Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
日本战国时期，分属不同大名的忍者集团也在暗处进行着角力。在一个月朗星稀的夜晚，伊贺忍者耶麻汰（三元雅芸 饰）、阵内（柏原收史 饰）、老鼠等人执行刺探任务时意外与对手相碰，期间天空中忽然飘过一个巨大的火球，令众人颇感意外。耶麻汰等回到村中后，在首领的指示下又去森林中探查火球的真相。途中他们邂逅同属一派的凛林（肘井美佳 饰）及其同伴，众人结伴同行。结果在密林中，伊贺忍者们遭到不明生物的袭击。对方敏捷迅速，杀伤力巨大，忍者们接二连三遇害。耶麻汰、阵内、凛林等人虽侥幸逃出，殊不知来自外星的异型正大肆繁衍。 一时间，伊贺村落惨遭荼毒，耶麻汰等也面临前所未有的挑战……
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推荐理由同属动作、科幻类型，内容风格接近
2004年，专事搜寻矿藏的PS-12号卫星在南极洲14区探测到不明热源，并发现这里有未知文明的遗迹存在。为了抢在他人之前探明真相，PS-12所属公司老板查尔斯·比绍普·韦兰德（兰斯·亨里特森 Lance Henriksen 饰）随即召集格瑞米·米勒（埃文·布莱姆纳 Ewen Bremner 饰）、艾莉莎·伍兹（桑娜·莱瑟 Sanaa Lathan 饰）等一众科学精英组成探险队，朝着人类从未践足的布维岛挺进。 探险队下到地下2000公尺的地洞内，杂糅了各种文明的遗迹令他们目瞪口呆。更令探险队想不到的是，在他们之外来自外星的铁血战士也盯上了这里。他们将和埋藏于此的异形进行宿命的决斗，弱小的人类探险队被迫卷入其中……
推荐理由同属动作、科幻类型，内容风格接近
恶战结束，两名铁血战士带着死去同伴的尸体向家乡返航。令他们想不到的是，死去同伴的身体竟成为异形幼卵的栖息地，成熟的异形破胸而出，并且兼具异形和铁血战士的强大威力，成为了连铁血战士也难以撼动的终极异形。一场残酷的杀戮随即在飞船上进行，最终导致飞船坠毁在科罗拉多州的群山之中。 幸存的异形逃出飞船，并开始恐怖的繁殖，而附近的康尼森小镇的居民也不可避免地成为异形狩猎和寄生的对象，原本宁静祥和的小镇变成了恐怖的人间地狱。与此同时，一个留在地球的铁血战士获知了同伴死前发出的信息，他决定与这群宿命的恶魔敌人奋战到底……
推荐理由同属动作、科幻类型，内容风格接近
2599年，人类酝酿了五百年之久的火星移民计划终于要迈出重要一步了。在此之前，科学家通过向火星投放藻类以及蟑螂以改善火星的生存环境。而今，为了避免死刑的惩罚，小町小吉（伊藤英明 饰）和青梅竹马秋田奈奈绪（武井咲 饰）不得不答应本多博士（小栗旬 饰）的要求，与武藤仁（山下智久 饰）、蛭间一郎（山田孝之 饰）、森木明日香（菊地凛子 饰）、堂岛启介（加藤雅也 饰）等有着不同身份和背景的人们踏入前往火星的飞船。抵达目的地后，他们惊讶地发现蟑螂早已进化成无比健硕高大的生物，并且迅速向他们发起了进攻。 在战斗过程中，他们了解到这次火星旅行的真正目的，于是为了回到地球而拼尽全力与洪水般的蟑螂人战斗……
推荐理由同属动作、喜剧类型，内容风格接近
本片改编自花泽健吾的同名漫画，讲述了曾经辉煌一时的日本忍者，在战后被GHQ解散组织而消失，不过，他们潜伏在世界的所有机关，现代也暗中活动着，据说人数约为20万人。但基层忍者经常找不到工作，其中之一的云隐九郎（山崎贤人 饰）隶属忍者组织“NIN”的末端忍者（下忍），过着与啃老族无异的生活。一天，闲得发慌的他被判了一项重大的“忍务”，那就是调查战后70多年来一直潜入地下的某个组织的动向，其名为——“地下忍者”。忍术、智谋、最新科技等驱使了一切，从未有过的战斗现在开始。
推荐理由同属动作、科幻类型，内容风格接近
忍者战士飞影是一部于1985年10月开始放映的机器人动画片，一共43话，于1986年7月放映结束。总监督是案纳正美，角色设定为加藤茂和平野俊弘，机械设定是大家并不是很熟悉的森木靖泰与大畑晃一，作画监督中有大家比较熟悉的、《吸血姬美夕》的作者垣野内成美。由于并不能算是很老的动画，所以片中无论人物还是机体都还是比较符合近代机器人的审美观点的。片中三部机体与飞影的变形与合体，在当时的机器人动画中已经是相当普遍的现象了，而飞影作为一部无人驾驶的机器人，经常在片中神秘地出现来帮助主角，这一设定在日本的机器人动画中也是比较少见的。 参与此作的声优，有我们比较熟悉的井上和彦、菊池正美、岛本须美、堀内贤雄、日高法子。其中岛本须美曾演绎过动画...
