Moovie 影牛
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12 部
不安
推荐理由同属剧情类型，内容风格接近
Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
不可侵犯
推荐理由内容主题与本作较为接近
The inside story of the rise and fall of Harvey Weinstein reveals how, over decades, he acquires and protects his power even as scandal threatens to engulf him. Former colleagues and accusers detail the method and consequences of his alleged abuse, hoping for justice and to inspire change.
不容喘息
推荐理由同属剧情类型，内容风格接近
Directed by: Saro Varjabedian Synopsis: Jimmy Baz, a down-and-out private-eye is reluctantly hired by the parents of a missing college aged boy to find their son. As Jimmy searches for the missing boy he stumbles upon a series of murders and now believes he is on the hunt for a serial killer targeting muslim men. Things take a sinister turn as his investigation leads him into the underworld of Bachi Basi, the taboo Afghani practice of child sex trafficking of young boys that are made to resemble young girls. Starring: Monte Bezell, Julián Juaquín, Ahmet Devran Dayanc, Haythem Noor, Leslie Kalarchian, Baylen Thomas, Guillermo Iván, Chris LaPanta, Ryan Jonze, Shimavon Atamian, Carter Redwood, Zair Montes, Gina Tuttle, Karina Bezell, Donald Paul, Bari Kang, Stéphanie De Latour, Fajer Al-Kaisi, Gloria Mamurov, Damien Stewart, Maksim Mamurov, Paul Mauriello, Michael J. Doyl, Mesba Antonio, Steven LaCicero, Germain Pacheco, Jen Chen, Joseph Murray, Siraj Huda, James Lawson, Joel A. Luna, Francisco Valdez, Gelasio Duenas, Daniel Stagliano About Us: Gravitas Ventures is a worldwide film distributor & collaborator with thousands of independent artists. Past films include: Sound City, Armstrong, Above The Shadows, The River and the Wall, and many more. Gravitas Ventures is a Red Arrow Studios company.
无处安身
推荐理由同属剧情类型，内容风格接近
It follows a group of homeless people as they struggle to survive on the streets against a harassing gang, an unforgiving community, and the local authorities.
无处安身
推荐理由同属剧情类型，内容风格接近
不择手段
推荐理由内容主题与本作较为接近
1960年代，一位年轻的黑人FBI探员（叶海亚·阿卜杜勒-迈丁 饰）被派往密西西比州，调查一系列针对民权领袖的残忍谋杀案。他被迫与臭名昭著的黑手党杀手格雷格·斯卡帕（马克·沃尔伯格 饰）合作，并卷入一场致命的追捕，正义与复仇的界限开始模糊。当整个体制崩溃时，两个原本截然不同 的人却在一点上达成了共识：法律是有界限的，而他们没有。 影片根据真实故事改编。
焦虑
推荐理由同属剧情类型，内容风格接近
在谋杀老妇，服刑四年后，他被释放，却即刻感到难以抗拒的杀戮冲动。谋杀的哥失败后逃至一座与世隔绝的村屋，那里住着年轻女人，她的生病母亲和弱智兄弟。接下来，他以施虐他们为乐，欲挟为人质，兼念及他的烦扰童年，伴着虐待狂妈妈和祖母...
除暴安良
推荐理由同属剧情类型，内容风格接近
《除暴安良》据上世纪70年代同名英国热播电视剧改编，讲述两名警官杰克和乔治合作打击犯罪的故事。影片大量运用特技效果，营造出一轮又一轮的枪战和飙车戏，视觉冲击力极为震撼。影片的两位核心主角分别由雷·温斯顿和本·德鲁饰演。雷·温斯顿是英国著名的老牌演技派影星，《贝奥武夫》和《雷普利的游戏》等片都是其代表作。本·德鲁这名字虽听着有些陌生，但说到艺名Plan B，很多乐迷就会恍然大悟，他正是英国最当红的饶舌歌手之一。对自己“唱而优则演”，他表示要多向“老戏骨”雷·温斯顿学习：“我是温斯顿的忠实粉丝。他演的《人渣》和《性感野兽》都是我喜欢的。”
焦土
推荐理由内容主题与本作较为接近
逃亡十二年后，职业罪犯Trojan重返柏林，准备找工作开始新的生活。四处碰壁后，他不得不同意参与盗窃一幅名贵的油画。然而，这场事先精心策划的犯罪很快就失去了控制。Trojan将再次陷入生死攸关的境地。