类似《“爸”气外露》的电影推荐

按内容相似度排序,推荐理由根据共同类型与主创信息生成。

相似电影

12 部
乡村酔恋

乡村酔恋

2013 喜剧 印度 India

推荐理由同属喜剧类型,内容风格接近

故事发生在一个名叫哈里亚纳邦的小村庄里,哈利(潘卡杰·卡普尔 Pankaj Kapur 饰)是村里非常有名的实业家,不仅财力雄厚,在当地也非常受村民们的敬仰。哈利有一个宝贝女儿名叫碧吉莉(安努舒卡·莎玛 Anushka Sharma 饰),如今,碧吉莉已经长到可以嫁人的年纪了,哈利开始操心起她的婚事来。 哈利相中的当地著名的大政治家查得的儿子巴代尔作为女婿,虽然碧吉莉和巴代尔之间根本没有任何的感情,但这对于哈利来说却并不是问题。问题出在碧吉莉的身上,实际上,碧吉莉早已经心有所属了,那个人就是哈利身边最受信赖的男仆马图(伊姆兰·汗 Imran Khan 饰)。

帕蒂亚拉之屋

帕蒂亚拉之屋

2011 剧情 印度

推荐理由内容主题与本作较为接近

帕蒂亚拉之屋

外婆 豆瓣 6.7

外婆

2017 剧情 印度

推荐理由内容主题与本作较为接近

小曼达被强奸后被丢弃在贫民窟的垃圾堆里,强奸犯是当地政客儿子,警察选择包庇罪犯,曼达的父母关心的是自己尊严,但外婆不会接受这种不公。

卡普尔家的儿子们 豆瓣 7.7

卡普尔家的儿子们

2016 剧情,喜剧,爱情 印度

推荐理由同属喜剧类型,内容风格接近

卡普尔家族的爷爷一直希望能有一张全家福,这个愿望看似简单,却难以实现,在卡普尔爷爷即将迎来的90岁大寿,两个从国外归来的孙子拉胡尔和阿琼希望趁此机会圆了爷爷的愿望,一个年轻美丽的女孩蒂娅不经意的闯入了两兄弟的感情世界,三个人的关系犹如平静的湖水突然间惊起阵阵涟漪,家族中人与人之间的背叛,出卖,还有不能说的秘密,让卡普尔大家族面临分崩离析的巨大危机.......

真雄起 豆瓣 7.5

真雄起

2020 喜剧,同性 印度

推荐理由同属喜剧类型,内容风格接近

一对同性恋人卡迪克和哈曼回乡参加堂姐的婚礼,浪漫不羁的卡迪克希望男友向家人正式出柜,结果在迎亲列车上两人天雷勾动地火的热吻被老父提前发现,差点引发一场心脏病。老父从此把卡迪克视为眼中钉,想尽办法要棒打鸳鸳,甚至给哈曼安排了包办婚姻。但想结婚似乎也没那么容易——几乎在同一时间,印度最高法院正在就同性恋是否为犯罪进行着一场世纪辩论…

人生闹剧 豆瓣 7.2

人生闹剧

2015 剧情,喜剧 印度

推荐理由同属喜剧类型,内容风格接近

小时候的维德与众不同,随着时间的流逝,维德慢慢长大,学校,家庭各种压力让维德渐渐把自己真实的个性隐藏起来,一次法国科西嘉之旅,维德遇见了志同道合的塔拉,两人相谈甚欢,约定在科西嘉活出真我,回到印度后,工作,步入社会的维德最终做回普通人,碌碌无为的维德能否再次找回真正的自己,他会因虚度光阴而悔恨吗。

我的老妈出柜了 豆瓣 7.2

我的老妈出柜了

2022 剧情,喜剧,同性 印度

推荐理由同属喜剧类型,内容风格接近

在印度的一个中产阶级家庭中,父亲事业有成,母亲热爱跳舞,女儿为性少数群体奋斗,儿子陷入爱河,准备订婚。但在一次节日舞会上,母亲是同性恋的秘密公之于众。知道母亲秘密的一家人该何去何从?儿子的订婚宴又是否会顺利进行?微博@亿万同人字幕分享

穆克拉瓦 豆瓣 6.2

穆克拉瓦

2019 剧情 印度

推荐理由内容主题与本作较为接近

这部电影是根据新婚新娘第一次被带回丈夫家时的婚后习俗为背景拍摄的,,,,

巴里·穆迪 豆瓣 6.4

巴里·穆迪

2010 喜剧 美国

推荐理由同属喜剧类型,内容风格接近

巴里(帕特里克·威尔森 Patrick Wilson 饰)是朋友圈里出了名的花花公子,他整日里无所事事游手好闲,并且对自己糜烂的现状感到十分满意,丝毫没有任何的悔改之意和进取之心。然而,让巴里没有想到的是,自己竟然在一场意外之中失去了他的睾丸,这也就意味着,他将彻底告别灯红酒绿的花花公子式生活,亦再也不可能做一名父亲了。 尚未从蛋碎的阴影下完全走出,巴里又陷入了另一个麻烦之中。一位名叫金吉尔(朱迪·格雷尔 Judy Greer 饰)的女士对他提起了诉讼,只因为她的腹中怀上了巴里的孩子。可是别说孩子了,巴里甚至对金吉尔没有任何印象,这个敏感而又神经质的女人绝对不是他会喜欢的类型。