推荐理由内容主题与本作较为接近
失意的少女美智子（小泽玛利亚 饰）决定跳河自杀，但一个不知名的怪物却借此寄宿在了她的体内，劫后余生的美智子获得了一种奇怪的能力，她通过美色诱惑男性，从而达到繁殖后代的目的。作为美智子的朋友，胆小的莉卡（奈美子 饰）渐渐察觉了她的怪异行为，而在亲眼目睹了美智子的恐怖行径后，莉卡落荒而逃。 莉卡遇见了同班女生真弓（南明奈 饰），表面平凡的真弓背地里却是一个专门猎杀怪物的猎人，莉卡向真弓求助，真弓告诉莉卡，美智子的势力已经逐渐壮大，如果不尽快消灭她，整个东京将被异种占领。面对强大的异种，两个孱弱的女孩能够拯救东京吗？
推荐理由同属动作、喜剧类型，内容风格接近
群雄并起的战国时代。第六天魔王织田信长逐一击溃强劲对手，离雄霸天下仅仅一步之遥。在此之前，他将次子织田信雄（知念侑李 饰）送到伊势的北畠当女婿，借着信雄之手，当地大名北畠具教（国村隼 饰）被彻底打倒。然而颇令织田信长感到棘手的是，伊势的邻国伊贺是一个藏龙卧虎、杀机四伏的凶险之地。在那里潜伏着被世人称为“虎狼之族”的伊贺忍者。有超级忍者之称的无门（大野智 饰）隶属于百地三太夫（立川谈春 饰）麾下，虽然武功高强，傲慢无比，却只贪图老婆阿国（石原里美 饰）的温柔乡。为了对抗外族入侵，伊贺各族忍者结为军师联盟。直到某一天，织田大军终于踏上伊贺的土地，无门再也无法安享太平…… 本片根据和田龙于2008年的同名小说改编。
推荐理由同属动作类型，内容风格接近
Document-stealing killer super ninjas are up to no good. A more robust and secure records management system could have discouraged such behavior
推荐理由同属动作、科幻类型，内容风格接近
某个平凡的傍晚，大学生玄野计（二宫和也 饰）在电车站重逢初中时代的好友加藤胜（松山健一 饰）。为了救助一个跌落铁轨的男子，他们二人遭到电车的强烈撞击。然而转眼之间，他们便毫发无损地来到一间密闭的屋子内。这里还有另外七个男人以及一个巨大的黑色球体。根据黑球的指示，这群人需要穿上战服拿起武器去刺杀葱星人。有的人为了奖金投入了杀戮游戏，有的人为了生存而冷酷无情。生死关头，懦弱的阿计和善良的阿胜也不得不投入其中，而前方还有更多的考验等待着他们。此外，名为GANTZ的系统又隐藏着怎样的秘密？ 本片分前后篇两部，根据漫画家奥浩哉的同名原著改编。
推荐理由同属科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.