Moovie 影牛
按内容相似度排序，推荐理由根据共同类型与主创信息生成。
1957年某晚，居住在美国加州莫哈维沙漠小镇中的天文学家泰德•刘易斯博士（艾瑞克•麦柯马克 Eric McGormack 饰）正为爱妻拉娜（乔蒂•汤普森 Jody Thompson 饰）准备结婚周年纪念的烧烤晚餐，突然发现一颗流星从天而降坠毁在不远处的小山坡上。同样目睹流星飞过的还有小镇餐馆女服务员泰米（詹妮•拜尔德 Jenni Baird 饰）。泰德前去查看，发现“流星”竟是一艘外星飞碟，自己也被外星人“厄普”俯身。厄普在泰米的帮助下全力搜寻逃匿的独眼外星怪兽“格塔”，却依然赶不上“格塔”吃人的速度。更可怕的是，一旦“格塔”开始以几何级数速度分身，将陷整个地球于不可挽回的危险之中。
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推荐理由同属科幻类型，内容风格接近
A spaceship returns to Earth carrying samples from Proxima b. As scientists study the specimens, they discover the alien elements are alive.
推荐理由内容主题与本作较为接近
地球上大批儿童的下落不明，引起了社会的极度恐慌，相关组织积极展开调查却一无所获，就在众人一筹莫展之际，神秘组织“天安基金会”出现，派出马天马与李昂秘密调查此事。两人虽成功破获了多起儿童失踪案，保护了社会安宁，但令二人没想到的是，这仅仅是外星生物组织“安妮会”邪恶计划的第一步。打开异次元虫洞，召唤出强大的外星生物“瓦苏恩”，并协助“瓦苏恩”攻占地球，才是他们的最终目的。m.qiwan.cc为了摧毁外星物种的侵略计划，马天马决定深入敌方老巢——“魔方城”。与大多以“打开未知世界探索秘密”为主线的科幻影片不同，《猎杀外星人》在现实世界与幻境之中勇于面对种种“不美好”，敢于揭露阴暗之欲。影片将故事背景设定在了千万年后的未来世界，光阴流转，时代更迭，可即便是在遥远的未来，人性未变，黑暗犹在，欲望更深。隐藏于地球的外星生物组织“安妮会”是对黑暗势力企图摧毁世界的贪念的披露，以“儿童失踪案”为故事导火索则影射了社会尚存险恶，告诫众人应提高危机意识，心存善念，共同维护社会的和谐安定。
推荐理由同属科幻类型，内容风格接近
小埃利奥特（亨利托马斯）发现一个意外走失的小外星人，他悄悄的收留了小外星人，并把他介绍给自己的哥哥和妹妹。孩子们与外星人友好的相处，给他吃巧克力，带他去郊外寻找家人留下的痕迹，并为小外星人的种种特异功能兴奋不已。渐渐的埃利奥特与外星人之间形成了某种奇妙的联系，跨越了言语沟通的障碍。 可是不久，外星人的存在被大人们知晓，无情的追捕行动展开了。ET被抓进实验室，小埃利奥特也一病不起。孩子们愤怒了，他们自发组织起来，营救外星人。埃利奥特也在心灵的感召下苏醒过来，加入营救行动。他们能成功么？
推荐理由同属惊悚、科幻类型，内容风格接近
After leaving her fiance at the altar, Melissa joins friends at a cabin. When Jenny is found mutilated in the woods and aliens attack the nation, the girls must fight to survive.
推荐理由同属喜剧、科幻类型，内容风格接近
住在加州某小镇的美丽女孩苏珊·墨菲（瑞茜·威瑟斯彭 Reese Witherspoon 配音）即将和他深爱的男友德里克·迪尔特（保罗·路德 Paul Rudd 配音）走入婚姻的殿堂。可就在这关键时刻，她先是被一颗陨石砸到脑袋，继而全身发光变成一个身形高大头发雪白的巨人。她的变化吓跑了亲朋好友，随后一群全副武装的神秘之人将其抓获并囚禁起来。苏珊被军方带到52区的秘密基地，与来自地球各个角落的怪物们称为科学家们研究的对象。 与此同时，一个藏有邪恶力量的不明飞行物正以极高的速度接近地球，它所带来的外星人加莱克萨哈（瑞恩·威尔森 Rainn Wilson 配音）扬言要摧毁地球，毁灭人类。人类奋起反抗，但是他们的武器在加莱克萨哈面前全部败下阵来。地球危在旦夕，人们把命运寄托在了苏珊及其怪物朋友的身上……
推荐理由同属科幻类型，内容风格接近
Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
推荐理由同属科幻类型，内容风格接近
异星球因为文明衰落，导致战争不断，客族大将异客率领部下准备推翻波伊夫人的统治，但无奈没有五行珠一时还攻陷不下，于是借来凤凰之力，准备给波伊夫人致命一击，就在异客将军快要攻陷波伊族皇宫时，波伊夫人将公主新月雅和新月冰送到地球，并把拥有无限力量的五行珠交予新月雅，期望她们能快速学习地球文明来复兴异星衰落的文明。
推荐理由内容主题与本作较为接近
外星人首领得知能量体存在在地球上，为了得到能量体。首领派球球去地球查探能量体的下落，并夺得能量体。球球来到地球后，在偶然的机遇下得知能量体在四眼的身边。便开始接近四眼等人，以朋友的身份一直在四眼等人身边潜伏。渐渐地球球在大家的相处下渐渐发现人类都有一颗善良的心。开始觉得自己不应该再继续这样错下去，便开始动摇。首领一直没有得到消息，便派蛋蛋来到地球查探。蛋蛋决定自己下手，阴差阳错几人开始了一场搞笑而又惊险的旅行。两人决定放弃，就在大家都以为能和平时，外星杀手附身小美开始了一场激战。直到这时，大家才知道能量体是四眼的妹妹，妹妹为了自己哥哥的性命决定随外星杀人离开，最终四眼获救，却与妹妹从此分别了。
推荐理由同属科幻类型，内容风格接近
俩宇航员在太空中捡到一个铁皮的蛋，有橄榄球那么大。带回地球后，它“孵化”出一个机器人。当然被我们干掉了，但这只是开始。原来它们是有生命的机器，几百亿年前就想征服地球了，但被当时的人类（当时居然有人类！而且科技很发达！前一批人类！！）阻止在月亮上。今天终于利用现在人类的登月舱充了电，重新执行征服计划！！ 当然结果还是我们人类胜利了。