参考电影
0187 不明飞行物
意大利沿海城市拉斯佩齐亚（La Spezia）被群山环绕，区号为0187，这里曾发生过无数次不明飞行物目击事件。目击事件的高峰期可以追溯到上世纪70年代：报告显示，天空中出现奇异的光芒，有人失踪，森林里也出现了不明生物。如今，四位年轻人来到这里寻找答案，他们冒险进入了这些令人不安的事件发生地。
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Moovie 影牛
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12 部
不明飞行物
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老牌动作明星尚格·云顿在这部科幻新片中饰演一位退役军事顾问，不过他并非主角，影片主人公是五个年轻人，某日他们早上醒来发现生活陷入了一种说不出的诡异状态，在一阵剧烈的地震过后，天空出现了一个城市般大小的巨型UFO。整个城镇电力消失，手机也没了信号……人类面临庞大的外星军队的突袭！
天外来物
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一名摄影师在得知自己童年时期目击到的不明飞行物又再次出现时，她毅然决然的选择了去踏上寻找不明飞行物的路程。但令她万万没想到的是，一些来路不明的客人也开始参与其中，并且一直试图破坏她的调查计划。
2036来历不明
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2030年，人类凭借超光感通讯科技，使外太空航天竞赛进入白热化阶段。行星联合航天集团值此良机发射了火星探索飞船火星一号，但是不知为何这次行动以失败告终。六年后，宇航员麦肯齐·威尔森（凯缇·萨克霍夫 Katee Sackhoff 饰）再次驾驶飞船飞往火星，然而她很快发现，飞船中实际占据主导地位的竟然是人工智能阿尔迪，她为此和自己的姐姐——行星联合航天集团官员伦娜（朱莉·考科斯 Julie Cox 饰）激烈争论，然而终究无法改变既成事实。火星上的情况难以想象，更何况威尔森姐妹的父亲便在上一次行动中丧生。 忐忑不安的麦肯齐只能接受阿尔迪的主导，她很快发现许多被刻意隐藏起来的秘密……
UFOs: Declassified LIVE
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Hosted by Josh Gates, a live panel of experts unpacks and weighs in on the long-awaited Department of Defense and Office of the Director of National Intelligence report about Unidentified Flying Objects, recently released to Congress.
邂逅UFO
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军方告密者揭露爆炸性消息，事关遇到外星人的经历、不明飞行物和五角大楼秘密项目，再加上主要新闻来源的报道，使这个几十年来一直被归入阴谋论的话题变得更有新鲜感和紧迫性。 《邂逅 UFO》由约恩·莫茨金（《忽悠世代》）执导，Amblin Television、艾美奖得主 Boardwa lk Pictures 和 Vice Studios 负责监制，是一部具有里程碑意义的四集电视剧，将前往世界各地，探索四个遇到超凡现象的非凡真实故事。每一集都像电影一样深入研究，然后讲述一个故事：德克萨斯州小镇上空的奇怪灯光；潜水器在威尔士沿海村庄出没；津巴布韦小学生与外星人的邂逅；非人类智能干扰日本的一座核电站。 该剧集从目击事件发生的亲历者的视角讲述，并在尖端科学家和军事人员的指导下，超越了科学范围，强调了这些遭遇对人类生活、家庭和社区的深刻影响。这是一个适时而永恒的宇宙侦探故事，从这个跨越不同地点、时间和文化的看似无关的遭遇谜题中，我们将揭示出一系列不可思议的相似之处，以及一个惊人的事实：与外星人的相遇发生在全球各处、令人惊叹，超乎我们以往的想象。
异星骇客
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朱蒂丝注意到镇上发生了一些令人毛骨悚然的事情。她和镇上的治安官有了一个令人毛骨悚然的发现，镇上的青少年正在消失。当他们再次出现时，他们正在遭受失忆症的折磨。当她的女儿凯蒂失踪时，朱蒂丝更感到不安。当她回来并开始奇怪的行为时，很明显外星力量已经占领了这座城市。朱蒂丝必须勇敢地面对她的恐惧，把那些来认领她女儿的外星人赶走。
太空异种
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未来世界，在一艘名为“苍穹号”的飞船上，船长梁承天带领着船员们经常在星际之间从事采集矿物质的买卖，以此来获得巨大的经济利益。虽然他们在多次采集过程中偶尔会遇到危险，但最终也都能安全返航。 直到这次，梁承天带着船员们在银河系中，意外找到一颗六千万年前爆炸的超新星，他们在附近采集到了稀有的矿物质，从而能获得巨额利益。可因利益分配不均，各怀心事的船员们就此踏上返航之旅。 在返航途中“苍穹号”意外接到了一组未知的求救讯号。他们成功救下了“创世纪号”的生物学家林修远和他的妻子Angel，而梁承天在救援的过程中也意外受伤。
瑞典幽浮
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A rebellious teen placed in foster care suspects her father is not dead but has been abducted. She is determined to find out the truth with help from a UFO association.
外星人启示录
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A spaceship returns to Earth carrying samples from Proxima b. As scientists study the specimens, they discover the alien elements are alive.
外星恶客
推荐理由同属恐怖、科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
X星来客
推荐理由同属恐怖、科幻类型，内容风格接近
One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .