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无须多言 豆瓣 7.4
参考电影

无须多言

2013 剧情,喜剧,爱情 美国

专业按摩师Eva(茱莉亚·路易斯-德瑞弗斯 Julia Louis-Dreyfus 饰)是个离婚十年的女人,有个正处在叛逆期的女儿。在一个派对上,她在一个客户介绍下认识了一个女诗人Marianne;又在另一个朋友的介绍下认识了一个中年离婚男人Albert(詹姆斯·甘多菲尼 James Gandolfini 饰)。一开始她对肥肥的Albert并无好感,但在第一次约会之后,她发现了他身上某些地方挺吸引她的,两人很快确立了关系。同时,女诗人Marianne也成为Eva的客户,她经常上门为她按摩,两人也成了无话不说的好朋友。Marianne向Eva说起她的前夫的种种缺点,Eva发现,Marianne的前夫竟然就是自己的男朋友!她开始觉得Albert身上的缺点越来越明显,她该如何维持和Albert的这段关系?

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爱丽莎的情人 豆瓣 6.9

爱丽莎的情人

1995 剧情 法国

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妓女艾丽莎陷入困境后,以枕头闷死了自己三岁的女儿玛丽,并随后用手枪结束了自己的生命。然而,玛丽奇迹般地活了下来,并被送入一个公共救济机构。在孤儿院中长大的玛丽怀着对男人的仇恨,一直想找到她的父亲,将他视为导致母亲悲剧和自身不幸的罪魁祸首。 当玛丽(凡妮莎·帕拉迪丝 Vanessa Paradis 饰)年满18岁离开孤儿院后,在朋友的帮助下,她开始调查她父亲的下落。她发现父亲名叫雅克,曾是一位不受欢迎的音乐家。她决定为母亲和自己复仇。通过努力,她找到了雅克目前的藏身之处。一开始,玛丽隐瞒自己的身份,设法接近雅克并对他进行侮辱,甚至想使用枪支杀害他。但后来,她逐渐了解到雅克是一个备受迫害的犹太人,他的父母惨死,他的童年充满痛苦,他的才华无法得到重视,生活陷入困境。为了不连累深爱他的艾丽莎,他只能离开她。不幸的是,这导致艾丽莎走上了死亡的道路。此后,雅克深陷愧疚中,自暴自弃、无法自拔。

Retreat Vama Veche

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2024 喜剧 罗马尼亚

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Eva, a psychologist specializing in couples therapy, is about to get married and her best friends are organizing her bachelorette party at a discreet tantra-yoga retreat in Vama Veche

辣身危情 豆瓣 6.3

辣身危情

1994 剧情,惊悚 美国

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Overall, this is a banal story of revenge, in which as the Black Mamba Shannon Tweed - famous actress erotic genre in second-rate American films early and mid-90s. Actually, for the sake of her adventures, and its only worth watching. In the tape she manages to seduce the whole family: the father, the mother, and, most interesting of their young son. Intimate scenes average frankness with nudity, but not pornography, with continuous background music, but also with the "original" actor dubbing Ohoven poisonous substances and so on. In general, leave a good impression. Director of the Scorned, Andrew Stevens, once played in a movie Massacre at Central High, made in 1976.

海滩上的女人 豆瓣 7

海滩上的女人

1947 剧情,爱情,犯罪 美国

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Woman on the Beach is a controversial film noir, an intense psychological drama about the world�s leading artist, recently blinded, who is obsessed with his condition and takes out his frustrations on his beautiful wife. A Coast Guard officer, recuperating from injuries suffered during the war, is drawn into their quiet conflict, and they become locked in an odd symbiotic relationship. This was the last American film by the French screen legend Jean Renoir. Critically panned when first released, the film later developed a cult following by many who consider it an existential masterpiece. A WWII Coast Guard veteran, Lt. Scott Burnett (Robert Ryan), is plagued by nightmares of his combat days. One day, he meets a woman, Peggy Butler (Joan Bennett), walking on a beach, picking up pieces of wood. Butler is married to a grumpy, blind painter, Ted Butler (Charles Bickford). Despite his affections for his fianc�e Eve (Nan Leslie), whose father is a boat builder, Scott falls in love with Peggy and soon breaks off the engagement. Peggy reveals that she blinded her husband years earlier by throwing a glass at him during an ugly spat, ruining his career and her own ambitions to be an upper-class socialite. Scott fears that Ted is suspicious that he is having an affair with Peggy and becomes so paranoid that he begins to believe that Ted is faking his blindness — and sets out to prove it. This was the fifth and final American film by the great French writer-director Jean Renoir.

