Moovie 影牛
类似《不是艺术家》的电影推荐
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
相似电影
12 部
艺术家
推荐理由同属喜剧类型，内容风格接近
好莱坞，1927年。乔治·瓦伦丁是默片时代的超级巨星，而有声电影的兴起将为他辉煌的职业生涯敲响丧钟，令他逐渐被人遗忘。对年轻临时演员佩皮·米勒而言，前途却不可限量——巨星之路正等待着她。影片讲述的正是二人命运交汇的故事。[韦恩斯坦公司]
客座艺术家
推荐理由内容主题与本作较为接近
The story of a young man coming face to face with his hero (Jeff Daniels) and exploring the tangled relationship between the dreams of youth and the wisdom of age.
无名大师
推荐理由内容主题与本作较为接近
眼尖的他發現：那幅畫作應是出自俄國大師列賓之手... 住在赫爾辛基畫的商奧拉維，總將藝術與工作視為第一，甚至因此忽略了家庭和親人。在退休前的一場拍賣會上，一幅塵封的畫作，意外吸引了奧拉維的注意。他眼尖發現：那幅畫作應該是出自俄國現實主義大師列賓（Ilya Repin）之手！奈何畫作上並未署名，加上拍賣目錄資料無多，致使價格低落、乏人問津...。 嗅到商機的奧拉維，決定在退休前再幹最後一筆交易，只要證實該畫確屬列賓真跡，立刻價值連城，他就能從中大撈一筆...。此時，奧拉維多年不見的女兒蕾拉突然出現，拜託他代為照顧15歲的孫子奧多。為避免打草驚蛇，奧拉維於是叫奧多去調查畫作背景，自己則四處借貸購畫的資金。 奧多查出該畫作確實為列賓所繪，此時資金借貸到位的奧拉維，決定要孤注一擲。但讓他最感納悶的是：列賓為何要匿名作畫？而這幅未署名的畫作，又如何能證據出自他手，並飆出驚人的銷售記錄？
其实不是我
推荐理由内容主题与本作较为接近
BUT NOT FOR ME IS A FILM ABOUT THE SEARCH FOR FULFILLMENT THROUGH ARTISTIC EXPRESSION, THE LINES WE DRAW AS WE STRUGGLE TO DEFINE OURSELVES, AND THE UNDERLYING TRUTHS THAT ULTIMATELY CONNECT US. 关于自我、人生、艺术、以及爱情。
腐烂艺术
推荐理由内容主题与本作较为接近
Edward，一名长期郁郁不得志的年轻艺术家在参加一个艺术联展的前夜终于度过创作危机，完成了一件装置艺术作品，却遭经纪人Marvin的贬损和辱骂，并损毁其作品。
这不是斯巴达
推荐理由同属喜剧类型，内容风格接近
在军事化的斯巴达，列奥尼达（西恩•马奎尔 Sean Maguire 饰）经过与巨型企鹅的恶战证明了自己是斯巴达最强悍的战士，成功得到斯巴达王位，并迎娶玛戈为皇后。某日，正在对儿子进行毒打训练的列奥尼达接待了波斯使者，对方狂妄的宣称薛西斯王将统治希腊，斯巴达的孩子以后只能在血汗工厂中生产NIKE鞋。怒不可遏的列奥尼达杀死使者以及一干美国偶像，用化妆品贿赂先知请求开战，然而得到的却是丑女贝蒂神女的警告。列奥尼达仍然决定出征，他率领13名用喷漆画出腹肌的战士赶赴隘口布防，用街舞击败了波斯先头部队。肥佬薛西斯用蓝屏电脑特技制造出的大军压境，被列奥尼达弃用的帕里斯•希尔顿又告知波斯人包抄斯巴达军的小路，列奥尼达率众与洛奇、恶灵骑士等波斯大军展开了殊死搏杀。 本片改编自《斯巴达300勇士》，用恶搞手法对原片进行了重新演绎。
似是而非的我们
推荐理由内容主题与本作较为接近
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)
这不是柏林
推荐理由内容主题与本作较为接近
Seventeen-year-old Carlos doesn't fit in anywhere, not in his family nor with the friends he has chosen in school. But everything changes when he is invited to a mythical nightclub where he discovers the underground nightlife scene: punk, sexual liberty and drugs.
不
推荐理由同属喜剧类型，内容风格接近
Isn’t the trajectory of a shared life determined in advance? Get married, have kids, be like everyone else… According to Dietrich Brüggemann, who competed in Vary six years ago, 30-somethings conceivably have it all, yet they fail in their attempts to achieve their set ideals. Nö delivers a critique of contemporary values, while also highlighting the struggle to find and nurture love.
艺校的秘密
推荐理由同属喜剧类型，内容风格接近
杰洛（麦克思·明格拉 Max Minghella 饰）是一个热爱绘画，一心想成为著名画家的艺术青年，可是，当他如愿以偿进入了艺术大学之后才发现，眼前的一切和想象中相去甚远。在专业课堂中，认真勤奋的杰洛并不是老师最得意的学生，反倒是看上去呆头呆脑的约拿（马特·基斯拉 Matt Keeslar 饰）受到了老师的肯定。更让杰洛感到苦恼的是，自己所爱上的人体课的模特奥黛丽（索非亚·迈尔斯 Sophia Myles 饰）似乎对约拿产生了好感。 学校里发生了血腥的连环杀人事件，但这并不在杰洛的关注范围之内。年度考核临近，创作出优秀作品的学生即可获得在著名画廊举办个展的机会。作品屡遭否定的杰洛无奈之下找到了落魄画家吉米（吉姆·布劳德本特 Jim Broadbent 饰）并盗用了他的作品，没想到，正是吉米的画作让杰洛成为了警方缉拿的对象，而约拿警察卧底的身份也随之浮出了水面。
缪斯不会溺水
推荐理由内容主题与本作较为接近
A fresh coming-of-age film that depicts the diversity of way of living through scrap-and-build. A member of the high school art club called Sakuko falls into the sea while sketching a boat. Witnessing the incident, Saibara creates a painting titled "Drowning Sakuko" and wins an award at a contest, leading the painting to be displayed at school. Moreover, Saibara takes the liberty of announcing that she will paint Sakuko for her next piece during a newspaper interview. Frustrated by the situation, Sakuko gives up on her artistic path and attempts to create a new work with the motif of a "boat" in her home, which is scheduled for demolition. The self-made cinema Motomachi Movie Theater takes notice of expressing the diversity of life choices through "scrap-and-build". They recommend the film, stating that the characters in the midst of their youth confront their identities and attempt to reconcile with others, seemingly in small ways but potentially taking significant steps to change society. 源自：https://jff.jpf.go.jp/watch/ic2023/films/a-muse-never-drowns/