Moovie 影牛
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12 部辫子
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In India, Smita is an untouchable. She dreams of giving her young daughter an education and will go to any length to make that happen, including leaving behind all she knows in search of a better future. In Sicily, Giulia works in her father’s wig workshop, the last of its kind in Palermo. When her father is the victim of a serious accident, she discovers that her family’s livelihood is at stake. In Canada, Sarah is a twice-divorced mother of three children and a successful lawyer whose identity is wrapped up in her work. Just as she expects the promotion she’s been working her entire career for, she learns she has breast cancer. The Braid is a vibrant and singular reminder of what connects us all – across borders, across languages, across cultures.
度日勉强
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Five women are running an old hotel and trying to save it from inexorable decay. Guests arrive over the course of a weekend: a couple bears the wounds of a long-term misunderstanding; a domineering mother interferes in her daughter’s relationship; two girls try to save their own love story in the face of opposition from a possessive mother. Viver Mal is the reverse shot of Mal Viver, which is screening in the Competition: here, João Canijo reveals everything that was floating in the depth of field in this film’s mirror image. Reality becomes the intertwining and multiplication of different points of view; the intersection between what can be seen and what the eye misses. Like a play of light reflections, Viver Mal is Mal Viver in another dimension. The image is distorted, but at the same time seeks a new definition by relaunching itself into infinity.
季风季节
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在上世纪80年代的雨季,11岁的女孩徘徊在成熟边缘,在努力适应社会的同时与一个受人排斥的男孩结下了深厚友谊。因遭受误解与欺凌,他们逃出了那个被忽视、被规则框定的世界,去创造属于自己的自由美好的生活。而在保卫那个脆弱的世界时,为了一个保密的誓约,女孩又不得不学会远远超出她年纪的独立。《纯真少年》是一曲关于失去与寻回的交响诗。
负担
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Late sixteenth century. A Tameme Indian man and a noble Spanish woman flee through the forests of the New World in search of freedom. Their frantic journey softens the tension between them and dissolves their longstanding differences and creates intimate bonds that threaten their very survival.
砖匠
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A bit of color for once, all the better to see the red flags with, not to mention the obvious aerial file footage of Warsaw. The story concerns Jozef Malesa, the mason or bricklayer of the title. He was once the darling of the party, the son of two old party activists, a worker of heroic reputation, his own commitment to The Movement unquestioned. He was chosen to be destined for great things, specially educated and pushed forward to positions of responsibility in the Party. Eventually he decides, because of the ethical pressures which he feels from the obstructionism of the bureaucracy from above, he asks to return to be a simple bricklayer. He is disturbed with the way the Party deals with people, especially their lack of direct contact. He thinks workers know better than the leadership many times but that's not the way power flows. He is uncomfortable with the compromises to his idealism. He remains committed to social justice and joins his friends for the May Day rally where his comfort and confidence in his place in society cause him to defer to no man, certainly no rat faced men in overcoats with red armbands. His great pleasure in life moreover is laying brick. He finds the work satisfying and fulfilling which is why he was such an obviously superior worker in the first place.
杀人如麻
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A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.
Footprints, the Path of Your Life
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A Roman Catholic priest leads a band of ten young men from various backgrounds on a pilgrimage. They walk from the south of France along the less popular Northern Route of the "Camino" to Santiago de Compostela in Northern Spain, a shrine built around the remains of Santiago, the Apostle St. James. Along the way through mountain pathways, inclement weather and blistered feet, the men learn valuable life lessons about commitment, perseverance, assistance and spirituality. "In order to succeed you only need to get up one more time than you fall."
转折
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Scared of life and lacking the courage to be himself, Ludovico lives hidden away in his grandmother's old apartment. One night, the wickedness of the world goes to visit him in the form of Jack, a boy who is Ludovico's age but has the opposite character: hard, determined, perhaps criminal. The forced cohabitation of two human beings who couldn't seem more different from one another turns into an initiation rite to adulthood, the discovery of their true and respective personalities. And when the harsh reality that is mercilessly stalking them appears to present the bill, they will have to face it, bolstered by a new awareness and unhoped-for courage.
十九岁
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In Diciannove (translating to Nineteen), Giovanni Tortorici’s elegant, heartfelt, and daring debut, a curious student learns that the road to self-discovery is worthwhile, if not necessary, no matter how unfamiliar or daunting the path. Eager to escape his overbearing mother and the only life he’s known, 19-year-old Leonardo (Manfredi Marini, who gives an exceptional performance), leaves picturesque Palermo to study in bustling London. His landing is buffered by his sister Arianna (Vittoria Planeta) and her roommate Grazia (Dana Giuliano), though the initial excitement of living abroad — and unrestricted partying — wanes quickly, and Leonardo finds himself enrolling at the University of Siena, focusing on Italian literature. Back in familiar surroundings, he falls in love with the medieval city, but is not so keen on his literature professor. Seeking that indescribable feeling of knowing you’ve found your place — beyond just geography — Leonardo delves into the classics independently, spawning a soul-searching and deep interest in early modern authors like Pulci, Segneri, and Leopardi. Surrounding himself with beauty, vibrant youth, and new ideas — as well as images he’d previously repressed — his world blooms. A year into his unbound journey, Leonardo travels to Torino where he meets a man who, though much older, may finally be a contemporary — if not the key to unlocking his innermost desires.
爱丽莎的情人
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妓女艾丽莎陷入困境后,以枕头闷死了自己三岁的女儿玛丽,并随后用手枪结束了自己的生命。然而,玛丽奇迹般地活了下来,并被送入一个公共救济机构。在孤儿院中长大的玛丽怀着对男人的仇恨,一直想找到她的父亲,将他视为导致母亲悲剧和自身不幸的罪魁祸首。 当玛丽(凡妮莎·帕拉迪丝 Vanessa Paradis 饰)年满18岁离开孤儿院后,在朋友的帮助下,她开始调查她父亲的下落。她发现父亲名叫雅克,曾是一位不受欢迎的音乐家。她决定为母亲和自己复仇。通过努力,她找到了雅克目前的藏身之处。一开始,玛丽隐瞒自己的身份,设法接近雅克并对他进行侮辱,甚至想使用枪支杀害他。但后来,她逐渐了解到雅克是一个备受迫害的犹太人,他的父母惨死,他的童年充满痛苦,他的才华无法得到重视,生活陷入困境。为了不连累深爱他的艾丽莎,他只能离开她。不幸的是,这导致艾丽莎走上了死亡的道路。此后,雅克深陷愧疚中,自暴自弃、无法自拔。
马隆布拉
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This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun? Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels? So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!
长辫子美女瓦尔瓦拉
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Once upon a time there lived a Tsar named Yeremey who went on a year-long journey to take inventory of all he owned. One day he is kidnapped by the underwater Tsar Chudo-Yudo. When a ransom is demanded, the Tsar's family is faced with all kinds of intrigue and treachery. Full of remarkable adventures, magical changes and other fun, "Barbara the Fair with the Silken Hair" is a wonderful fairy-tale movie.