阿瑟·米勒:作家 豆瓣 8.2

阿瑟·米勒:作家

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Rebecca Miller’s film is a portrait of her father, his times and insights, built around impromptu interviews shot over many years in the family home. This celebration of the great American playwright is quite different from what the public has ever seen. It is a close consideration of a singular life shadowed by the tragedies of the Red Scare and the death of Marilyn Monroe; a bracing look at success and failure in the public eye; an honest accounting of human frailty; a tribute to one artist by another. Arthur Miller: Writer invites you to see how one of America’s sharpest social commentators formed his ideologies, how his life reflected his work, and, even in some small part, shaped the culture of our country in the twentieth century. An HBO Documentary Film.

杀人如麻 豆瓣 6.8

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A gruesome homage to the cult Amicus anthology Asylum, Cradle of Fear unfolds four screamplays all linked by the unspeakable need of an incarcerated child killer to wreak vengeance on those responsible for his imprisonment. Helped by deranged angel Dani Filth, who leaves a trail of charnel house death in his crimson wake, the cannibal convict forces two Goth vamps to endure a one night stand from hell, two tough female robbers to see through each other, an obscenely rich coke-head to chop up more than a few lines and an internet surfer to descend into madness when he uncovers the ultimate web depravity.

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While a virus that causes the dead to reanimate brings the world to its knees, the scientist responsible entrusts his cataclysmic findings to Katya Nevin, a troubled ex-war correspondent turned anchor-woman at W.W News. While she and the rest of her crew witness the collapse of society via video feeds from around the globe, a deadly special agent climbs the building floor by floor, his only goal to ensure her silence. Armed only with information and an indomitable will to live, Katya must overcome her crippling anxiety and learn to lead in order to make it out of the studio and into a terrifying new world where only the dead survive.

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After her heartbreaking miscarriage and failing career as a model, Elise has now found herself without a career and living as a stay at home wife to a wealthy business man who, over the years, seems to have got tired of her. Worried he is being unfaithful, Elise goes to spy on him, when she bumps into a mysterious and alluring photographer. A passion strikes between them both and a steamy affair begins. The photographer shows Elise sites and feelings she's not felt before; introducing her to sleep with a variety of different men. As they sexually experiment together, Elise's husband grows to realise he might be loosing Elise. He tries to reignite the spark in their relationship, making her feel guilty for her secret affair. She plans to call the relationship quits when the photographer threatens to blackmail her with secret recorded sex tapes of them together. The photographer becomes controlling, stalking her, ensuring Elise is left with nothing and no one, but him. A tale of love, ...

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一切安好 豆瓣 5.7

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A megalith rises from a sandy desert – or rather, a scale model of such a landscape. “I am the archive”, says a young female voice while ominous string music nails viewers to their seats. This opening sets the stage for the narrative and figurative language of Rithy Panh’s dense mnemonic essay which uses stunning dioramas to tell a twenty-first century dystopian story. After a century of genocidal ideologies and destructive speciesism, animals have enslaved humans and taken over the world. In a wave of hope, the statues of the past have been removed but new ones are being erected to suppress the will of the people. This is now a planet of apes, boars and lions, and a zoological revolution is reversing and recreating the atrocities of the 20th century. As animal figures watch the film archives of our world, it feels as if Lumière has been transported into a film by Méliès or Willis H. O’Brien. We are all well aware that history repeats itself first as tragedy, then as a farce. The time has now come for this farce, in which “political language inhabits our dreams and consumes us”, to allow the possibility of a “graceful and tender insubordination” to emerge.