Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
一个位于匈牙利平原上的小镇迎来了一个马戏团，最为独特的是这个马戏团有一条鲸鱼的尸体和一个神秘的王子。自从这个马戏团来到这个小镇，所有的秩序都收到干扰，最终爆发了一场暴利与善良的冲突…… 幕后制作 前后制作长达四年，只有39个镜头，却与七个不同的摄影师合作，从美国、匈牙利、德国、法国等，以不同摄影师的独特风格创造出不同的精彩片段，剧情以轮转式的从某一个角色的观点游移到另一个角色，鲸鱼马戏团在小镇上的出现，超过六百名的非职业临时演员，融合了早期纪录剧情片式的真实，加上精准的场面调度及强烈的视觉风格，以表现出东欧社会的现况，一块身处在欧洲社会的中央，却是国际社会最边缘局外的景况。
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推荐理由内容主题与本作较为接近
此片不同于以往的 Hammer 吸血鬼的故事模式，描写由吸血鬼化身而成的巡迴马戏团来到一个已经遭受诅咒与疫情的村落，并且带来灾难的故事。此部片的故事背景设定在19世纪的塞尔维亚，这些如吉普赛人般的马戏团成员事实上都是会变身的吸血鬼。
推荐理由内容主题与本作较为接近
Mariupol lies in eastern Ukraine, where the Kalmius river flows into the Sea of Azov. The city, which is centred round the steel works, seems calm but the encroaching conflict between pro-Russian rebels and Ukrainian government forces is tangible everywhere. A theatre ensemble is rehearsing a piece to commemorate Victory Day on 9 May; as they put their hearts into practising their song and dance routines, they hope their city will not be seized on the opening night. The daughter of a cobbler tries her hand at being a war reporter in front of a camera while her father discusses his faith with his female customers. The fishermen hope, as usual, for a good catch. In spite of the explosions that can be heard all around the city’s perimeters, life goes on, accompanied by the pealing bells from the Orthodox Church and the squealing of the tram. Following his sensitive and moving film Barzakh (Panorama 2011), which depicted the search for a man gone missing in Chechnya, director Mantas Kvedaravicius trains his camera once more on a conflict zone and observes and accompanies the people who live there. Everyday life develops a poetry of its own, which occasionally can seem absurd. berlinale 2016
推荐理由同属剧情类型，内容风格接近
I remember seeing this film as a lad on a family outing in Manhattan, topped off by my insistence that we have dinner at Jack Dempsey's Restaurant in Manhattan. Too bad the old champ wasn't there that day or it would have been a perfect Sunday. Seeing it now on a formatted VHS the awesomeness of the spectacle during the scenes of the circus fires and the capsized ship in the harbor is really lost. It's quite an eyeful and should only be scene in theaters. And the film would be revived, but we have a subdued John Wayne here and it's not for the better. This was originally to be a Frank Capra film and Capra bowed out after creative differences with the Duke and some of the Duke's personal entourage. Read the Capra autobiography to find out exactly what they were, but they weren't fully fixed in the final product by director Henry Hathaway who later piloted the Duke to his Oscar in True Grit. John Wayne was a guy who was usually very careful to give the public the Duke they expected. Even when he stretched his abilities it was done with a firm directorial hand. We're asked to accept the Duke as a man who had an adulterous affair here. He also does not throw one punch in this entire film or fire a weapon in other than it being part of his Wild West Show. The people went to see John Wayne, but they didn't get their money's worth. Pity because it would have been great to see John Wayne with Rita Hayworth in a great film. That couldn't have happened when they were younger because of Rita's contract with Columbia pictures and Wayne's personal boycotting of that studio because of his dislike for Harry Cohn. That story I won't go into. Rita Hayworth who doesn't enter into the film until almost halfway through is fine as Wayne's lost love. She and Claudia Cardinale looked just fine in tights as trapeze artists. Lloyd Nolan as Wayne's sidekick is always good. Richard Conte is Hayworth's brother-in-law and Cardinale's uncle. This fine actor is wasted here in a part that either was badly written or left on the cutting room floor. John Smith was a Wayne protégé of sorts, Wayne gave him an early break in The High and the Mighty which he produced. Smith went on to star in the Laramie TV series and on completion of that he was cast opposite Cardinale, probably at Wayne's insistence. I remember always wondering what happened to him because he left show business shortly afterwards. Then back in the Nineties I read he had died of cirrhosis of the liver. I guess you can fill in the blanks. At the time Circus World came out, there was on television a prime time series called International Showtime. It was on Fridays at 8 pm. and it was set in a different city in Europe every week. Hosted by Don Ameche it featured the very best circus acts in the world. So did Circus World, but it certainly was no incentive for people to come out to see this when they could see the same thing at home. Also Paramount re-released Cecil B. DeMille's The Greatest Show on Earth to a brisk box office business at the same time Circus World came out. So for all these reasons Circus World flopped and bankrupted producer Samuel Bronstein. Nevertheless if you're a circus fan you will enjoy seeing this. But it's not the Duke his fans have come to expect.