卡拉马佐夫

卡拉马佐夫

2016 喜剧 法国

推荐理由同属喜剧类型,内容风格接近

当不信神也不道德的老卡拉马佐夫在自己的家里被残杀,凶手会是莽撞又不失真诚的大儿子,理性但冷酷的二儿子,还是性格阴暗的、传言中的私生子?刚刚离开修道院的三儿子游走在兄弟间,又能否拯救他们的灵魂,弥合这濒于分崩离析的家庭?有感于当时俄国思想界的代际之争,陀思妥耶夫斯基创作了长篇小说《卡拉马佐夫兄弟》,他以一桩弑父案为线索,描写了老卡拉马佐夫同儿子们的尖锐冲突。在每个人行为与思想的抵牾间,严肃而深刻地探讨了信仰与道德问题,以及为下一代造成的精神遗存。 本版《卡拉马佐夫》首演于2016年阿维尼翁戏剧节,法文译本出自当代俄罗斯文学译介大师安德烈·马科维奇之手,保留了陀思妥耶夫斯基的文字偏好和风格;时任法国杰拉德·菲利普剧院年轻的艺术总监让·贝洛里尼将陀氏的传世之作浓缩在5个小时的布尔彭采石场露天剧院,挑战在于确保叙事流畅清晰的同时,展现剧中人心理认知上矛盾与混乱,而他利用布景和调度巧妙处理了场景的转变。此前在来华巡演时看过贝洛里尼执导的《里里奥姆》的观众一定对舞台上时时闪现的光晕、流淌的音乐、漫长的沉默、还有滑稽的肢体语言毫不陌生,它以一种天真又忧伤的气质将观众带入这部伟大作品的核心思考:突破黑暗的、无法拆解的人际关系,会看到信仰与善的存在吗?

真真假假

真真假假

1979 喜剧,爱情 印度

推荐理由同属喜剧类型,内容风格接近

喜剧,讲一个男人通过装假胡子装扮成兄弟两个人,周旋于女友和未来岳父之间,因为岳父喜欢有胡子的人,认为有胡子的人成熟稳重。 Ramprasad Dashrathprasad Sharma (Amol Palekar) is looking for a better paying job. He and his sister Ratna (Manju Singh) have no relatives or acquaintances except Dr. Kedar (David). Dr.Kedar tells him about Bhavani Shankar's (Utpal Dutt) firm known as Urmila Traders. Shankar is a weird man. He is a man of traditional values, hence he naturally hates youth wearing modern clothes. He is a sports fan, but thinks lowly of youth knowing anything about sports. But his most weird trait is hatred towards men without moustaches. He thinks that men without moustaches are characterless. Ramprasad has a moustache. He takes care of other problems by wearing kurta & feigning ignorance about sports. Bhavani hires him immediately. Ram is a hardworking guy, so Bhavani (& Ram) have no problems. However, Ram once takes leave by pretending that his mother (who died many years ago) has taken ill, and goes to watch a hockey match. Bhavani Shankar, who also attended the match, sees him there. The next day Bhavani summons Ramprasad to his office and asks him about the Hockey match. Remembering the plot of a movie a friend of his is shooting, Ram convinces Bhavani Shankar that he had seen his "moustache-less" identical twin Lucky (alias Lakshmanprasad Dashrathprasad Sharma) at the stadium. Bhavani Shankar buys his argument & feels bad about accusing him and decides to make amends by hiring Lucky to teach his daughter Urmila (Bindiya Goswami) music. Ramprasad reluctantly shaves his moustache to become Lucky and starts to teach music to Urmila. He is helped by his actor friend Deven Verma (playing himself). Now Urmila aka Urmi is the exact opposite of her father. She takes immediate liking to Lucky, while Ram is barely noticed by her. Bhavani notices this & gives Ram another job to tutor on the pretext of her exams. Meanwhile, Mrs. Srivastav (Dina Pathak), a socialite, is roped to play the part of Ram, "Lakshman" & Ratna's mother. Like Ram, she also ends up playing her own twin in front of Bhavani. Ram decides to tell Urmila the truth. Urmila tells him to tell the truth to Bhavani as well. Ram goes to Bhavani to tell the truth, but Bhavani sees Ram's moustache giving away. Bhavani exposes Ram, but ends up thinking that Lucky murdered Ram & impersonated him to marry Urmila. In a hilarious chase that follows, Bhavani ends up totalling a police jeep. The Senior Inspector (Om Prakash) mistakes him for a thug named Pascal D'Costa & is about to lock him up in the jail. Only when his Inspector identifies Bhavani Shankar by his real identity is he freed. By now, a harried Bhavani has developed hatred for twin as well. On coming home, he finds that Urmila & Lucky are married. He refuses to give them blessings, until Dr.Kedar comes to the scene & explains the whole situation. Now, Bhavani becomes even more furious, but on everybody's insistence, relents. The film ends with a family photo of Mrs.Srivastav, Ratna, Urmila, Ram, Dr.Kedar, Bhavani's sister Kalindi (Shubha Khote) & Bhavani (who is shown without moustache).

穆卡德拉特

穆卡德拉特

2024 喜剧 土耳其

推荐理由同属喜剧类型,内容风格接近

After losing her husband, Sultan, who is afraid of being left alone, tells her children that she wants to remarry immediately. However, her children do not find this appropriate, as only one day has passed since their father's death. Her son Nevzat, who has a traditional perspective, believes that no one in the small town will approve of this. Although her daughter Reyhan tries to respect her mother's wish, she thinks it is a decision made too soon. Despite her children's objections, Sultan does not give up on her desire. While searching for a suitable spouse, she also enters into business ventures, doing everything that people said "a woman cannot do." She converts her home into a guesthouse and manages it, opens a stall in the market, and competes with male vendors. Sultan’s attitude sets an example for other women in the town, who also begin to lead independent lives and work in the guesthouse and market like Sultan. Sultan’s struggle will also lead to the organization of women in the town and the development of their own identities.