Moovie 影牛
类似《杀手玛丽的诞生》的电影推荐
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
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12 部
骄傲的玛丽
推荐理由同属动作类型，内容风格接近
Taraji P.Henson主演动作片#骄傲的玛丽#发布预告，演了Cookie、卡姐等厉害角色后，这次Henson直接变女杀手，预告大半时间在光鲜换装、物色武器。当然杀手片的任务总会出错，玛丽碰上了一个小男孩，激发出强悍下的母爱。《伦敦陷落》导演Babak Najafi执导，明年1月12日北美上映。
死亡玛丽
推荐理由内容主题与本作较为接近
对Kim（由 Dominique Swaim 扮演）来说这一次本应该是一个完美的聚会和周末远离喧闹的放松时刻．她和她的好朋友们为了回忆他们一起的欢乐大学时光而开车来到了一个很远的湖边小屋游玩．就在他们在那里准备开始玩一个叫做＂死亡马利＂的残忍游戏的时候，他们意外的释放了一个恶鬼，这个恶鬼开始一个一个的支配他们．恶魔强迫他们互相对立残害，每一个人都面临着一个选择．你是否会为了自己的生存而把你的朋友撕成碎片呢？好吧．．．你会吗？
美丽的杀手
推荐理由内容主题与本作较为接近
罗斯玛丽的杀手
推荐理由内容主题与本作较为接近
1945年6月28日，某大学毕业舞会，男青年罗伊（Timothy Wahrer 饰）和他的女友弗兰西丝•罗斯玛丽•凯瑟姆（Joy Glaccum 饰）被人残忍杀害，凶手始终下落不明。弗兰西丝身为校领导的父亲（Lawrence Tierney 饰）伤心过度，从此禁止举行任何形式的庆祝舞会。 时间转瞬即逝，转眼来到1980年。35年前的惨案除了当事人外早已为其他人淡忘，以帕姆（Vicky Dawson 饰）为首的一群年轻人难耐寂寞，他们决定将挺办数十年的毕业舞会带回校园。经过一番努力，年轻人们最终如愿以偿，而当他们陶醉在轻歌曼舞中之时，似乎当年那个神秘的杀手也回到了青年们的中间……
美国玛丽
推荐理由内容主题与本作较为接近
美丽姑娘玛丽·梅森（凯瑟琳·伊莎贝尔 Katharine Isabelle 饰）是一所医学院的在读学生，她只身一人在外求学，对爱情一类的全然没有兴趣，闲暇时分独自在家做做模拟手术打发时光，所取得的成绩得到授课教授的盛赞。虽然还未取得行医执照，但玛丽显然已无法抑制走上手术台的勃勃欲望。偶然机缘，她进入一个地下世界，做了两起小手术。成就感和丰厚的报酬令她兴奋不已。就在此时，她接到教授的邀请，进入一个私人聚会，却遭遇了最不堪回首的夜晚。这一事件让玛丽内心深处的黑暗彻底释放，对恶人的憎恶，对手术的渴望，全部裹挟在一起，踏上了亵渎肉体和造物的旅途…… 本片荣获2012年尖叫电影节最佳女主角奖（Katharine Isabelle）、最佳剧本奖、最佳导演奖和最佳化妆奖。
卡梅尔：谁杀了玛丽亚
推荐理由内容主题与本作较为接近
Documentary series on the circumstances surrounding the death of María Marta García Belsunce, one of the most controversial criminal cases in Argentina.
杀手
推荐理由同属动作类型，内容风格接近
戴安娜·格雷罗(《女子监狱》《处女情缘》)加盟利亚姆·海姆斯沃斯主演动作惊悚片《杀手》(Killerman)，饰演锤弟妻子。讲述一个三流洗钱者Moe在参与一场交易时出现严重意外，遭受健忘症。该片由Malik Bader(《请付现金》《街头盗贼》)执导并编剧，目前正在拍摄中。
玛丽玛丽血玛丽
推荐理由内容主题与本作较为接近
墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.
玛格丽特
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丽莎（安娜·帕奎因 Anna Paquin 饰）是一名17岁的高中生，和大多数高中生一样，虽然处于尴尬的青春期，但丽莎的生活中并没有太大的烦恼和困扰。一次意外中，丽莎被卷入了一场惨烈的交通事故中，一个陌生的女人在事故中身亡。女人的死颠覆了丽莎的世界，她再也无法用曾经的眼光来看待周围的一切了。 为了弥补内心的创伤，丽莎做出了很多的努力，但很快她便发现，所有企图弥补创伤的举动，最终都会带来新的伤痛，唯一的解决方法，就是还原车祸的全部真相。就这样，丽莎展开了她的调查行动，但各种各样的麻烦让她明白，她所作的这一切或许并非正确。
艾娃
推荐理由同属动作类型，内容风格接近
冷艳飒爽的艾娃（杰西卡·查斯坦 Jessica Chastain 饰）出身名校，曾效力军队，她学业优秀，并且服役期间表现出众，可是情绪方面的不稳定又使她的人生之路充满波折。在过去的许多年里，艾娃受雇于一个神秘的杀手组织，她手法干练，冷峻无情，许多知名政经人士都成了她的枪下鬼。然而艾娃却又一再违反规定，询问刺杀目标被杀的原因，甚至因此导致行动出现意外。她的行为让管理层负责人西蒙（科林·法瑞尔 Colin Farrell 饰）大为光火，所幸一直以来如父如师的联络人杜克（约翰·马尔科维奇 John Malkovich 饰）护她周全。 直到某天，西蒙终于无法忍受艾娃的随性，他决定绕过杜克，清除掉这个不稳定的因素……
女侦探玛丽
推荐理由同属动作类型，内容风格接近
The drug detective chief is kidnapped by his teammates in front of his lover, Marie. Marie pulls back the drugs she seized from the police to find the chief and approaches the organization. Moving along the path of the drug, Marie hides in a mansion where she meets a hostess, Chunchin. In the room of Sakun Chan, Mari finds photographs of Sakun Ching and the cheerful chief.