参考电影
天外世界：外星人星球
2117: A colonization mission to the new world of Epsilon Eridani B is struck by disaster as the ship crashes, leaving a small number of survivors to fend for themselves against numerous dangers.
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Moovie 影牛
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12 部
外星人启示录
推荐理由同属科幻类型，内容风格接近
A spaceship returns to Earth carrying samples from Proxima b. As scientists study the specimens, they discover the alien elements are alive.
天外来物
推荐理由同属科幻类型，内容风格接近
一名摄影师在得知自己童年时期目击到的不明飞行物又再次出现时，她毅然决然的选择了去踏上寻找不明飞行物的路程。但令她万万没想到的是，一些来路不明的客人也开始参与其中，并且一直试图破坏她的调查计划。
星外来客
推荐理由同属科幻类型，内容风格接近
A teenage girl befriends a terrifying alien that crash-lands in the desert near her home. As government agents close in, the girl protects her dangerous new companion while also dealing with her depressed mother and the mother’s abusive boyfriend.
星际流浪
推荐理由同属科幻类型，内容风格接近
影片讲述，大灾难纪元，地球沦为废土，幸存者分为流浪者和平民，他们都依附在星际武装集团的统治下，其中游荡者依靠掠夺平民的物资作为生计，使得平民在这恶劣的环境之中艰难生存，百年后黑科技爆炸，带来文明复兴，面对日益恶化的星球，人类为延续种族繁衍，决心星际移民。其中华裔科研人员海雷研制出的“曲率发动机”成为此次星际移民的关键，也是游荡者和星际武装集团抢夺的目标。
外星人
推荐理由同属科幻类型，内容风格接近
After leaving her fiance at the altar, Melissa joins friends at a cabin. When Jenny is found mutilated in the woods and aliens attack the nation, the girls must fight to survive.
外星人来了
推荐理由同属科幻类型，内容风格接近
异星球因为文明衰落，导致战争不断，客族大将异客率领部下准备推翻波伊夫人的统治，但无奈没有五行珠一时还攻陷不下，于是借来凤凰之力，准备给波伊夫人致命一击，就在异客将军快要攻陷波伊族皇宫时，波伊夫人将公主新月雅和新月冰送到地球，并把拥有无限力量的五行珠交予新月雅，期望她们能快速学习地球文明来复兴异星衰落的文明。
迷失太空
推荐理由同属科幻类型，内容风格接近
公元22世纪，因为人口过度膨胀、过度开发、环境极度恶化、食物也消耗殆尽。人类想要存活下去，就必须要到宇宙中去寻找新的可以栖身的星球。因此制造了一艘当时最先进的太空飞船，去考察发现的一颗可能适宜人类生存的星球。罗伯逊（威廉·赫特 William Hurt 饰）一家被选中担负起了这次探索使命，他们将用10年的时间前往阿尔法星球。可是，这次担负起全人类命运的任务却有反对的声音，部分邪恶势力妄图阻止这次任务。所以，当罗伯逊一家驾驶太空船刚进入太空的预定轨道时，反对派史密斯博士暗中进行破坏，导致飞船脱离的正常的轨道迫降到了一颗不知名的星球上。飞船上邪恶势力的阻挠，不知名星球上的种种危机，如何才能重新设定新的航线……各种问题困惑着罗伯逊一家，他们真的就此迷失太空，无法到达目的地了吗？人类的命运将何去何从？
外星恶客
推荐理由同属科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
虫族
推荐理由内容主题与本作较为接近
未来东方世界，外星虫族妄图控制人类，危险一触即发，天野带领的正义部队历经艰难终于击败来敌。希望曙光来临之际，天野被世人奉为英雄，但他却发现，自己成为幕后黑手的待宰羔羊，而人类将面对更大的危机。一场绝地逃亡就此展开，更意想不到的是，在此背后隐藏着更大的阴谋。
太空异种
推荐理由同属科幻类型，内容风格接近
未来世界，在一艘名为“苍穹号”的飞船上，船长梁承天带领着船员们经常在星际之间从事采集矿物质的买卖，以此来获得巨大的经济利益。虽然他们在多次采集过程中偶尔会遇到危险，但最终也都能安全返航。 直到这次，梁承天带着船员们在银河系中，意外找到一颗六千万年前爆炸的超新星，他们在附近采集到了稀有的矿物质，从而能获得巨额利益。可因利益分配不均，各怀心事的船员们就此踏上返航之旅。 在返航途中“苍穹号”意外接到了一组未知的求救讯号。他们成功救下了“创世纪号”的生物学家林修远和他的妻子Angel，而梁承天在救援的过程中也意外受伤。