没有人会想念我们 第一季
It tells the story of five "losers" who, seeking money and popularity, set up an illegal business at their school.
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It tells the story of five "losers" who, seeking money and popularity, set up an illegal business at their school.
查看详情 →我们通过分析电影的类型、导演、演员、评分和年代等多个维度,为您推荐以下相似电影。每部电影都附有具体的推荐理由,帮助您更好地了解为什么这部电影可能符合您的口味。
五位青年好友同寄一处屋檐下,努力过好自己的生活。尽管早已跨入20岁的门槛,五个人面对纷繁的社会似乎却依旧没能长大,行事跌跌撞撞、疯疯癫癫、笑料百出。在成年人的混乱世界里,孩子一样的他们是否能处理好自己的友谊、爱情和面包呢?
经历了创伤性的一年后,一个遭到无视的印度裔美国少女一心想要赢得大家的喜爱,但是她却面临朋友、家人和感情方面的重重问题。
讲述一群不同的人,他们其中一些人的共同点就是「同一天生日」,他们的生活故事以有趣的方式交叉在一起。 Mandy Moore扮演Rebecca, Jack可爱的妻子也是最好的朋友。搬到匹兹堡后生了三胞胎。Milo Ventimiglia饰演Jack。 Justin Har tley 扮演Kevin, 一个英俊且当红的电视演员,有着异常无趣没有终期的单身生活。 Sterling Brown扮演Randall,衣着光鲜亮丽在纽约工作的顾家生意人。与老婆Beth 合作无间地养育着两个女儿。 Susan Kelechi Watson 扮演Beth,Randall老婆 Ron Cephas Jones 扮演William, Randall的生父。在Randall一出生的时候就遗弃了他。 Chrissy Metz 扮演Kate, 跟很多女人一样烦恼着饮食和身材. 她用便条贴贴满整个公寓来体型自己要控制饮食。她是Kevin的孪生姐姐,但是各方面跟Kevin完全相反。
改编自Karen M. McManus的畅销小说,讲述五个学生一起被留堂,却只有四个人活着走出教室,预告中的画外音讲述者Simon死去了,另外四个人中有一个人引发了Simon的死,而“没有一个人是完全无辜的”。
该剧根据以色列剧所改编,讲述在一年前有名青少年在夜总会外被谋杀,而悲剧发生一年后其他青少年同伴试图通过毒品﹑性爱和暴力来逃避现实,以应对无法确定的未来。
同志题材电影,但并非站在传统性别概念上的同志电影,只是探讨爱情的故事,为躲开纷扰的内心远走他乡,举目无亲,生活工作四处碰壁,孤寂踟躇,从一开始的国内明星,到异国无人注视的市井小民,然而真正在意的那份渴望得到注视的爱,却依旧缥缈不定,也许只有看清看透爱的本质才能重新开始...
该剧描述一个五岁的小男孩2006年随父母去法国旅游时神秘失踪,八年之后人们确信他已经死亡,但他的父亲仍留有一丝希望。该剧同时存在两条时间线(2006年和2014年)——天涯小筑
First crushes, first kisses, fun with friends — and feuds with rivals. In the halls of Galileo Galilei Middle School, every day is full of surprises!
A brief trip back home turns into a longer stay when Eric finds himself caught between catching up with his two sisters and conquering his old poker group. The more Eric extends his visit to prove that he is still the best poker player in town, the harder it becomes to steer clear of the old fault lines in his relationship with his sister Rachel. As their little sister Maggie attempts to recreate the intimate world they once shared, Eric and Rachel are faced with the divide between their childhood selves and the adults they have now become. Displaying all the sensitivity and wicked humour of his previous works, Dustin Guy Defa’s new film is a shrewd study of the pitiless condition known as adulthood. After growing up in a family unit that constitutes your whole world, with its particular set of habits and a shared language, crossing the border into the realm of adults can feel disempowering, even terrifying. A sense of loss may be difficult to ever really overcome. The film’s meticulous structure and novelistic depth lay bare this fundamental fear, but also the resources that exist to fight it. Setting about this treasure hunt deep within as individuals and as a family is an admirable trio of actors whose interpretation is as nuanced as it is poignant.
Wanda's world has been turned upside down when her teenage daughter Nina suddenly turns up in a hijab. Secretly, Nina has converted to Islam; she exclusively eats halal, strictly observes the prayer times and wishes to be called Fatima. Mother of a liberal Viennese patchwork family, Wanda is appalled; she has always strongly stood against religious fanaticism. However, all attempts to make Nina see reason fail. To make matters worse, Wanda's ex-husband has just fathered a child with his latest wife, and Wanda begins to yearn for a time when her only problems were her daughter's truancy and pot smoking. When she meets Hanife, the mother of Nina's Muslim girlfriend, she finds an ally. Hanife, who immigrated to Austria as a child, is determined to save her daughter from the extremely old-fashioned image of women, which Nina is enthusiastically preaching.
Julian, a 14-year old teenager, dies surrounded by the colorful products of a huge supermarket. The film is inspired by a true story and shows the rebellion of the local youth against the bleak life of suburbia.