Moovie 影牛
类似《记忆裂痕:血亲幻影》的电影推荐
基于相似度算法为您推荐相关电影
我们通过分析电影的类型、导演、演员、评分和年代等多个维度,为您推荐以下相似电影。每部电影都附有具体的推荐理由,帮助您更好地了解为什么这部电影可能符合您的口味。
相似电影推荐
血亲疑云
A woman suffering from amnesia pieces together the events that led to her father's suicide, only to be haunted by the ghosts of children that she begins to suspect were murdered by him.
圣血
一个全身赤裸的年轻男人蹲在室内靠窗的一株树干上,目光呆滞。他就是芬尼克斯(Axel Jodorowsky 饰),被关在精神病院的一位患者。从小体弱多病性格孤僻的芬尼克斯,童年是在马戏班里度过的。父亲奥高(盖伊·斯托克韦尔 Guy St ockwell 饰)是马戏班班主,母亲嘉西娅(布兰卡·格拉 Blanca Guerra 饰)是空中飞人的演员。嘉西娅信奉拜物教,她供的神是个被两个兄弟奸杀的断臂少女。在她流血的地方,人们挖池贮水建起教堂,取名“圣血”。当神父发现所谓的圣血不过是红油漆水时,同意当地政府拆毁教堂。嘉西娅带领教徒反抗。当嘉西娅发现奥高与人通奸时发起报复,奥高拿飞刀斩去嘉西娅双臂,割脉自杀。芬尼克斯进入精神病院。在嘉西娅的唆使下,芬尼克斯逃出精神病院,成为了嘉西娅的“魔手”。
记忆碎片
当记忆支离破碎后,你该怎样面对生活?本片的主人公就遭遇了这样的事情。 莱纳•谢尔比(盖伊•皮尔斯 饰)在家遭到歹徒的袭击,妻子被残忍的奸杀,自己脑部也受到严重的伤害。 醒来后,他发现自己患了罕见的“短期记忆丧失症”,他只能记住十几分钟前发生的事情,为了让生活继续下去,更为了替惨死的妻子报仇,他凭借纹身、纸条、宝丽来快照等零碎的小东西,保存记忆,收集线索,展开了艰难的调查。 调查中,莱纳遇上粗俗的酒吧女招待娜塔莉娅(凯瑞•安妮•莫斯 饰),她似乎知道一些莱昂纳多感兴趣的事;还有泰迪(乔•潘托利亚诺 饰),自称是他以前好朋友,但看上去鬼鬼祟祟的,不怀好意。到底谁能相信?娜塔莉娅?泰迪?还是他自己? 抽丝剥茧之后,真相呼之欲出,简单之至却又残酷无比,而莱纳是否有面对这一切的勇气?
失魂记忆
医学院学生米娅(米歇尔·洪 Michelle Ang 饰)正筹划针对阿兹海默综合症写一篇博士论文,她辗转找到名叫莎拉·洛根(安妮·拉姆塞 Anne Ramsay 饰)的女性,希望能以莎拉的母亲狄波拉(吉尔·拉森 Jill Larson 饰) 为对象拍摄一部纪录片。狄波拉为人保守刻板,此时正处于阿兹海默的前期,虽然她对拍摄颇为抵触,但是家中糟糕的经济状况不得不使她接受女儿的请求。在此之后,米娅和盖文(Brett Gentile 饰)、路易斯(Jeremy DeCarlos 饰)组成的摄影团队驱车来到洛根一家位于丛林中央的房子里。他们对狄波拉周围的人进行采访,贴身记录这家人的一切言行举止。 而在这一过程中,病情不断恶化的狄波拉变得越来越古怪,甚至到了反常恐怖的地步……
灵殇
亚历斯和莎玛是一对年轻恋人,他们于前往波斯尼亚与赫塞哥维纳中心时车子抛锚在森林里,他们决定向附近的村庄求援。路上,巴尔干战乱的穆斯林幸存者莎玛,开始怀疑有神秘力量追高清在跟着他们,而自信、快乐的年轻欧洲人亚历斯,试图让莎玛甩开这些胡思乱想;但莎玛紧握着她的穆斯林护身符「哈麦利亚」不放,导致神秘力量从森林里逐渐浮现…
母亲的诅咒
A Mexican-American couple expecting their first child relocate to a migrant farming community in 1970's California. When the wife begins to experience strange symptoms and terrifying visions, she tries to determine if it's related to a legendary curse or something more nefarious.
回忆
酗酒康复的单亲母亲,与患脑退化症的鳏夫,在高中旧同学聚会上重遇。她设法忘记过去,却摆脱不了伤痛回忆;他努力记住今天,却无法忆起眼前往事。在记忆与遗忘的夹缝中无处可逃,两个寂寞生命试图在不属于他们的当下互相抱拥,寻觅仅余的一线生机。《日暮》的米歇尔·弗兰克 ,镜头保留一贯冷静锋锐,手术刀似的剁开性虐与家庭暴力的深层创伤;谢茜嘉谢西婷与彼得赛斯嘉相濡以沫,还生命的脆弱以人性的感温,后者更荣膺威尼斯影帝。
玛丽玛丽血玛丽
墨西哥超现实吸血鬼片,导演Juan López Moctezuma是JODOROWSKY大师的好友,曾经参与杨大师多部经典CULT片的拍摄工作。 A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.
孤魂记
故事发生在1947年的旁遮普邦,印度在脱离英国殖民地统治之后,开始分隔回教徒,印度教派与回教派从此有了冲突。伊尔凡·汗饰演一名被迫逃离家乡的父亲,求子心切的他渴望重建家园,谁料妻子一连生下四个女儿。自欺欺人的他决意要将第四个女儿当儿子抚养,更为“他”安排了一场婚姻,甚至不惜一切…… 本片击败多部亚洲电影,荣获多伦多国际影展NETPAC亚洲电影大奖。评委形容电影“细腻地呈现了身份与转移的议题,片中的难民话题不只影响印度,还影响着整个世界。电影拍摄技术高超,比喻的叙事手法令这个感人故事更能引发观众深思。”
魔灵之子
奥利维亚到伊斯坦布尔找她的妹妹,她妹妹怀孕了,但是就在她到的那晚,她妹妹离奇死亡,而且肚里的孩子也被人挖走了,警方调查说是她妹妹的前夫所为,但是奥利维亚不相信,开始展开调查........最终奥利维亚被套路了。