Moovie 影牛
类似《幽灵行星》的电影推荐
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12 部
星际穿越 （原声版） - 正片
推荐理由内容主题与本作较为接近
太空异种
推荐理由同属科幻类型，内容风格接近
未来世界，在一艘名为“苍穹号”的飞船上，船长梁承天带领着船员们经常在星际之间从事采集矿物质的买卖，以此来获得巨大的经济利益。虽然他们在多次采集过程中偶尔会遇到危险，但最终也都能安全返航。 直到这次，梁承天带着船员们在银河系中，意外找到一颗六千万年前爆炸的超新星，他们在附近采集到了稀有的矿物质，从而能获得巨额利益。可因利益分配不均，各怀心事的船员们就此踏上返航之旅。 在返航途中“苍穹号”意外接到了一组未知的求救讯号。他们成功救下了“创世纪号”的生物学家林修远和他的妻子Angel，而梁承天在救援的过程中也意外受伤。
寂静星球
推荐理由同属科幻类型，内容风格接近
The film follows two prisoners in the near future who are sentenced to a lifetime of hard labor on a distant planet. As things unravel, they become increasingly paranoid and start to lose a sense of who they are and their past lives.
外星人启示录
推荐理由同属科幻类型，内容风格接近
A spaceship returns to Earth carrying samples from Proxima b. As scientists study the specimens, they discover the alien elements are alive.
黑洞表面
推荐理由同属科幻类型，内容风格接近
未来几十年内，人类探索利用太空的程度不断加深。2040年，利用空间扭曲技术深入宇宙的“新领域号”消失于海王星附近。 2047年，新领域号突然在海王星发回讯号，内容似乎为求救，于是当年设计新领域号的威尔博士（Sam Neill 饰）受命乘坐营救船“路易与克拉克”号前去施救。船长米勒（Laurence Fishburnes 饰）不甚友好，所幸路易与克拉克号很快按计划与新领域号对接。虽然生命扫描显示新领域号充满生命迹象，但搜寻之后营救队发现所有船员均死亡或消失，新领域号内制造黑洞的核心动力部分产生的震荡破坏了路易与克拉克号的外壳，营救队被迫暂时停留。 新领域号残留的影像记录将当时血腥的一幕呈现给所有人，同时营救队员们被幻象所困——他们分别看到了自己心中无法释怀的伤痛。队员们陷入了崩溃的边缘。然而更令人惊异的是，新领域号似乎具有了生命。威尔博士相信新领域号的变化是由于它进入过地狱，米勒船长为了拯救队员们和威尔展开了生死对决……
迷失太空
推荐理由同属科幻类型，内容风格接近
公元22世纪，因为人口过度膨胀、过度开发、环境极度恶化、食物也消耗殆尽。人类想要存活下去，就必须要到宇宙中去寻找新的可以栖身的星球。因此制造了一艘当时最先进的太空飞船，去考察发现的一颗可能适宜人类生存的星球。罗伯逊（威廉·赫特 William Hurt 饰）一家被选中担负起了这次探索使命，他们将用10年的时间前往阿尔法星球。可是，这次担负起全人类命运的任务却有反对的声音，部分邪恶势力妄图阻止这次任务。所以，当罗伯逊一家驾驶太空船刚进入太空的预定轨道时，反对派史密斯博士暗中进行破坏，导致飞船脱离的正常的轨道迫降到了一颗不知名的星球上。飞船上邪恶势力的阻挠，不知名星球上的种种危机，如何才能重新设定新的航线……各种问题困惑着罗伯逊一家，他们真的就此迷失太空，无法到达目的地了吗？人类的命运将何去何从？
黑星球
推荐理由同属科幻类型，内容风格接近
一艘以超光速推进的离地球58光年的飞船“黑星球号”发生了故障，指挥官死亡，因为太远地球基地已经没有能力给与协助。船上的其他四名宇航员必须继续执行他们的任务——摧毁最后一颗不稳定的行星，完成殖民化清空。宇航员们已经离开地球20个地球年，但他们只老了3岁，无聊的太空生活无时不在折磨着他们。
时空穿越
推荐理由同属科幻类型，内容风格接近
当一群致力于研发星际旅行引擎的科学家们遭遇一场致命灾难后，他们的资金来源被切断了。这个陷入困境的团队为了继续研究并重建他们的时空装置，不得不诉诸于犯罪活动来获取资金。
外星恶客
推荐理由同属科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
星际密探
推荐理由内容主题与本作较为接近
外星人从遥远的星系来到地球，利用科技装备，镜像为所见到的一个地球男人的模样，却因为不习惯地球的生态环镜，在起步行走时狠狠地摔倒在地，胳膊上的装备也重重地砸在石头上，装备的损坏令他无法再与地球上空的同伴联络，只能在得不到任何补给的地球上游荡。地球女孩阿娇在路上遇到了这个来到地球的外星人，心地善良的阿娇收留了他……