推荐理由内容主题与本作较为接近
基于真实改编。本片发生在1960年代的匈牙利，以系列残暴凶杀而出名的小镇马特福。真凶被缉拿归案7年后，凶杀再次降临小镇，手法如出一辙，是误判还是效仿？本片中的社会主义国家匈牙利，存在令人窒息的社会、政治和心理博弈，当局者很快发现自己陷入了错综复杂的阴谋和令人不安的戏剧网络中。
推荐理由同属剧情类型，内容风格接近
扎马，一个出生于南美的西班牙军官，等待一封国王授予他更好的位置的调令。他的处境很微妙。为此，他被迫顺从地接受每项任务。当然，国王的命令从未到来。当发现等待是徒劳的时候，他决定参加一个危险的任务，以期让国王听到他的事。然而，当生命处于危险之中，他发现他唯一的愿望是活着。
推荐理由同由 塔尔·贝拉 执导
“1889年1月3日，都灵。弗里德里克·尼采在维亚·卡罗·艾尔波特酒店的六号门前驻足。他的目光被酒店外的一个马车吸引。不远的地方，停着一辆小马车。马车的车夫遭遇到了一匹倔强的马。不管车夫怎么喊叫，马匹根本没有要移动的意思。最终，车夫失去了耐心，拿起了鞭子，朝马匹打去。尼采见到此番情景，挤进人群，冲到马匹跟前，阻止住马夫，抱住马的脖子，痛哭起来。酒店的主人赶来，拉走了尼采。回到酒店的尼采在沙发上安安静静地、一动不动地躺了两天。随后，他小声地说了几句话。接下来，就是尼采精神错乱、神经颠颠的十年，由他的妹妹和母亲照顾的日子。谁也不知道，在都灵，在那匹马的身上，在尼采的心理，发生了什么。”
推荐理由同属剧情类型，内容风格接近
Beto is a lonely man who works as Ranger of the isolated Peninsula Valdes' National Park (Chubut, Argentina). Lover of the nature and animals, the peace of his days watching orcas, seals and sea lions in the sea ends after the arrival of Lola, a Spanish mother who travels there from Madrid with his autistic 11 years old son Tristán looking for Beto after both watch him in a documentary about whales. Desperate, Lola asks help Beto in order to make a therapy for Tristán, hoping that his isolation caused by the autism can be overcome. Reluctant at the beginning, Beto agrees to help Tristán, sailing by the cost in a boat to meet orcas (defying the rules that prevent touching them and swimming them), the only one that causes emotional responses in Tristán. As days go by, Tristán starts slowly to express emotions, in the same way that Beto's boss tries to fire him in the belief that orcas are a dangerous killers whales, Lola realizes about a familiar trouble in Spain and that they Lola and ...
推荐理由内容主题与本作较为接近
马赛的旧渔港区马尔穆斯克，聚集了许多新住民和来自世界各地到此戏水的游客。薇吉妮（Virginie）在街上寻找她的猫，而艾莉娜（Elina）确信自己丈夫在她的手机上安装了间谍软体。这两个朋友决定划着皮艇，去一个不会被窃听的区域交谈。 多萝泰·塞巴格（Dorothée Sebbagh）透过一系列的短篇故事带我们旅行，这些故事交织在一起，描绘出了马赛地区独特的人文风景。 《海边的马尔穆斯克》讲述着关于友情和感情之美的真实夏日故事，是一部有趣、刻画人性且乐观的作品，让观众看电影的同时，也跟着剧中主角去观察、感动和探索甜蜜的生活。
推荐理由同属剧情类型，内容风格接近
本片开始回顾了一战时第一部反映巴尔干半岛的默片，内容是描述纺织女工生活的场景。主人公（哈威·凯特尔 Harvey Keitel 饰）是个希腊裔美国人，在经历战争洗礼后，他怀着感慨的心情重归故里，寻找电影开始的地方。他跟同伴讲述着曾经在这里度过的岁月，怀旧而伤感。特别是看 到教徒手持火把游行的情景，勾起了他对残酷战争的回忆。最后，他决心逃离。大雪漫天，他要了辆出租车，并答应送一位老人回家乡看看。然而，满目疮痍的战争废墟，让老人无家可归。汽车在雪地里抛锚，他只能登上了列车继续前行。在萨拉热窝，他在电影馆馆长的陪同下，寻找那部默片未果，却和馆长的女儿一见钟情。他高调地进入社交圈，却发现这里已经被前苏联的文化浸染，到处吟唱着喀秋莎的旋律。他曾目睹列宁的雕像被卸开，内心涌动着复杂的感情…… 本片获得1995年戛纳电影节评委会大奖。
推荐理由同属剧情类型，内容风格接近
影片改编自Samuel D. Hunter创作的同名戏剧，讲述在爱达荷州乡村一个破旧的公寓里，重达272公斤的英语教师查理（布兰登·费舍 饰）隐居避世，固执、坚决地要把自己吃死。查理在中年时期为了同性情人抛弃家人，但情人过世后因为悲伤和内疚暴饮暴食，并且尝试与17岁的女儿艾莉（萨迪·辛克 饰）修复关系。 随着查理越来越接近不可避免的命运，他的朋友丽兹（周洪 饰），一个愤世嫉俗的无神论者护士，以及埃尔德·托马斯（泰·辛普金斯 饰），一个年轻的传教士都试图在查理身上找到能被拯救的意志，无论是肉体上还是精神上。然而，只有与查理关系疏远的女儿艾莉才能让他看到目前绝望状态之外的未来，艾莉虽然尖酸刻薄、充满仇恨、浑身是刺，查理却能在她身上找到最后一次赎罪的机会，甚至可能是一丝希望。
推荐理由内容主题与本作较为接近
在梅尔维尔的皮廓德号追赶白鲸的地方，《利维坦》捕捉到了人类、自然和机器的合作冲突。这部影片由十几台摄影机拍摄，这些摄影机被抛来抛去，从渔民到制片人，这是一幅从未见过的商业捕鱼的宇宙画卷。