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无情暴虐
由同位导演 雷纳托·德·马里亚 执导，叙事风格与艺术造诣一脉相承
这里是大都会米兰，经济市场蓬勃向上，在令人炫目的繁荣景象中，犯罪事件也注定增长。 桑托·鲁索是在意大利内陆长大的卡拉布里亚人，在郊区小偷小摸一段时间后进了少年监狱。后来他决定跟随自己的志向，依靠犯罪求生。短短几年之内，他便在一个强大而恐怖的帮派中成长为头脑人物，拥有一派武装暴徒，不断投身各种肮脏却来钱快的生意：抢劫、绑架、贩毒、洗钱，尤其令人不可想象还有 — 杀人。 在无休止地追求财富和社会满足感的同时，桑托·鲁索在两个女人之间徘徊不定：他的妻子顺从、忠诚，他的情人美丽、优雅而高不可攀。他面对的是两种截然不同的生活选择 ，而他自己也有两张完全相反的面孔。 桑托的犯罪行径中充斥着各种不可避免的选择和痛苦的经历：他人的生死、激情之爱或是拥有家庭、梦幻般的中产生活或是残酷的社会拼杀。 《无情暴虐》是一段横跨四分之一个世纪的叙事，以意大利黑帮为背景，讲述了桑托·鲁索的故事：在时尚、遍地钱财、艺术前卫、迪斯科音乐盛行的黄金年代，一位雅痞黑帮成员在米兰千变万化、眼花缭乱的现实世界中经营周旋。 雷纳托·德·马里亚担任本片的导演，同时与瓦伦蒂娜·斯特拉达和费代里科·涅西尼担任编剧。这部电影的灵感来自彼得罗·科拉普里科和卢卡·法佐写的《Manager Calibro 9》。 里卡多·斯卡马乔饰演桑托·鲁索，其他参演演员还包括萨拉·萨里约科、阿莱西奥·普拉蒂科、阿莱桑德罗·泰代斯基和玛丽埃-安杰·卡斯塔。 制片人：安杰洛·巴尔巴加洛和玛蒂尔德·巴尔巴加洛 制作公司：BIBI FILM 和 RAI CINEMA
抢钱那件小事
同属优质喜剧片，风格与本作高度契合
這四名有點邋遢的好友組織了一場搶劫，本來希望能解決自身的問題，但在遭遇一連串的不測之後，他們被迫收手，反而因此衍生更多的問題。在笑料百出的狀況間，他們只能想盡辦法努力自保。
绑架米拉诺
同属优质动作片，风格与本作高度契合
"Milano odia: la polizia non può sparare" aka. "Almost Human" of 1973 is a brutal and brilliant Poliziottesco, one of the most uncompromising films of its genre, coming along with an ingenious score by none other than Ennio Morricone. Apart from the brilliant score, the brutal, uncompromising violence, the raw atmosphere and gripping story it is furthermore two of the greatest stars in Italian 70s cinema that make "Milano Odia" an absolute must-see for lovers of cult cinema. imbd comment
阿莫雷的最后一夜
同属优质剧情片，风格与本作高度契合
剧情简介：老警长佛朗哥·阿莫尔在退休前夕被叫去调查犯罪现场，他最好的朋友兼长期合作伙伴迪诺在这次钻石劫案中遇害，案发现场不仅有警员，还有中国人死亡，这背后潜藏着怎样的惊天秘密呢...
恶棍追缉令
剧情内核高度相关，共同探讨了关于 社会、道德、犯罪 的深刻主题
A criminal who has just come out of prison goes to a mountain chalet to retrieve stolen goods and takes the owners hostage in order to take possession of the booty.
米兰九毫米
同属优质动作片，风格与本作高度契合
Fernando Di Leo's "Milano Calibro 9" is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, "Milano Calibro 9" was followed by "La Mala Ordina" (aka. "Manhunt", also 1972) and the brilliant "Il Boss" (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned "Manhunt" is (allthough excellent) slightly inferior to this one and "Il Boss" which both stand out as absolute all-time highlights of crime cinema. "Milano Calibro 9" is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... "Milano Calibro 9" is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like "Milano Calibro 9" are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.
格莫拉：起源
剧情内核高度相关，共同探讨了关于 社会、道德、犯罪 的深刻主题
这部热门黑帮犯罪传奇的前传是一部六集的剧集，背景设定在1977年的那不勒斯，讲述了年轻的皮埃特罗·萨瓦斯塔诺在犯罪中成长的故事。 皮埃特罗是一个坚韧的城市孩子，成长于塞康迪利亚诺最贫困的地区。他和朋友们靠各种手段生存，骑着摩托车在城中穿梭，进行小偷小摸。但他有一个伟大的梦想：成为像街区‘国王’安杰洛‘Sirena’那样的人。当他成功赢得年轻老大的赏识时，却发现自己卷入了远超他能力范围的权力游戏中。他最终开始质疑，这种黑暗暴力的犯罪生活是否真的是他想要的，还是他的对伊玛的爱能够将他从这样的命运中拯救出来。
金谍行动
同属优质剧情、动作片，风格与本作高度契合
金融公司遭十亿恶意贷款，首次讨要无果后，讨债公司老板瑞秋挺身而出。她集结布朗克和席德组成一支精英小队，成功夺取硬盘数据，锁定债主曼尼的隐秘资产。随后，小队展开一连串精密操作，曼尼的资产帝国被迫冻结，而曼尼也终于现身谈判同意还钱。但当曼尼付清了债款，金融公司却迟迟未将曼尼的资产归还，气急败坏的曼尼将瑞秋擒获试图进行要挟。精英小队是否能成功将瑞秋救出，而曼尼又将受到怎样的恐怖惩罚呢？