机比利是个安分守己的年轻人，虽然在刚刚出狱的女老师那里听到了许多关于人生灰暗的观念，但他仍旧坚信世界是美好的。然而女友与自己的朋友通奸的事实让比利大受打击，与女友在酒吧不欢而散之后，他遇到了同样是人生失败者的女孩苏西，二人同病相怜，阴差阳错地一起踏上了追寻梦想的征程。在这过程中，二人互相鼓励，给了彼此重新开始生活的希望。 同样想改变生活的还有被工作压得近乎崩溃的推销员托德。他有着向往成功的美国式梦想，为了家庭生计他一年到头四处奔波，累得筋疲力尽，却得不到家人关怀。一怒之下，托德离家出走，并在一个偶然的机会下认识了有着天使般的嗓音，却迫于生活而拦路打劫的刑满释放人员瑞格，出于相同的爱好，两人开始了疯狂的卡拉OK之旅，并在旅途中结下了深厚的友谊； 四处流浪的中年歌手瑞奇则在教堂里意外地发现刚刚丧母的女孩丽芙竟是自己的女儿，这个突然出现的亲人让他措手不及。而丽芙则为了得到失去已久的父爱，坚持跟随父亲一起上路去参加歌唱比赛。 虽然这六个人有着各自不同的人生，但却有着相同的目标，那就是参加在美国中部的内布拉斯加州奥马哈城举办的“卡拉OK”大奖赛，为了赢得比赛，他们不惜旅途奔波，进出一个个充满破锣嗓子的酒吧。上演着一段段笑料百出但却感人至深的动人故事。 经过长途跋涉，六个人终于如愿以偿的参加了歌唱大赛。在追求梦想的过程中，他们各有所得。丽芙不仅与父亲互相谅解，共享天伦之乐，而且与初次邂逅的比利一见钟情；而销售员托德也重获妻子的关怀，开始了自己事业的新一轮冲刺；瑞格虽然因为抢劫被警察击毙，但在生命的尽头，他得到了最宝贵的友谊；而苏西则继续着她成为明星的梦想。
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A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution. For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations. Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'? The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it. But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
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After his best friend Kevin commits suicide, John decides his life needs a change and he spontaneously heads off to Europe to follow Kevin's muse Solange, a minor pop music diva and eccentric B-movie actress. As the odd pair become embroiled in a world of sex, drugs, and murder the boundaries of trust start to wear thin and John begins to wonder whether Solange is the victim of a bizarre lifestyle or its mastermind. Shot on location in Europe and featuring a killer soundtrack, Todd Verow's most recent film is an homage to 80's cinema and a fun installment in the prolific director's portfolio
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Superstar a capella group Pentatonix is struggling to find inspiration for their annual holiday album, and the clock is ticking. To make matters worse, their well-intentioned but misguided manager mistakenly locks them in a magic mailroom. But with the help of some Disney magic, we're soon on a whirlwind tour around the world, discovering holiday traditions and inspiration from Pentatonix fans all around the globe: from Tokyo to Grenada, Ghana to Mexico and Iceland. The fun-filled journey leads the group to realize that wherever we find ourselves, the holidays offer the perfect opportunity to discover how much we have in common and that it really is a small world after all.
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Four college students venture to a storied haunted house over night. The goal is simple, obtain research for a paper they are writing on urban myths and legends. A caretaker, played by Richard Grieco, greets them and offers to share the tale of the home's tragic beginnings. As events unfold, the group starts to understand there's more to the stories than they first believed. Friendships and motives are questioned. The gentle caretaker's role is brought into questions. When tragedy strikes, they finally understand that Sanctus House is more than myth.
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A special sideshow torture exhibit has the power, according to showman Dr. Diablo, to warn people of evil in their futures. As skeptical customers are shown the greed and violence they're hiding, one of them snaps and kills Diablo. When they run off, we see the murder to be staged as part of the show. One of the customers has hung around to see this, and wants to make a deal with Diablo, aka the Devil. A very good anthology of tales, written by Robert Bloch and directed by Freddie FRancis, for Amicus, an icon of this kind of movie. The tales are uneven, sure, but they are all at least good, till the perfect final one, the Man who collected Poe, with Jack Palance and Peter Cushing, a great idea, and a marvelous tale to watch. Very good Burgess Meredith as Diabolo the Great, the host for these tales. Unfortunately for us all, this kind of movies are a thing from the past and today we don't get any more gems like this. A must see
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An utterly unique homemade sci-fi-action-sexploitation buddy image, Runaway Nightmare is a sublimely amateurish mess that must be endured to be believed. Two pals running a worm ranch in Death Valley very long for some excitement to cut the boredom of their lifestyles. Their desires are fulfilled when they witness mobsters burying a gorgeous blonde girl alive in the desert, save her, and are taken captive by a ruthless squadron of feminine revolutionaries for their difficulty. Our heroes are very first tortured and then used as sex slaves, but eventually the girl gang invites them to join their cause, and they battle the syndicate to recover a briefcase full of taken platinum. Runaway Nightmare at first follows a standard male fantasy template (kidnapped by dominant females for stud solution), but it isn't pornographic. The male leads crack jokes like adolescent versions of Bob Hope and Bing Crosby, but none of it's funny. The plot includes radioactive accidents, exploding warehouses, and club fights, but there is no action. First-and-only-time director Michael Cartel is fond of long, airless scenes in which nothing happens, giving Runaway Nightmare the bizarre waking fantasy feeling that badly built movies sometimes achieve accidentally. The dialogue is ridiculous, the situations are ludicrous, and there isn't an actor in sight. Brief, clumsily-inserted nude scenes are meant to double for characters in the narrative, nevertheless the women's bodies are different, their faces are obscured, and they're shot on videotape rather than the movie stock utilized for the rest of the picture. In spite of (and because of) these dubious Runaway, virtues Nightmare is a one-of-a-kind cinematic experience, a fascinating failure that reaches brand new levels of weirdness, and its obscure house video launch is really worth seeking out for the jaded and the curious
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What happens when the values of the culture you've always known no longer align with how you see the world? The New Peasants offers an intimate look into the life of Meg, Patrick, Zephyr, and Woody. A family who, for 20 years, have been transitioning away from modern industrial culture toward a radically simple, sustainable, and beautiful way of life. Concerns about the industrial food system and environmental crises provided the family's initial motivation to live differently. Now it's 15 years since they've eaten from a supermarket or owned a car. The household, living intentionally below the poverty line and meeting 80% of their needs without using money, is nonetheless rich in so many ways. Wealth is found in their cellar of preserved foods, connections with community, saved seeds, homesteading skills and the time to focus on what really matters in life. Yet the decision to live this way has brought profound challenges for their family, in the form of their eldest son's encounters with the law. These experiences have produced immense grief, but, in the end, also great joy. This film shares the unfolding journey of a family rejecting the mainstream culture and working to create a new one. A culture and economy that draw on ways of the past while stepping joyfully into the future. For everything they've let go, something has been gained. With every challenge, something learned. This is one family's response to the predicament of our time, offering an inspiring glimpse into the kind of future, culture, and economy we can create. This family's way of living shows that transformative change begins at the home and community level and that we can all participate in creating a better world.